quarterly bulletin, december - 2016 · december - 2016 samyukta saraswat, dec. 2016 2 i am happy to...

QUARTERLY BULLETIN, DECEMBER - 2016

II Þeer Meebleeogiee& efJepe³eles II II Þeer Meebleeogiee& efJepe³eles II

1SAMYUKTA SARASWAT, DECEMBER-2016

Editor in chief :-

Dr. Ajit Gunjikar

Editor :-

Sunil Rege

Advisory Committee :-

Girish Joshi

Subhash Saraf

Kishor Masurkar

Girish Pikale

K.G. Mallya

Maj. Paresh Joshi (Retd.)

Uday Redkar

Editorial committee :-

Vinay Rege

Smita Pagnis

Dattatreya Tendulkar

Ashutosh Nadkarni

Editor

December - 20164

2

Þeer Meebleeogiee& meeOe& ®elegëMeleeyoer ceneslmeJe ÒeMeeble keÀmeyeskeÀj

Golden era of Shri Gokarn Math

Talented young Sarasawat, Anvita Telang Ashutosh Nadkarni 7- 8

Kavale Math - Navaratri Celebration Smita Pagnis 9 -10

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Deeveboe®es [esner keÀu³eeCe Jeox

The GSB Sammelan, Hejmady Kadambi Prabhu

G.S.B.S. Medical Trust

Guru Dutt Leagendary Saraswat

4

K. G. Mallya 5 - 6

13

14

15

16-20

21-22

23-24

Gita Pai 24

Vijay Rege 26-27

Devi Navadurga, Kuldevata of many GSBs Girish Gavaskar 11-12

2)

3)

4)

5)

6)

7)

8)

9)

10)

11) Saraswat Brahman Samaj Jayraj Salagaokar

12)

13)

14)

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FROM THE DESK OF PRESIDENT

DECEMBER - 2016

SAMYUKTA SARASWAT, DEC. 2016 2

I am happy to present this Oct-Dec.2016 issue of Samyukta Saraswat bulletin

to members and well-wishers of AISCO. The cover story of this issue is about

Shree Shantadurga Saardh Chatushatabdi Mahotsava ceremony organized

recently by Shree Shantadurga Devasthan, Kavlem, Ponda, Goa.

In our last issue we had made an appeal to all Saraswats to contribute articles, poems etc. for our

bulletin. We have received overwhelming response to this appeal from Saraswats settled in different

parts of our country. Earlier, Mr. K.G. Mallya had been efficiently publishing Sayumkta Saraswat

bulletin for more than a decade and to follow his path was not an easy task. However our first issue

published from Mumbai has received enthusiastic response and support which clearly indicates that

we are marching ahead in proper direction.

Dr. Ajit Gunjikar

President

Organising this 450 years completion ceremony of Shree Shantadurga Temple was really a historical

event and we are honoured to publish it as a cover story of our bulletin.


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ÒeMeeble keÀmeyeskeÀj


GOLDEN ERA OF SHRI GOKARN MATH

About this Book

While writing this book, I was much

conscious that there are quite a few books,

souvenirs, published photograph albums,

special issues of various magazines and

newspapers on H. H. Shrimat Vidyadhiraj

Tirth Shripad Vader Swamiji of Shri Gokarm

Partagali Jeevotham Math. Yet I thought that

I too must write a book or a book-let at least,

befitting the great occasion of 50th

Chaturmas aptly called ‘Suvarna Chaturmas’

of Shri Swamiji in Mangalore Branch of Shri

Gokarn Math from 24th July, 2016 to 16th as I

had attended quite a few great events of the

Math and also of

Shri Swamiji, starting from the ‘Deeksha Day’

of Shri Swamiji on 26th Feb., 1967 in Wadala

Math, Mumbai. I had not only witnessed but

also recorded many events by way of press

reports and articles in some of the

magaz ines l i ke Konkan i Mon th l y

P a n c h k a d a y i , K a n n a d a M o n t h l y

Yugapurusha and Samyukta Saraswat,

Quarterly English Bulletin of All India

Saraswat Cultural Organisation, Mumbai

from 2000 to 2016. All these reports have

found a place in this book in one from or the

other.


According to me, Shri Swamiji is a Great

Achiever if I am permitted to say so and also

a Spiritual Master of great eminence in the

era as of Religion and Spiritual matters. His

Holiness has led by example how great

things can be organised and results be

obtained by constant efforts and also by

winning the grace of the Lord Almighty by

sincerely praying and seeking His Mercy at

all times. I am grateful to Shri Swamiji for

giving me an opportunity to write by giving

information I needed and also photographs

to be included in this book.

Then I must express my sense of gratitude to

Shri Swamiji who was kind enough to release

two of these books: K. G. Mallya(AISCO)

1) “Rigveda, Ashwalayana and Saraswat

Brahmins” during the Vishwa Saraswat

Sammelan in Mangalore in Dec., 1999 and

2. “Wedding of Princess Sita” during the

Vishwa Shanti Mahayajna in Shantikunj,

Harigram, panvel in Dec. 2008.

Although they are own people, I thank my

wife Mrs. Lamidevi Mallya and my daughters

Mrs. Mohini Kamath and Mrs. Nandini

Kamath who have given me very valuable

suggestions while preparing the script.My

thanks are due to M/s. Sandesh Printers,

Kinnigoli who are always there to help me by

giving qualitative printing at reasonable

rates.


TALENTED YOUNG SARASAWAT, ANVITA TELANGSaraswats have been blessed with talent is what we have been hearing. When nurtured with good guidance, we can conquer the world. This has again been proved by 11 year old Anvita Prashant Telang by winning the 2016 Doodle 4 Google competition in India. Anvita is a student of Vibgyor High School at Balewadi, Pune.

Like every year, this year too, the competition received entries from all parts o f I nd ia . The re we re approximately 1 lac entries that got enrolled for this competition. This competition w a s g r o u p e d i n t o 3 categories Group 1 (class 1 to 3), Group 2 (class 4 to 6) and Group 3 (class 7 to 10). Anvita participated in Group 2 category. The competition

thstarted on 5 Sept and the end date was 21 Oct 2016. This period coincided with her exam time, but she ensured that she has reasonably ample time to devote to her doodle. She managed to take time off her exam schedule for this winning doodle.

This year the theme was, “If I could teach

anyone anything, it would be...” Her

response to the theme was a simple

statement “Enjoy Every Moment”. Anvita is a

very keen observant. And she has been

observing the fast paced lives of people

around including that of her own parents who

work dawn to dusk and at the end of the day

come back home tired. Perhaps that is what

could have triggered her to come up with this

thought of “Live in the moment”. If given a

chance, she would want to teach the world to

take time to enjoy every moment of life and

appreciate the simple things around us.

Anvita says, “In the current stressful times,

greatest joys of life are often hidden in simple

things. Thus I would like to teach everyone to

take time to enjoy every moment of life and

appreciate the simple things around us.”

With this concept in mind, her thought on

how the picture should be and with some

guidance from her mother

Aparna with respect to

colours, she came up with

t h i s d o o d l e w h i c h

represented “Live in the

moment” theme. Anvita’s

mother, Aparna Telang is a

V i s u a l D e s i g n e r b y

profession. Anvita’s artistic

streak probably comes from

her. Her father, Prashant

Te l a n g i s a P r o j e c t

Consultant and has his own

venture (e-Stridez.com).

Anvi ta has a passion

towards art work, especially greeting cards

for her loved ones and also on some special

occasions. She loves watching youtube

videos on some creative stuff and gets

inspired to do it, all by herself. Looking at her

inclination towards art, her parents have

always encouraged her to take part in

competitions, not with the intention of

winning it but to get that competitive spirit

and good exposure. She also got enrolled

herself into an art class to help her hone her

art skills and get finesse in her work.

From 1 lac entries, 12 doodles were

shortlisted (4 from each group). Anvita’s

ANVITA TELANG


ASHUTOSH NADKARNI

doodle was one of them (in Group2). She,

along with other 11 finalists, was called to

Gurgoan for felicitation. The next round was

the voting round where public had to vote for

their favourite doodle and the doodle from

each group getting maximum votes would be

selected among the top three contestants.

