programming inventorying existing spaces establishing design goals
TRANSCRIPT
Programming
Inventorying Existing SpacesEstablishing Design Goals
Measurement of light Candela (cd)(metric unit)Candlepower (Non-metric unit)
The fundamental photometric quantity of luminous intensity
The light output of an ordinary candle
The luminous intensity, in a given direction (A solid angle), of a source that emits monochromatic radiation of frequency 540 x 1012 Hz and that has a radiant intensity in that direction of 1/683 W/steridian
Radiant FluxRadiant PowerThe transfer of Radiant Energy per unit of time
Units of measurement
(Rae, 2000)
Measurement of light
Steradian - The solid angleFor a sphere having a radius of one unit, a one-square-unit area on the sphere’s surface represents a solid angle of one steradian
Luminous fluxThe radiant flux falling on a unit area of the sphere’s surface (steradian) from a source at the center of one candela
Units of measurement
(Rae, 2000)
Measurement of light
Lumen (lm) The unit of luminous flux (power)
The quantity of luminous flux falling on one square unit (steridian) the sphere’s surface is one lumen (lm)
The area of the sphere’s surface is 4 square units, so the luminous intensity of one candela(cd) produces a total luminous flux of 4 lumens (12.57 lumens)
Units of measurement
(Rae, 2000)
Measurement of light
IlluminanceThe concentration of luminous flux falling on a surface
LuxThe illuminance on a sphere with a radius of 1 meter (m) (1 lm/m2))
FootcandleThe illuminance on a sphere with
a radius of 1 foot (ft) (1 lm/ft2)
Lux = FC x 10.76FC = Lux/10.76
Units of measurement
(Rae, 2000)
Measurement of light
Luminance The visual effect that luminance produces The light entering the eye Depends on Illuminance The projected area on a plane perpendicular to the
direction of view Unit of measurement – cd/m2
Units of measurement
Brightness Perception / Light distribution
Distribution Concentrated Diffuse
Direction Downward Lighting
Has a restricted angular spread Glare is prevented by spread and the eyebrow Referred to as direct lighting
Upward Lighting Usually indirect reflection from ceiling surface Multi-directional Lateral directioning is limited
Brightness Perception / Light distribution
Concentrated Downward (Direct) Narrow beam spread
Beam spread of 30 degree or less Low ceiling - overlap of beam on floor surface is
difficult
Diffuse Downward (Direct)
Beam spreads of 80 to 120 degree Most downlights offer this Yield a low contrast setting
Brightness Perception / Light distribution
Concentrated Upward (Indirect) Ceiling becomes visually prominent Ceiling becomes a secondary light source In low ceiling situations areas of high luminance can cause
glare In high ceiling situations beam overlap may occur creating
uniform lighting
Diffuse Upward (Indirect) Uniform ceiling luminance
Brightness Perception / Light distribution
Multidirectional Diffuse (General Diffuse) The upward indirect distribution will diffuse the
downward distribution May create a uniform, high-brightness interior
Semi-direct and Semi-indirect - %
Vertical Surface Illumination May be a substitute for indirect ceiling lighting Lightens shadow and reduces excessive contrast
Direct / Indirect
Often the ideal lighting arrangement
Subjective Impressions Spaciousness
Uniform peripheral lighting – Wall lightingIntensity of room perimeterUniformity of room perimeter
RelaxationNon-uniform lighting
Peripheral wall emphasis rather than overhead lighting
Privacy or IntimacyNon-uniform lighting
Tendency toward low light intensities in the immediate surroundings with higher brightness remote
from the viewer
peripheral emphasis is a reinforcing factor, not a decisive one
Subjective Impressions
Pleasantness and Preference
Non-uniform lighting systems from concentrated down lighting systemsPeripheral wall emphasis - non uniform
Gloom
Conditions in which fine detail in the periphery are obscuredHigh task luminance with low luminance on the peripheral surfaces
VariationIncreases stimulation and impressions of pleasantnessVary visual environment during the daily activitiesIdeal is a controllable variability of the lighting environmentFinishes, textures, color variation
References
Gordon, G. (2003). Interior lighting for designers (4th ed.). Hoboken: John Wiley & Sons.
Rea, M. S. (2000). The IESNA lighting handbook: Reference and application (9th ed.) New York: IESNA.
Steffy, G. (2002). Architectural lighting design (3rd ed.). New York: John Wiley & Sons.
Michel, L. (1996). Light: The shape of space: Designing with space and light. New York: Van Nostrand Reinhold.
West, J. L. (2001). Architectural Lighting Design. (personal lecture notes. Professor James West, Dean, Mississippi State University, College of ArchitecturePile, J. F. (2003). Interior design (3rd ed.). New York: Prentiss Hall.
