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Some Key Principles of the Renaissance Imitation of nature Desire to surpass classical models in quality Rationality and empirical knowledge Reconciling these other goals with Christianity Arts innovation through trade, travel, growing patronage

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Some Key Principles of the

Renaissance

• Imitation of nature

• Desire to surpass classical models in quality

• Rationality and empirical knowledge

• Reconciling these other goals with

Christianity

• Arts innovation through trade, travel,

growing patronage

Giorgio Vasari (1511-1574)

Lives of the Artists

(1550 and 1568)

• Rule

• Order

• Proportion

• Design

• Style

Giotto (1303-6) and Raphael (1507)

Giotto (1303-6) and Leonardo (1490)

Andrea Mantegna,

Saint Sebastian (1460)

Hagesandros, Polydoros, and Athenodoros of Rhodes.

Laocoön and His Sons. Probably the original of 1st century BCE or

a Roman copy of the 1st century CE. Height 8’.

Michelozzo di Bartolommeo

Palazzo Medici-Riccardi (1444)

Palazzo Rucellai (1446-51)

Attributed to Leon Battista Alberti

Andrea Palladio, Villa Capra or Villa Rotonda (1557-83)

Near Vicenza, Italy

Palladio. Plan of Villa Rotonda, Vicenza. Begun 1560s.

Vitruvian Man (1487)Leonardo da Vinci

Self-portrait (1514)

Leonardo da Vinci

Virgin of the

Rocks (1490)

Key terms for Leonardo:

• Sfumato

• Chiaroscuro

Leonardo da Vinci,

The Last Supper

(1495-1498)

Santa Maria delle Grazie, Milan, Italy

Leonardo da Vinci

Mona Lisa(1503-06)

Raphael,

Sistine Madonna

(1512-13)

RAPHAEL

Transfiguration (1516-20)

22-17

Raphael, School of Athens (1509-11)Stanza della Segnatura, Vatican, Rome

http://www.mlahanas.de/Greeks/SchoolAthens.htm

PHILOSOPHY

JUSTICE

POETRY

THEOLOGY

School of Athens

Arts Sciences

Parnassus

Lyric

Poetry

Epic

Poetry

Disputá

Conservative Liberal

Virtues

Justinian

Gregory IX

Solomon

Adam andEve

Apollo

Astrology

RAPHAEL: Stanza della Segnatura -- Themes

Michelangelo. David. 1501–1504. Height 17’ without pedestal.

MichelangeloSistine Chapel Ceiling

“The Creation of Adam”

MichelangeloSistine Chapel Ceiling (1511-12)

“Temptation and Expulsion”

22-13

Michelangelo

Last Judgment, Sistine Chapel (1534-1541)

Saint Peter’s Basilica

Michelangelo (1546-93)

Pope Julius II

Raphael (1511-12)

St. Peter’s Basilica

Short History Link

Donato Bramante

Tempietto (1502-1510)

Rome

Saint Peter’s Plan

Donato Bramante

Commemorative coin dated 18

April 1506

Saint Peter’s Basilica

Renaissance: Michelangelo (1546-93)

Baroque: Carlo Maderno westwork (1607-15)

Bernini colonnades (1620)

Lucas Cranach the Elder,

Martin Luther (1533)

Key date: 95 theses, 1517

Wittenburg, Germany

Matthias Grünewald. Isenheim Altarpiece (Closed). c. 1510–1515. Colmar, Germany

Lucas Cranach the Elder, Wittenberg Altarpiece (1547)

Albrecht Dürer,

Self-Portrait (1500)

23-06

Dürer, The Fall of Man, or

Adam and Eve (1504)

Engraving

Iconoclasm

Saint Peter’s Basilica

Baldacchino by Bernini (1624-33)

Pieter Jansz Saenredam

Church interior (1649)

What about earlier interiors?