Incidentally, Anvita’s doodle got the

maximum votes in her group. Then came the

round where the judges had to choose the

best out of the 3 doodles which the public

voted the most. And finally a call from Google

India confirmed that of all the entries, Anvita’s

was the National winning doodle. It was an

overwhelming news for Anvita and her

parents. Anvita’s reaction after learning that

she had been declared the National Winner

of this competition was indescribable. She

could not believe it when she was told about

the result. It took a while before the news

finally sunk in. Her mother has been an

integral part of her success. As a mother

from creative field, her guidance was always

there throughout Anvita’s creative process.

She would throw in her ideas and would ask

for her mother’s suggestion. Constructive

feedback helped Anvita scale her skills to

international levels. Her mother, Aparna

encourages all children, “Keep drawing and

take part in such competitions, being a

winner is not that important. What is

important is the sense of satisfaction one

gets in participation.”


In India just after the rainy season,when the

dense leafy foliage is turning greener, the

onset of Spring heralds number of festivals.

Navaratri being one of them. The festival is

for worshipping Goddess in various forms

symbolising strength of women, fertility,

knowledge, wealth. We get to see Maa

Durga being worshipped with ever

increasing passion.

We witnessed one such massive surge of

devotees at Kavale Math, st

Walkeshwar, Mumbai, from 1 th

till 11 October 2016 during

Navaratri festival, to evoke the

bliss and blessings of the

Goddess Shanta Durga.

Needless to mention that

nobody needs any formal

invitation to join this auspicious

occasion.This time Parampujya

Shivanand Swamiji had graced

the occasion.

Each day the deity would be adorned with

beautiful colourful flowers. All the days

‘Aartis ‘and ‘Pujas’ were well attended with

thfull devotion. However on the 6 October 16, ’

Lalita Panchami’ which is considered as the

most auspicious day of Navaratri, the

devotees were seen rejoicing the tuneful

togetherness at this place of worship- Kavale

Math.

‘Kavale Math’ is situated in a picturesque

natural scape near Banaganga Talav

KAVALE MATH - NAVARATRI CELEBRATION

that has credence for its Historical lineage.

Anushthan Puja’of ‘Panchami’ was

performed by Mr. Kishore Kulkarni the

Chairman of NKGSB Bank.

The whole place resonating with tuneful

chime and rhym with the chanting of Sanskrit

Shlokas and prayers by the Brahmins. The

graceful deity of Shanta Durga was seated

on a swing that was adorned with gorgeous

colourful flowers.

N u m b e r o f v a r i o u s

performances took place as

devotional gesture. The day

reverberated with nostalgic

nuggets of all moods and

genres such as, in the

instrumental music, the flute

recital by Mr.Vinay Rao filled up

the holy place wi th i ts

melodious notes. The budding Tabala Player

Tanmay Rege exulted the skill with his deft

fingers on Tabala. A treat to ears. Shubham

Kolaskar, a 13 years old boy recited some

‘Abhang’, the dulcets in his soulful voice

touching the inner chords of the audience.

Omkar Lolekar recited Shlokas from

‘Bhagvat Geeta’. Similarly 6 years old Raj

thPrasad Pandit recited 16 ‘Adhyay’ Of

Bhagvat Geeta verbally, without reading,with

seemingly effortless ease and elan.

Commendable!


Little 8 years old, an accomplished dancer,

Dhanashri Pai presented a frolicsome dance

performance enacting ‘Radha Krishna’

concept through a song. Her swift

movements and apt gestures made people

regale and rejoice. The captive audience

gave encouraging response and lauded her

liberally. The repertoire of all ‘Dharmik’ ditties

and other performances were delivered

through ‘Bhaktibhav’ and with great

confidence as well as consummate skill,

winning the hearts of the people around. This

kind of appreciation and encouragement

would go a long way in their promising

career.

Mrs. Veena Gaitonde rendered some soulful

ensemble of dulcets in praise of the

Goddess, adding festive feel and fervour.

Later, there was ‘Kumkumarchan’ by married

women.

In the enlivening evening,‘performed by

Aarati’ of the deity Shanta Durga was Param

Pujya Swamiji. Prasadam was in the form of

delicious feast for all those present at the

venue.

In the feast, there were sweets and

savouries that added zing and zest to the

Soiree. The next day a Bhajan group by

name Balaji Sameeti from Vasai performed

some pious, mellifluous ditties in form of

Bhajans in the premises. Finally on the

Dussehara day, it was time to wind up the

celebration and bid adieu to this festival with

unabated enthusiasm, excitement and fond

memories to cherish.

The vibrant Navaratri festival further binds,

bonds and brings together all the

devotionally inclined, under one roof for nine

days, to celebrate faith in Oneness.

SMITA PAGNIS (AISCO)


Devi Navadurga Temple.Kuldevata of many Saraswats /GSBs

visitors can explore the Arabian Sea by hiring

a catamaran. Redi does not have its own

airport and railway station. The International

Airport of Goa at Dabolim is the nearest

airport, which has worldwide flight

connections. Sawantwadi Railway Station at

a distance of 25 km is the closest rail head to

Redi. Besides, Maharashtra State Road

Transport Corporation and Kadamba

Transport Corporation provide regular bus

services to the coastal village.

Tourist places in Redi

Sightseeing in Redi includes

attractions like Redi Beach,

Redi Ganapati and Shri

Navadurga Temple. Shiroda

beach is also nearby. The

famous temples in Aaravali

area are Dev Vetoba & Devi

Sateri. Vengurla-Redi is rich in

nature. Vengurla and Redi are

among the 48 sea ports of

Maharashtra. Vengurla is also

known as “Goa of Maharashtra” due to its

similar climate and vegetation. Vengurla-

Redi is surrounded by a healthy cover of

greenery with lots of cashews, mangoes,

beetel nuts and coconut trees.Redi Ganapati

is situated to the south-west of Sawantwadi.

Shri Devi Navadurga Temple of Kanyale-

Redi is close to the popular Terekhol Fort of

Goa. Goddess Navadurga is the form of

Goddess Parvati, who is considered as a

kuldevata of several Goud Saraswat

Brahmins.

Redi is a coastal village located at

Sindhudurg District in Maharashtra on the

border of Goa.

Situated on the shores of the Arabian Sea

and dotted by coconut and cashew trees, the

coastal village can be reached from

Vengurla. It is in Vengurla Taluka. Earlier

known as Redipattanam, Redi was an

important sea port during olden times. Over

the years, it has become a tourism

destination due to its virgin

along with historic monuments

like Yashwantgad Fort, Redi

Ganapati Temple and Devi

Navadurga Temple at Kanyale.

The entire Sindhudurg district is

rich in Nature and much

beautiful than Goa with several

beaches, flora & fauna.

Yashwantgad Fort, a major

sightseeing attraction of Redi,

was built during the reign of the

Marathas. Among notable

religious shrines in and around Redi are

Ganesha Temple, Swayambhu Shiv Temple,

Rampurush Temple, Mauli Temple and

Navadurga Temple. Aaravali, Shiroda,

Vengurla, Kanyale and the historic fort at

Terekhol nearby can also be visited.

The Ganesh temple has an idol of Lord

Ganesha with two hands. The Ganesha idol

was extracted from a mine nearby. Vengurla

in the vicinity to Redi is popular for fishing

hamlets. Along with activities such as fishing,

beaches


Shri Devi Navadurga Temple of Kanyale-

Redi Goddess Navadurga, a form of

Goddess Parvati is the kuldevata of several

Goud Saraswat Brahmin families, among

others. Most of the Mahajans(Kulavis) of this

f r o m G o a , M u m b a i , P u n e ,

Ubhadanda (Vengurla), Karnataka, & USA.

N a v a d u r g a i s a l s o k n o w n a s

Mahishasuramardini. The original temple of

Devi Navadurga was at Gavashi (Gancim in

Tiswadi taluka of Goa) Since 10th Century,

but during Portuguese invasion / persecution

in Goa in the 16th Century , the Godess idol

was shifted to present location at Kanyale-

Redi. It has been believed that the idol of

Navadurga has been here at Kanyale Redi

for more than 450 years. The history of how

the goddess was shifted to its present

location is very interesting and the story can

be read on the website.