Inventorying Conditions of Existing Spaces
Space Dimensions
Size of space impacts many lighting issues
Low ceilings – separation of fixtures may cause non-uniform lighting
Narrow, low ceiling spaces offer the least efficient use of light
Ceiling heights less than 9’ are unlikely candidates for ceiling-suspended indirect, semi-indirect, or direct/indirect lighting systems
Space measurements may afford quick Take-offs to ball-park budget issues (experience)
Inventorying Conditions of Existing Spaces
Spatial form
Generally, larger, moderate ceiling heights (10 to 12’) offer more efficient use of daylight and electric light
Long, narrow spaces with low ceilings promote a sense of enclosure or confinement especially with no wall lighting Architectural element focus
Lighting and color can help in the spatial perception of apparent size
Inventorying Conditions of Existing Spaces
Space Activities
The variety of activities will affect the need for illuminance variation to match the activity requirements
Activities for the project may be different from the existing spaces
How spaces are to be used and what kinds of visual activities may be involved
Inventorying Conditions of Existing Spaces
Visual Tasks
Survey and observe users regarding the kinds of tasks they typically perform and the duration of the tasks and the time of day
Size of tasks
This will help establish lighting criteria (goals) appropriate to address these tasks
Inventorying Conditions of Existing Spaces
Occupants Ages
Occupants in newly designed spaces will usually have the same demographics
Lighting criteria should be developed based on these age groupings
Scale of tasks will make a difference
60 year old eyes need twice as much light as 20 year-old eyes
Aging eyes are also more sensitive to glare – optical distribution, indirect versus direct
Increase in adaptation time Decrease in visual acuity Decrease in contrast sensitivity Color distortion – yellowing of lens
Inventorying Conditions of Existing Spaces
Furnishings
Lighting system efficiency is greatly influenced by furnishings
Shadows can result in complaints of dimness or too little light – a result of furniture size and configurations
Ex: Work station partition height related to ceiling height. (less than 3’ difference)
Subjective impressions – feeling of confinement
Need to understand furniture in elevation
Inventorying Conditions of Existing Spaces
Surface Finishes and Color
Surface finishes and color affect both the objective (quantitative) aspects of light and the subjective (qualitative) aspects of light
Reviewing the reflectance and the gloss of surfaces will help in understanding glare (or lack thereof) and degree of overall brightness impressions (or lack thereof)
Surface reflectances influence transient adaptation as users switch views among paper tasks, computer tasks, and background surfaces
Inventorying Conditions of Existing Spaces
Existing Lighting
Existing lighting may be inadequate but the users have adapted
Illuminance measurements should be made on both horizontal and vertical surfaces
Record types of lamps and luminares used and their layout
Record daylight-admitting openings as well
Probably the most problematic lighting solution would be the users’ existing situation that is identified by the users as problematic – so, in order to improve you need knowledge of existing user criticisms.
Inventorying Conditions of Existing Spaces
Owner’s Feedback and Expectations
What is the image the owner wants to promote
Are there quality expectations that the owner has seen or experienced in other facilities and wants to incorporate
What are the ego issues
Budget requirements
Decorative lighting may improve productivity – pleasant atmosphere.
(Steffy, 2008)
(Steffy, 2008)
Establishing Lighting Design Goals
Those attributes, both soft (subjective) and hard (objective) that the lighting system is designed to address
Goals are not fixed but are the direction the design team is striving to meet.
Goal Change Financial problems develop Owners’ and users’ opinions change There is a change in staff of the owner Corporate takeover
“Providing only enough light may, in fact, create occupant complaints and dissatisfaction and ultimately lead to a
reduction in performance, less time spent in the offending environment, and an overall morale problem”
( Steffy, 2002, pg 43)
Establishing Design Goals
Spatial Factors
Visual environment pleasantnessLighting hardware scale and shapeLighting hardware spacing and relationships to architectural
elements and other building systemsLuminance patterns, intensities, and uniformities
Spatial definition – Patterns that support the architecture, wall, ceiling, focusSpatial order – 3-D and 2-D – Sympathetic to the architectureCirculation – help to direct, intensity factorFlexibility – moveableControls – functionality - energy use, load shedding, lamp lifeAcoustics – Ballasts and transformers noise impactHVAC – Lighting loads (cooling), positioningCeiling systems – reflectance characteristics, trim, tegular, plenumCodes – egress, thermal protection, ADA, power limitsOrdinances – Light trespassSustainability – efficacy, lamp life, white light, recycling, embedded
energy
Establishing Design Goals
Psychological and Physiological Factors
Sensory responses – color temperature/temperature senseVisual hierarchies and focal factors
Signification, visual interest, distractionVisual attraction – perception, chromatic contrastSubjective impressions
clarity, spaciousness, preference, relaxation, intimacyDaylighting – view, health, illuminance, sustainabilityNightlightingHealth – UV, Vitamin D, Circadian rhythm
Establishing Design Goals
Task Factors
Visual tasks – including facial recognitionIlluminances – fc Luminances
Disability glare, discomfort glare, reflected glare, veiling reflectionSurface reflectances – spectral, spread, diffuse (guidelines)Surface transmittances – direct, spread, diffuse (guidelines)
Establishing Design Goals
(Steffy, 2008)
(Steffy, 2008)
(Steffy, 2008)
(Steffy, 2008)
(Steffy, 2008)