Devi Navadurga is a famous deity of GSB’s

with its other temples located in Goa at

Madkai, Kundai, Bori, Paingein, Adkolna,

Pale, Surla, etc.

GIRISH GAVASKAR

deity are


15 meHìWyej 2016 ceeP³ee yeeyeeb®ee 100 Jee Jeeef{oJeme! æ`Meleeyoer' Je<e& meg© DeeefCe efkeÀleer keÀe³e meebieg ceeP³ee yeeyeeb yeÎue! mJe.Þeerjbie oÊee$e³e JejsjkeÀj ns SkeÀ DeueewkeÀerkeÀ DeeefCe ÒeefmeOoer Heemetve otj jneCeejs SkeÀ J³eefÊkeÀcelJe pes. pes. mkegÀue Dee@HeÀ Deeì& ef®e$ekeÀues®eer HeoJeer mebHeeove kesÀu³eeveblej keÀener Je<ex ceeueJeCe ceO³es MeeUsle veeskeÀjer keÀjle Demeleevee®e meevesieg©peeR®³ee efJe®eejebveer YeejeJetve peeTve cegbyeF&le Deeues. ceesþ³ee YeeJee®³ee Iejer èf®eKeueJee[erle' Deeu³eeveblej DeeLe&jjes[Jej Demeuesu³ee meevesieg©peeR®³ee meesyele `meeOevee' ceeefmekeÀe®³ee/meeHleenerkeÀe®³ee íHeeF& keÀeceele ceole keÀ© ueeieues. íHeeF& #es$eeleues meieUs yeejkeÀeJes efMekeÀleevee ieg©peeR®³ee Oe[HeCeeN³ee cegueebyejesyej cew$eer Peeueer. Sme. Sce. peesMeeRvee ieg©yebOeg-ieg©ceevetve ®eUJeUerle Yeeie IesT ueeieues. je<ì^mesJeeoueele mebyebOe Deeuee. ieeJeesieeJeer keÀe³e&¬eÀce, l³eele®e De®eevekeÀ pes. Deej.[er.ìeìe ns SDej Fbef[³ee®es meJexmeJeer Òesme®eer meg©Jeele keÀjle Demeu³ee®es keÀUu³eeJej Sme. Sce. peesMeeR®³ee DeeosMeeJe©ve SDej Fbef[³eele cegueeKele osTve veeskeÀjerle ©pet Peeues. l³eeveblej mJele:®³ee keÀle=&lJeiegCeebveer DeeuesKe Jee{Jele efveJe=Êeer®³ee JesUerles efÒeìeRie efJeYeeie DeeefCe SDej Fbef[³ee®es He®exme ce@vespej n³ee peeiesJe©ve efveJe=le Peeues. DeeCeeryeeCeer®³ee keÀeUele DeveskeÀ DeeboesuevekeÀl³ee¥vee keÀUle vekeÀUle ceole keÀjle jeefnues. efveJe=le Peeu³eeJej Hejle pegv³ee DeeþJeCeerle `meeOeves®³ee' keÀeceemeeþer HegC³eele 2-4 Je<ex keÀece kesÀues. veblej YeeT-cesJnCee mJe. meoevebo Jeo³ee&¥veer èfkeÀuueejer®³ee' YegkebÀHeele DeveeLe Peeuesu³ee cegueebmeeþer peer `MeeUe' GYeejueer l³eeuee JesieJesieU³ee efþkeÀeCeentve DeeefCe mJeleekeÀ[tve HewMee®eer melele ceole keÀjle jeefnues. peerLes peerLes `GHesef#ele ®esnsjs' Yesìues l³eebvee ceole keÀjC³ee®eer meJe³e l³eebveer MesJeìHe³e¥le mees[ueer veener. ̀ ceeCemes' pees[C³ee®eer Je=leer l³eecegUs les p³ee ®ebêMesKej efJepe³eveiej Heefjmejele jnele l³eeleu³ee `mJejefJeueeme' Ô³ee mebmLesle mJe. efYecemesve peesMeer, mJe. DeuueejKee, mJe. JemeblejeJe osMeHeeb[s Ô³eeb®³ee meejK³ee jLeer ceenejLeeRvee yeesueeJetve l³eeb®es keÀe³e&¬eÀce keÀjJeues. jefmekeÀ-ooea-GÊece JekeÌle=lJe - ogmeN³eebceOeu³eelener iegCeJeÊee DeesUKeCeeje SkeÀ

efce$e,/meevesieg©peer MeeUsmeeþer megOoe pecesue l³ee ÒekeÀejs ceoleermeeþer OeeJeCeeje DeeefCe SkeÀ ieg©®es cnCepes meevesieg©peerb®es $eÝCe Ô³ee vee l³ee Hejle HesÀ[C³ee®eer SkeÀner mebOeer ieceJet ve osCeeje efMe<³e ! Jemeble yeeHeì-cebiesMe Hee[ieebJekeÀj -efJeboe keÀjboerkeÀj ns ef$ekegÀì lej efiejieeJeeleu³ee Iejele melele ³esle, Mespeej®³ee ieuueerle ieesjsieeJekeÀj uesve ceOeu³ee

ceewpe efÒebìeRie Òesme ceO³es Deeu³eeveblej ueies®e Þeerjbie®³ee Iejele ³esTve pee³e®es. ceewpe efÒebìeRie Òesme®³ee `YeeieJele yebOetMeer' HeCe Ô³eeb®es meewK³ee®es mebyebOe- ef®eceCeueeue nB[ ces[ ÒesmeJeeu³ee DejefJebo Mene-DeeefCe l³eeb®³ee kegÀìgbyeeMeer megOoe... efkeÀleer veeJes efkeÀleer mebmLeebMeer mebyebOe ! YeeF&-Heg.ue. DeeefCe megefveleeleeF¥Meer lej mJeeleb$³e ue{³eeHeemetve®ee mebyebOe Heg ueb ®³ee ̀ meeþer' meeþer®es Heg ue SkeÀ `meeþJeCe' ns HegmlekeÀ íeHee³e®³ee JesUer lej pe³eJeble oUJeer F. veeceebefkeÀleebmeesyele mJele: ®ee efÒebìeRie®ee DevegYeJe keÀeceele DeeCetve pees HegmlekeÀe®es ÒekeÀeMevee®ee meceejbYe `jefJebê veeìîe cebefojele' l³eebveer Ie[Jetve DeeCee³euee ceole kesÀueer leer megOoe `DeueewkeÀerkeÀ' efkeÀl³eskeÀ iegCeebveer mebHevve Demeuesues, Helveer®³ee Deepeejele efleuee ogjogjerle HeeHeuesì®eer Deeceìer DeeefCe jmeeU meesuekeÀ{er-Yeele efKeueJeCeeje Keje `meejmJeleer KeJew³³ee'.æ ceguee bcegueerveeb DeeefCe Helveeruee JesU oslee ³esle veener ner meue ve yeesuelee Ye©ve keÀe{Ceejs ceePes Jeef[ue, ceeP³ee ©ê®ee Þeerjbie Deeyee. ueive ueeieleevee `DeÞeg®ee yeebOe' LeebyeJele efle®³ee (cegueer®³ee) KeebÐeeJej IeÆ nele þsJeCeeje leer®ee `yeeyee' ! FlekeÀ®e meebietve iesuee keÀer ceer keÀe³ece legP³ee HeeþerMeer Deens. Demee®e YekeÌkeÀce! kegÀþu³eener efJe<e³eeJej ceeefnleerHetJe&keÀ yeesueCeeje SkeÀ Glke=À<ì JeÊeÀe! leevemesve vemeuee lejer ̀ keÀevemesve' Deens Demes cnCele melele Glke=À<ì mebieerle SskeÀJeCeeje mebieerle Òesceer! De#ej lej ceesleer®e Òece&' mebeYeeUle DeeOeer ̀ keÀceer' ueener cenlJe Ðee, Dev³ee³e keÀjCeeN³ee Hes#ee Dev³ee³e menve keÀjCeeje peemle iegvnsieej Demelees lesJne Dev³ee³e menve keÀ© vekeÀe Je Dev³ee³e keÀ©ner vekeÀe Demee meuuee osCeeje Deece®ee yeeyee Deece®es Je[erue ! Je³ee®³ee 96 J³ee Je<eea Jeejues, MesJeì He³e¥le mce=leer leuueKe DeeefCe peerYesJej®eer ®eJe megOoe! DeMee ceeP³ee yeeyeebvee ceer velecemlekeÀ nesTve SJe{s®e cnCesve keÀuHeJe=#e ueeJegveer³ee yeeyee iesuee.

mJe.Þeerjbie oÊee$e³e JejsjkeÀj (15 meHìWyej 2016-2012)

SkeÀ - HegC³emcejCe

efJeÐee iee³eleesW[s


meejmJele meceepe ieeefpe³eeyeeo kesÀ Jeee|<ekeÀ meccesueve ces efJeefMeä

DeefleefLe Þeer mechele meejmJele peer keÀe Deeieceve hej nee|okeÀ

DeefYevevove , heésieéce ces ®eej ®eebo lekeÀ ueie ie³es peye mechele kesÀ

meeLe jepemLeeve mes Þeer he´sce he´keÀeMe meejmJele peer, efouueer peer heJeve

meejmJele peer, hebpeeye peer Þeer efJekeÀeme meejmJele peer ,Þeer ìskeÀ ®evo

meejmJele peer Je HeÀ©&Keeyeeo mes Þeer DevegYeJe meejmJele Je

SmemeerSue GÊej heósMe keÀer hetjer ìerce GheeqmLele jner meejmJele

meceepe ieeefpe³eeyeeo kesÀ Fme cenekegbÀYe ces efJeefYeVe heéblees mes DeeS

meom³eeW keÀe nee|okeÀ DeefYevevove Je Oev³eJeeo keÀjlee ntb keÌ³eeWefkeÀ ³en

h³eej ner nw pees cegcyeF& iegpejele jepemLeeve hebpeeye nefj³eeCee Je GÊej

heósMe mes YeeF& yevOeg GheeqmLele jns~SmemeerSue kesÀ jeäêr³e DeO³e#e

Þeer mechele meejmJele peer Je SmemeerSue GÊej heósMe kesÀ DeO³e#e Þeer

efiejerMe meejmJele peer kesÀ mebyeesOeve mes ueesie Fleves heÝeeefJele ngS efkeÀ

Yejs heésieéce ces mechele meejmJele kesÀ veejs ueieves ueies efce$ees Fmemes

KegMeer keÀe heue vener nes mekeÀlee SmemeerSue kesÀ efueS~ mechele

meejmJele peer kesÀ 15 efceveì kesÀ mebyeesOeve ces ueieYeie 25 mes 30

yeej leeefue³eeb yepeer ³es uecne ncesMee ³eeo jnsiee~ Þeer mechele

meejmJele peer Je Þeer efiejerMe meejmJele keÀes megveves kesÀ yeeo heÝeeefJele

ngS meJe& yeéïeCe cenemeYee kesÀ jeäêr³e cenemeef®eJe Þeer MegYes<e Mece&ve

Je he´JeÊeÀe Þeer yeer0kesÀ0 nvegceeve peer ves mechele meejmJele peer keÀes

meJe& yeéïeCe cenemeYee ³egJee cees®ee& keÀe jeäêr³e DeO³e#e Je Þeer

efiejerMe meejmJele peer keÀes meJe& yeéïeCe cenemeYee GÊej heósMe ³egJee

cees®ee& keÀe heÝeej DeO³e#e yevee³ee ie³ee nw ~ Deehe oesvees keÀes pees

Ghenej meejmJele meceepe ieeefpe³eeyeeo kesÀ ceb®e mes efceuee nw Jees yesno

he´Mebmeveer³e nw ~ yengle yengle yeOeeF& Deehe oesvees keÀes Deepe keÀer Meece

SmemeerSue kesÀ veeceoerhekeÀ meejmJele

meQìûepeesve heÝeejer, SmemeerSue HeÀeGb[sMeve Yeejle

meejmJele meceepe ieeefpe³eeyeeo - Jeee|<ekeÀ meccesueve meceejesn ...


SmemeerSuemeceejesn jKee ie³ee leLee ceele=MeefÊeÀ Üeje Deheej DeeMeerJee&o efceuee efpemekeÀer yeoewuele Dee³eespeve keÀes DeÓ§le meHeÀuelee efceueer. SmemeerSue HeÀeGb[sMeve keÀe ue#³e ceele=MeefÊeÀ keÀes mJeeefYeceeve mes ieewjJeeeqvJele cenmetme keÀjJeevee Lee efpemeceW hegjer lejn mes nce meYeer meHeÀue ngS. jeäêr³e keÀe³e&keÀeefjCeer Je Deueie Deueie heósMeeW mes heOeejs meYeer yebOegDeeW keÀe meËo³e nee|okeÀ Oev³eJeeo Je SmemeerSue HeÀeGb[sMeve kesÀ leceece keÀe³e&keÀlee&DeeW Je meom³eeW keÀes Ketye Ketye yeOeeF& Je nee|okeÀ DeefYevebove.

HeÀeGb[sMeve Üeje keÀue yeerkeÀevesj ceW ceele=MeefÊeÀ mecceeve Deeieeceer SsefleneefmekeÀ Dee³eespeve meejmJele DeeO³eeeqlcekeÀ Je JewefokeÀ ®eslevee efMeefJej kesÀ efJeéeeme hegJe&keÀ Deeceb$eCe keÌ³eeWefkeÀ Deepe ceele=MeefÊeÀ Üeje Deeieeceer Dee³eespeve keÀes meHeÀue yeveeves keÀe mebkeÀuhe ner SmemeerSue HeÀeGb[sMeve keÀer meHeÀuelee keÀe met$e nw meYeer meom³eeW keÀe nee|okeÀ mJeeiele keÀjles nw pees Deeheves he´l³e#e Je Dehe´l³e#e ªhe mes SmemeerSue HeÀeGb[sMeve kesÀ Fme Dee³eespeve keÀes meHeÀue yeveeves ceW men³eesie efkeÀ³ee.

meejmJele veejer mecceeve meceejesn, yeerkeÀevesj

mechele meejmJele je<ìêr³e DeO³e#e,

SmemeerSue HeÀeGb[sMeve, Yeejle


``HetJeeaHes#ee Deelee peerJeve KetHe iegbleeiegbleer®eb Peeueb³e, Deelee HeÀej ìsvMevme Demeleele. efveJeebleHeCee Demee jeefnuee®e veener.’ Demes Godieej DeeHeCe iesu³ee keÀener Je<ee&le peemle SskeÀlees Deenesle. MeebleHeCes efJe®eej kesÀuee lej DeeHeu³ee ue#eele ³esleb keÀer DeeHeCe meieUs®e peCe, keÀesCel³ee vee keÀesCel³ee ¢äerves DeHetCe& Demeuesu³ee J³ekeÌleer Deenesle. yeeueHeCeeHeemetve DeeHeCe JesieJesieUs DevegYeJe Iesle ceesþs neslees. ns DevegYeJe DeeHeu³eeuee Ie[Jele Demeleele. ³ee Ie[Ceerle DeeHeues efJe®eej Je DeeHeuee mJeYeeJe ³eebvee SkeÀ DeekeÀej ³eslees. Òel³eskeÀ J³ekeÌleer JesieJesieÈ³ee HeefjefmLeleerletve iesu³eecegUs efJe®eej DeeefCe mJeYeeJener JesieJesieUs yevele peeleele. cnCetve oesve J³ekeÌleeR®eer leguevee keÀjleevee DeeHeu³eeuee efomeleb keÀer ³ee oesve J³ekeÌleer 10/20 ìkeÌkesÀ meejKee®e efJe®eej keÀjleele, 40 ìkeÌkeÌ³eeb®³ee yeeyeleerle l³eeb®es efJe®eej yejs®e Demeleele Je 40/50 ìkeÌkeÌ³eeb®³ee yeeyeleerle l³eeb®es efJe®eej SkeÀceskeÀebHeemetve HeÀej®e efYeVe Demeleele. l³eecegUs Òel³eskeÀe®eer Dee³eg<³ee®eer iegbleeiegble JesieUer, Òel³eskeÀe®ee mJeYeeJe JesieUe, ¢äerkeÀesve JesieUe.iebcele cnCepes p³ee 10/20 ìkeÌkeÌ³eebceO³es l³eeb®eb SkeÀcele Demeleb l³eele cenlJee®eer iees<ì cnCepes Deevebo efceUeJee, meceeOeeve ueeYeeJeb ns Demeleb. efvejefvejeÈ³ee Je³ee®eer efvejefvejeÈ³ee J³eJemee³eeleueer, JesieJesieÈ³ee meeceeefpekeÀ mlejeleueer ceeCemeb ³ee yeeyeleerle SkeÀe®e efJe®eeje®eer Demeleele. Deevebo, meceeOeeve efceUeJeb, ceveele melele meewK³e®e DemeeJeb, ceve Meeble, efveJeeble DemeeJeb Demeb Òel³eskeÀeueeb®e, m$eer Demees keÀer Heg©<e Demees, Jeeìle Demeleb.DeLee&le Dee³eg<³e kegÀþu³eener Je³eele Deeveboeves J³eleerle keÀje³e®eb Demesue lej keÀener mel³eeb®ee Oeeb[esUe DeeHeu³ee Òel³eskeÀeuee I³eeJee®e ueeiesue. Deevebo cnCepes meceeOeeve Je meceeOeeve ner efmLeleer kesÀJeU J³ekeÌleerHegjleer ce³ee&efole vemetve mebHetCe& meceepeeuee keÀJesle IesCeejer Deens. ceeCetme ne meceepeefÒe³e ÒeeCeer Deens. cnCetve®e (meceepeele J³ekeÌleer Demeleele ) DeeHeu³ee mJeYeeJeevegmeej Je efJe®eejebvegmeej DeeHeueb ³eesieoeve, meeceeefpekeÀ efJe®eej Òeef¬eÀ³esle DeeHeeHeu³ee HeOoleerves Òel³eskeÀ J³ekeÌleer keÀjle Demeles. l³eecegUs meeceeefpekeÀ JeeleeJejCeele keÀOeer lejbie Gþleele, keÀOeer yeg[yeg[s lej

keÀOeer ueeìe ! ³ee®ee®e DeLe& J³ekeÌleerves DeeHeu³ee ³eesieoeveeves meceepeceveele Deeveboe®es lejbie Gþleerue Demee Òe³elve kesÀuee lej meceeOeeveer DeeefCe Deeveboer nesT MekesÀue cnCetve®e J³ekeÌleerceO³es meceeOeeve keÀMeecegUs efvecee&Ce nesleb Je efìketÀve jnele ³ee®ee MeebleHeCes efJe®eej keÀje³euee ueneve Leesj meJee¥veer®e efMekeÀe³euee nJeb.p³ee Yeejleer³e mebmke=Àleeruee peieYejeceO³es ceev³elee Je Deeoj efceUeuee efle®³ee cetU met$eebHewkeÀer `meJexefHe megefKeve: mebvleg npeejes Je<ee&HetJeea ®eej DeesUerle efueefnuesueb ns megYeeef<ele ceveele ªpeJeueb lej J³ekeÌleer DeeefCe meceepeele efkeÀleer megKe veebosue SkeÀe J³ekeÌleeR®eb peerJeve megKece³e nesC³eemeeþer keÀejCeb yejer®e Demeleele Je l³ee®³eeceeies Òel³e#e DeÒel³e#e kegÀìtbye, efce$e, meceepeeleues, efvejefvejeUs IeìkeÀ keÀejCeerYetle Demeleele. ceeCetme ne Flej ÒeeC³eebÒeceeCes®e jkeÌleceemeeves yeveuesuee Deens. Flej mepeerJeebHes#ee lees peemle efJe®eej keÀª MekeÀlees, ns l³eeuee efceUeuesueb Jejoeve Deens Je cnCetve®e yegOoer®³ee peesjeJej mJeleb$eHeCes efJe®eej Je Dee®eej keÀjC³ee®eer #ecelee ceeveJeekeÀ[s Deens. yeeueHeCeeHeemetve Peeuesues efkebÀJee kesÀues iesuesues mebmkeÀej Je efMe#eCee®eer pees[ ³eecegUs kegÀCee®eerner ÒeieuYelee Jee{t MekeÀles HeCe leer efceUe³euee cee$e nJeer keÀejCe l³eecegUs yeewefOokeÀ Jee{nesC³ee®eer ieleerner Jee{les. ³ee Jee{uesu³ee yeewef×keÀ #ecelesuee®e DeeHeCe ̀ mecepe` cnCelees. legcner Deepe keÀesCel³eener Je³eele Demeueele, lee©C³e, Òeew{lJe, JeeOe&keÌ³e lejer SkeÀ keÀªve yeIee. KetHe Je<e& ceeies pee. DeeHeCe 4/5 Je<ee&®es Demeleevee®eb keÀener DeeþJeleb³e ? DeeF& Jeef[ueebveer, Deepeer-Deepeesyeebveer kesÀuesues uee[ DeeþJelee³ele? Kees[er kesÀu³eeyeÎue Jeef[ueebveer ceejuesueer SKeeoer ®eeHeìer DeeþJeles, vee? l³eeveblej ueneve efkebÀJee ceesþîee yeefnCeeryejesyej 7/8 Je<ee&®es Demeleevee, Hes©®eer ceesþer HeÀes[ ceuee keÀer leguee ³eeyeÎue®eer ueeef[keÀ PeeWyeePeeWye DeeþJeles³e? DeeCeKeer Lees[b Heg{s ³ee, MeeUsleu³ee Jele&CegkeÀeryeÎue efkebÀJee KesUeleu³ee ÒeeefJeC³eeyeÎue efkeÀleer peCeebveer DeeHeueb keÀewlegkeÀ kesÀueb ! ³eele Mespeejer, efce$ecewef$eCeer DeeefCe Iejeleues meieUs®e SkeÀ$e Deeues nesles.`DeeF&®³ee [esÈ³eele DeeveboeÞet nesles DeeefCe Deepeerves HeìkeÀve HeCe nUt®e keÀesHe-³eeJej peeTve Hes{s DeeCetve DeeOeer

Deeveboe®es [esner

legcneuee Hes{e YejJeuee DeeefCe Flejeb®ener leesb[ iees[ kesÀueb. ceuee Jeeìleb DeMee Ieìvee cnCepes Dee³eg<³eeleu³ee megKee®³ee þsJeer. keÀOeerner ve efJemejCee-³ee ! DeMee meieÈ³ee DevegYeJeele oesve leerve ieesäer peeCeJeleele. ³ee meJee¥®³ee keÀewlegkeÀele, ©meC³ee, jeieeJeC³eelener SkeÀ ueesYe Deens, DeeHeguekeÀer Deens, peJeUerkeÀ Deens p³eecegUs DeeHeuee Glmeen Jee{lees. Heg{®eb HeeTue ìekeÀC³eemeeþer DeeHeCe ceveele Òeieleer®ee DeejeKe[e le³eej keÀje³euee GÐegkeÌle neslees. Kejb vee? Heg{s l³ee keÀeceefiejermeeþer Òe³elve keÀje³euee ueeieu³eeJej, DeeHeu³eeuee veJeerve efce$e efceUleele, ceeie&oMe&keÀner Yesìleele. p³eebvee DeeHeu³ee keÀäeb®eb keÀewlegkeÀ Deens. Demes DeeF&-Jeef[ue, YeeJeb[ FlekebÀ®e keÀe³e Mespeejer-Heepeejer meieUs®e DeeHeu³eeyeÎue®e Je DeeHeu³ee ³eMeeyeÎue KetHe keÀewlegkeÀeves DeeefCe Deeojeves yeesueleele. lemeb les ³eMe KetHe ceesþîee efkebÀJee jeäer³e mlejeJej®eb Demele Demener veener. HeCe ³eMee®eerner SkeÀ JesieUer Tye Demeles Je l³ee Tyesle meieÈ³ee®e meg¿oeb®es neefo&keÀ DeeMeerJee&o Demeleele, ³ee®eer peeCeerJe Dee³eg<³eYej Hegjles. ceuee DeeþJeleb³e ceer FbìjmketÀue ye@[efcebìveceO³es ®eebieuee ®ecekeÀuees neslees. ceePee mekeÀeUceO³es HeÀesìesner íeHetve Deeuee neslee. veJeJeerle neslees. 55/56 meeue®eer iees<ì. Heg{s 2/3 Je<ee¥veer Jeef[ueeb®³ee Dee@efHeÀmeceO³es menpe iesuees neslees lesJne lees íeHetve Deeuesuee HeÀesìes ceesþîee keÀewlegkeÀeves l³eebveer ìsyeueeJej®³ee keÀe®esKeeueer peHetve þsJeuesuee ceuee efomeuee DeeefCe l³eeb®³ee ceveeleu³ee ceeP³eeyeÎue®³ee keÀewlegkeÀe®eer keÀuHeveener ceuee veJnleer. Jeef[ueeb®eer cee³ee DeeefCe DeeMeerJee&o MeyoeefJevee, ke=Àleerletve DeeHeu³eeceeies GYeer Demeles leer DeMeer, ³ee®eer megKeo peeCeerJe ceuee Dee³eg<³eYej meeLe keÀjle Deeueer Deens. KesUe®eb DeeefCe íboe®eb cenlJe Dee³eg<³eele efceUCee-³ee Deeveboele HeÀej Demeleb ! MeeUsle Demeleebvee menpe cnCetve KesUuesueb ef¬eÀkesÀì, ngletlet, HeeJemeeÈ³eeleuee HegÀìyee@ue DeeefCe GvneÈ³ee®³ee megÆerle KesUuesu³ee ke@Àjce efkebÀJee yeefnCeeryejesyej meeiejieesìîeeb®³ee DeeþJeCeer Gleej Je³eelener ceveele Glmeen efkebÀJee F&<ee& efkebÀJee ìerce efmHejerì peeieb þsJeleele. l³ee®ee Deevebo IejkeÀeceelener keÀmee efceUlees ³ee®ee DevegYeJe meebielees. Deece®³ee Iejer yejer®e Je<e& efoJemeYej keÀece keÀjCee-³ee yeeF&®³ee Hee³eeuee Öe@ÀkeÌ®ej Peeueb. De[er®e-leerve ceefnves l³eeb®eer iewjnpesjer


mJeeYeeefJekeÀ nesleer, lesJne Helveerveb kesÀj keÀe{Ceb, Yeeb[er OegCeb ³eemeeþer leelHegjleer ogmejer yeeF& þjJeueer. meO³ee meieUs®e Ie[îeeUe®³ee keÀeìîeeJej OeeJele Demeleele l³eecegUs 35-40 efceefveìeble pecesue lesJe{b mJe®í keÀece keÀªve HeUe³e®eer. efHeÀveerMeeRie ì®esmed legcner®e Ðee³e®es. efMeJee³e oesve megìîee Je SKeeod ogmejer cenlJee®³ee keÀeceemeeþer ceejuesueer oeb[er ³ee mecepetve I³ee³e®³ee DeeefCe Gcepevener! l³ee efoJeMeer meJe&®e keÀeceb Iejeleu³eebveer®e GjkeÀe³e®eer. le¬eÀej keÀje³e®eer veener. l³eele Iejele legcner cneleeje cneleejer®e Demeueele lej DeMee JesUer ie=nue#ceerves FlekeÀer Je<e& efle®ee SkeÀ nele keÀmee legce®³ee neleeuee nele ueeJele, ogme-³ee neleeves DeeHeu³ee vekeÀUle keÀMeer DeveskeÀ keÀe³e& Heej Hee[ueerle ³ee®eer peeCeerJe þsJee³e®eer. ngletlet®eer ce@®e DeeþJee³e®eer. DeeHeu³ee Heeìer&le DeeHeCe oesIeb®e DeeefCe meceesj®³ee efveoeve ®eej lejer Deensle. lesJne DeeTì Jne³e®eb veener®e. HeCe pecesue eflelekeÀer HekeÀ[ keÀje³e®eer Demeb oesIeeveer þjJeueb keÀer efJepe³e DeeHeuee®e. veener®e Peeuee lej KesUe®eer JesU lejer mebHesue Demee efJe®eej keÀje. ie=nue#ceer®³ee neleeuee nele ueeJetve He[sue l³eeleueb pecesue les keÀece Glmeeneves, nmelecegKeeveb keÀjeJeb. Deevebo efceUJeC³ee®eer keÌJeef®ele ³esCeejer HeCe ner ceesþer mebOeer Deens Demee efJe®eej keÀ©ve ueeJee neleYeej. SKeeo efoJeMeer keÀ®eje keÀe{e, HeÀefve&®ej Hegmee, Heefnuee ®ene keÀjCeb, keÀOeer Yeepeer ef®eªve osCeb DeeefCe keÀeboener. cnCepes Je<ee&vegJe<e& keÀeboe ef®ejleevee keÀejYeejCeer®³ee [esÈ³eebletve ³esCee-³ee HeeC³eeletve peie keÀmeb efomeleb DeeefCe [esUs Peesyeble Demeleebvee efle®³ee ®esn-³eeJej vesnceer®eb nmet legce®³ee ®esn-³eeJej yeIetve efleueener efkeÀleer keÀewlegkeÀ Jeeìsue Je ³ee meieÈ³ee®ee Deevebo GYe³eleeb®³ee ®esn-³eeJej Je ceveele keÀmee DeeefCe efkeÀleer HegÀuesue? ³ee Deeveboeuee ceeHe veener, HegÀìHeÆer veener. Deevebo keÀMeekeÀMeeletve DeeHeu³ee meceesj GYee jenerue meebielee ³esle veener. keÀener ieesäer peeCetve yegpetve keÀjC³eeves Deevebo efceUlees ³ee®eb GoenjCe legcneuee meebefieleueb leer®e ieesä keÀäe®eer. legce®³eener HeneC³eele DeveskeÀ GoenjCeb Demeleerue HeCe ceeP³ee SkeÀe p³esÿ efce$ee®eer ieesä Lees[keÌ³eele meebielees. Deepe l³eeb®³ee He@ÀkeÌìjerle 300 ntve peemle ceeCemeb keÀece keÀjleensle, ³ee ie=nmLee®eb efMe#eCe HeÀej Peeuesueb veener. HeCe le©CeHeCeer cegbyeF&le jml³eeJej Hue@efmìkeÀ®eer

SAMYUKTA SARASWAT, DEC. 2016 19SAMYUKTA SARASWAT, DEC. 2016 18

Yeeb[er 50/55 Je<ee&HetJeea; efJekeÀC³eeHeemetve les ueesKeb[er (yeer[e®es) HeeF&He keÀuekeÀÊ³eentve HegC³eecegbyeF&le efJekeÀC³ee®³ee Deeoer keÀþerCe J³eJemee³ener lee©C³eele kesÀuee. oesve JesUe mJele: meg© kesÀuesues GÐeesie yebo keÀjeJes ueeieues. HeCe efpeÎerves keÀä keÀjCeb mees[ueb veener DeeefCe Deepe Dee@ìesceesyeeF&ue Fb[efmì^uee ueeieCeejer keÀeefmìbie keÀªve osCee-³ee veeJeepeuesu³ee keÀesìîeeJeOeer ªHe³eeb®ee J³eJemee³e keÀjCee-³ee kebÀHeveer®es ®esDejceve Deensle. Je³e HeÀkeÌle 83. Deepener Iejer yemetve ce@iveerHeÀeF¥ie iueeme JeeHeªve keÀece keÀjle Demeleele. oesve/leerve Je<ee&HetJeea&®e oef#eCe Oe´gJeeJej peeTve Deeues. p³ee®³ee ceveele keÀäe®eb megKe Deens l³eeuee Deevebo keÀOeer®e keÀceer He[le veener. Je³ee®³ee DekeÀjeJ³ee Je<ee&Heemetve ne ceeCetme nmele nmele ue{lees Deens. veeJe Deens veeje³eCe ieCesMe HejebpeHes. cegkeÌkeÀece HegCes. J³eJemee³e, keÀefjDej cnCepes keÀä Deeues®e HeCe les Deeveboeves kesÀues lej efceUCeejb megKe DeHeej Demeleb nes. J³eJemee³e cnìuee keÀer ®e{eDees{Demeles®e HeCe leer nsuoer DemeeJeer ner SkeÀ DeHes#ee. HeCe leMeer vemeCeejsner Demeleele. les cnCeleele, efkeÀue o ke@ÀeefcHeefìMeve DeeefCe nuueer ce@vespeceWì efMekeÀJeCee-³ee mebmLeebceOetvener ns®e leÊJe%eeve yejer®e Je<e& efMekeÀJeueb peeleb³e cnCes. DeeÊee keÀener efJeÐeeefHeþebceO³es J³eeJemeeef³ekeÀ cetu³e Jeiewjs efJe<e³ener leeW[er ueeJee³euee keÀe³e njkeÀle Deens Demeener SkeÀ efJe®eejÒeJeen meg© Peeuee³e Demeb SskeÀlees. Deelee ®e{eDees{er ceO³es Deevebo keÀmee efceUJee³e®ee ne ÒeMve GYee jenlees ns Kejb Deens HeCe MesJeìer Heg{s peeCee-³ee ³ee peieele cetu³ener yeouele Deensle DeeefCe l³eemeeþer DeeHeCe meJee¥veer yeouee³euee Heeefnpes Demeener Deeûen meceepeeleues ÒeieleerMeerue ueeskeÀ keÀjleensle. ceuee SJe{b®e keÀUleb keÀer ceeP³eeJej®³ee mebmkeÀejele meeOesHeCeeves, mejUHeCeeves peieele JeeJejeJeb. DeeHeueer Òeieleer®eer F®íe Je Òe³elve ³eebveer Demeb ªHe IesT ve³es keÀer p³ee®³eecegUs keÀesCee®³eener kegÀìtbyee®³ee Je meceepeeleu³ee mJeemL³eeuee Je meceeOeeveeuee OekeÌkeÀe ueeiesue. ogme-³eeueener DeeHeu³ee yeewefOokeÀ Je MeejerefjkeÀ keÀäe®³ee peesjeJej Òeieleer keÀjC³ee®ee veweflekeÀ DeefOekeÀej Deens. lesJne DeeHeueer Òeieleer keÀjleevee ogme-³ee®eer DeOeesieleer nesF&ue DeMee je#emeer Je=Êeerves efJe®eej keÀª ve³es. DeeHeu³ee cenÊJeekeÀeb#esuee, DeeHeu³ee iejpeebvee

DeeHeCe®e DeeJej Ieeuet MekeÀlees. je#emeer cenÊJeekeÀeb#escegUsner Deevebo efceUle Demesue. HeCe leesner je#emeer. lees p³eeuee nJee³e l³eeves efceUJeeJee. ceveeves meeOeer DemeCeejer ceeCemeb ceeCetme cnCetve peemle Þesÿ Demeleele. ³ee®eer DeeHeu³ee Deepetyeepetuee KetHe GoenjCeb Demeleele. l³eeb®³eekeÀ[s Deeojeveb yeIeeJeb. DeeHeu³eeuee KetHe efMekeÀlee ³esF&ue Je Ke-³ee ceeveJeer Deeveboe®³ee peemle peJeU peelee ³esF&ue. ®eebieueb Demeleb les Deevebo osleb Demee DeeHeuee meieÈ³eeb®ee®e DevegYeJe Deens. GoenjCeeLe&, DeeHeCe meieUs®e jespe Jele&ceeveHe$e Jee®elees. SkeÀe yeepetuee jepekeÀejC³eeb®³ee, mejkeÀejer DeefOekeÀejer ³eeb®³ee Yeeveie[er, Ye´ä v³ee³eeefOeMeeb®³ee yeou³ee efkebÀJee Deieoer efMe#eCe #es$eele ®eeueuesuee Ye´äe®eej ³eemebyebOeer Jee®elees lesJne DeeHeu³eeuee JeeF&ì Jeeìleb. HeCe l³ee®e Jele&ceeveHe$eele SKeeoe ceO³ece Jeieea³e leªCe efkebÀJee leªCeer keÀäe®ee DeeefCe keÀpee&®ee [eWiej [eskeÌ³eeJej IesTve efnceeue³eeleueb Del³eg®®e efMeKej Heeoe¬eÀeble keÀjleele lesJne DeeHeu³eeuee efkeÀleer Deevebo DeeefCe DeefYeceeve DeeHeu³eeuee Jeeìlees. keÀekeÀe, ceecee efkebÀJee Deepeesyee Demeu³ee®eb megKe vekeÀUle DeeHeu³ee ceveele Iej keÀjleb. cnCetve®e SKeeoer íesìîeeMee ieeJeeleueer iejerye kegÀìtbyeeleueer cegueieer 10 Jeer 12 Jeerle GÊece ceeke&Àmed efceUJetve Deelee Hee³eueì nesC³ee®eb mJeHve Heenles Deens ns pesJne DeeHeCe Jee®elees lesJne mJeHveHetleeameeþer ueeieCee-³ee cesnveleerves efceUCeeje Deevebo ³ee keÀv³esuee efceUes DeMeer®e ÒeeLe&vee DeeHeu³ee/DeveskeÀeb®³ee ceveele ³esles.l³eeJesUer DeeHeCe Demelees efle®es ceecee, keÀekeÀe efkebÀJee Deepeesyee. kegÀþueb lejer veeleb ceveele pegUueb peeleb SJe{er vekeÌkeÀer! ceuee DeeþJeleb ceePeer cegueieer efjkeÌ#eeletve MeeUsle pee³e®eer lesJne Hesª®³ee efmePeveceO³es SkeÀoe lejer les efjkeÌ#eeJeeues keÀekeÀe ceesþîee DeeHeguekeÀerves efj#eeleu³ee meieÈ³ee cegueebvee SkeÀ SkeÀ Hes© Ðee³e®es. cegueeb®³ee ®esn-³eeJej®ee Deevebo Deesmeb[tve pee³e®ee. efleLes HewMee®ee efnMesye vemee³e®ee. kesÀJeU DeeHeguekeÀer®³ee Heesìer ns Jne³e®eb. DeMee DeeHeguekeÀerletve efceUCee-³ee Deeveboe®eb veeJe keÀe³e? DeeHeCe Menjele jenlees. efpeLeb ceesþceesþîee Fceejleer Demeleele. l³ee®³ee yejesyej®e DeveskeÀ PeesHe[HeÆ³ee Demeleele. l³ee®³ee DemeC³eeyeÎue meeOeejCeHeCes leg®íles®³ee mJejele yeesueCe DeeHeCe SskeÀle Demelees. keÀOeer keÀOeer l³ee megjele DeeHeuee metjner efcemeUlees. HeCe keÀOeer keÀOeer


DeeHeu³eener ceveele ³esleb. keÀme jenele Demeleerue ns ueeskeÀ ! Oe[ jmlee veener, ieìejb, ceeMee Demeb jep³e DemeCee-³ee ³ee Jeml³ee. eflekeÀ[s ceeje keÀer SKeeoe HesÀjHeÀìkeÀe. ceesìejmee³ekeÀue, mketÀìj efkebÀJee iee[er ueebye GYeer keÀje DeeefCe efMeje l³ee Jemleerle, 10/15 npeej ceeCemeb jenele Demeleele. keÀMeer jeneleele ner ceeCemeb ? keÀMeer Jeeieleele SkeÀceskeÀebMeer ? kegÀþs KesUleele ³eeb®eer cegueb? efleLes legcneuee efomesue one yee³e yeeje®³ee He$³ee®³ee Keesueer®³ee yeensj. SkeÀ metve DeeHeu³ee meemet®³ee Hee³eeuee lesue ueeJele yemeueer³e, ®eej Keesu³ee mees[tve DeeþJeer, veJeJeerleueer cegueieer DeeHeu³ee DeeF&uee HeeHe[ ueeìC³eele neleYeej ueeJeles Deens.keÀejCe efleuee peeCeerJe Deens keÀer DeeHeueer DeeF& mekeÀeUHeemetve mebO³eekeÀeUHe³e¥le ®eej Iej®eer OegC³eeYeeb[îee®eer keÀeceb keÀªve Iejer ³esles DeeefCe ³eslee ³eslee efkeÀuees oesve HeeHe[e®³ee efHeþe®ee ieesUe IesTve Deeueer Deens. GÐee mekeÀeUHe³e¥le HeeHe[ ueeìtve les efleuee vesTve Heesnes®eJee³e®es Deensle. l³eeletve efleuee efceUCee-³ee ceesyeou³eele OeekeÀìîee YeeJee®³ee efMe#eCeele ceole nesCeejs ®eej Hewmes efceUJeles Deens. YeeJeeuee ³eboe 9 Jeer keÌueeme ueeJeuee³e. DeeHeCe efle®ee Yeej nuekeÀe keÀje³euee ceole kesÀueer Heeefnpes. ner SkeÀ®e peeCeerJe efle®³ee ceveele Deens. menpe oesve efceefveìb Leebyeueele DeeefCe l³eeb®³eeMeer cee³esveb yeesueueele lej ns ue#eele ³esF&ue. lesJe{îeele keÀoeef®ele oesve Iejb HeueerkeÀ[tve SKeeoer keÀceue OeeJele ³esF&ue DeeefCe ³ee ceeJeMeeruee, ̀ DeeF&®³ee ueF& Heesìele ogKele³e nes.` Demeb meebiesue keÀer DeeF& ®eìkeÀve Gþsue, Iejele peeTve keÀenerlejer IesTve HeUle®e keÀceue®³ee Keesueer®³ee efMejsue. ̀ meKKes Mespeejer ̀ ®ee DevegYeJe pees DeepekeÀeue uegHle Peeuee³e lees legcneuee efleLes efomesue. Lees[ Heg{b iesu³eeJej Lees[meb cewoeve 50 yee³e 30 ®eer efjkeÀeceer peeiee efomesue. efleLes SkeÀ leªCe 30/35 cegueebvee ieesue yemeJetve keÀenerlejer meebielees³e Demeb efomesue. peJeU peeTve Heeefnueeble lej lees leªCe cegueiee l³eebvee SKeeoer ieesä meebielees³e DeeefCe leer meieUer cegueb SkeÀeûelesves SskeÀleensle ns legce®³ee ue#eele ³esF&ue. DeeCeKeer Lees[b peJeU peeTve SskeÀueele lej ieesä Deens SkeÀe mJeeefYeceeveer ceeCemee®eer ns ner ue#eele ³esF&ue. ieesä mebHesue, cegueb GYeb jeneleerue DeeefCe SkeÀ ÒeeLe&vee keÀªve meieUs peCe Heebieleerue.

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keÀu³eeCe Jeox THE SHINING STARS

RUTURAJ GAVASKAR

DEVASHRI GAVASKAR


SARASWAT BRAHMAN SAMAJ(Estd – Gudhipadwa 1896)

Public Trust Regd. No. E22148 (Mumbai)stMadhukosh, Saraswat Bank Building, 1 Floor, S.V. Sohoni, Marg, Girgaum, Mumbai 400 004.

Tel. 2386 2269

SARASWAT BRAHMAN COMMUNITY

In Gaud Saraswat caste the people of

different subcaste (such as Shenavi,

Sashtikar, Bardeshkar, Kudaldeshkar,

Pednekar, Lotalikar, Bhalavlikar) should love

each other and make feel affectionate and

unity should be developed in this caste, also

all people of this caste should go ahead

religiously, econonomically, culturally,

physically, intellectually, educationally and

socially and also they should high up their life

style and to get all the facilities for the all

round development to raise their standard of

living so that there should be commitment

for faith and socially bonded with each other

for helping hand and also hunger for getting

more knowledge and increase their

knowledge with the help of advanced

devices also the people should get good and

standardized tools (instruments) for their

entertainment in leisure time consider this in

1896 Saraswat Brahman Community started

and is registered socially in the office

commissioner with trustee registration No.

E22148. Community’s program and function

many programmes are conducted for

members and other brothers and sister of

mother caste by this community.

1) Every Sunday in the morning session at

6.30 to 8.30 training of yoga is given free of

cost.

2) Every Sunday in the morning session at

10.00 to 11.00 training

of Bramha Vidya is given at very low cost.

3) In each month in second Sunday at 11.15

to 12.45 the value education classes are

conducted for the age group 8 to 14 years

and managed by Anandvai without cost

parents also attend this programme.

4) From Monday to Friday in the morning at

10 to 12 the K.G. classes are conducted

5) From Monday to Saturday the fashion

design classes are conducted at 12 to 4 in

the afternoon.

6) In the evening the library is opened

between 6 to 8.30 for the members of this

caste and also for other members at very low

cost.

7) In the evening between 6 to 8.30 marathi

matrimony is conducted for the members of

this caste.

8) Computer classes are conducted from 8

to 8.

9) On Monday and Wednesday in the

evening between 5.30 to 9 dancing classes

are conducted by Chetan Dance academy.


10) On Tuesday and Thursday between

5.30

to 9 the dancing classes are conducted by

Soniya Parchure

11) Every Wednesday at night between 9 to

10 prayers is conducted for Athavale Guruji.

With all these every Friday in the evening at

7.30 p.m. Shri. Goddess Saraswati is

celebrated by Arati.

All brothers and sisters members and other

members of difference caste are also

present for Arati.

Like every year in the month of Shravan

Shri. Satyanarayan’s pooja is also

celebrated with great enthusiasm. That time

many members remain present and take the

tirth Prasad. Also Navratri Festival is

celebrated in the hall of Institution with great

enthusiasm. This time Saraswat caste and

all other castes and Bank’s officers come to

attend this festival. That time also for nine

days Shri. Goddess Saraswati has been

given flowers mala.

Also health campaign of Homeopathy,

Alopathy, Ayurvedik are conducted for

people of this caste, Also institution has

made a bond with Vokard Hospital at

Bombay-Central with that bond if any

member patient is gone to Vokard Hospital

for medical checkup or for admitting, he get

discount on medical expenses.

All Saraswat brothers and sisters are

therefore requested to make a member of

this institution and take an advantage of all

programmes of institution.

SHRI JAYRAJ SALGAONKAR

President

SHRI SUBHASH KAMAT

Vice President


INTRODUCTION:

Sammelan is the right place where the

community gets together to discuss and

exchange their views on the development of

community where the message of caution is

specifically addressed. The subsequent

propagation through the journal and person

to person communication will help to reach

the members of the community at large. For

this sammelan in Hejmady, we shall

re-dedicate ourselves to protect the purity

our community standards During the last

sammelan held in Goa, I gave a call to my

community brothers and sisters, that we

have to come out of the barricade of

classification in Saraswats like GSB, SB,

RSB, KSB etc in the matter of alliance. The

action of breaking the community into groups

has already came from the past and

continued even today. Our community

young generation is unable to get the proper

alliance because of the inherent restrictions

lying in the system. Mutt heads, community

associations are already working in this

direction to reform.

CROSS THE BORDERS :

Originally, Gaud Brahmins were residing in

the present Kurukshetra area called as

ARYAVARTA /BHRAMHAVARTA – the area

between Saraswati and Dhrushadwati

rivers. Over a period of time on various

reasons, the same Gaud Brahmins migrated

to different places and combindly called as

PANCHA GAUDS namely Adi Gaud,

Saraswats, Kaanyakubj, Maithil and Utkal

Brahmins, spread all over the country.

Today, our younger generation is migrating

on the entire globe in search employment.

The present youngsters have started

selecting their matrimonial partners from

any other communi ty wi thout the

consideration to the limits imposed on Four

Segments (Chatur-Varna). Parents have

less say in the selection of a partner for their

children. If by any chance, the choice fell on

any Brahmin Community, then there is no

reason to give approval. Do not see

anything beyond this. The choice like

education, age, beauty, job, family status etc

are done by our youngsters who are

predominantly looking for a suitable earnings

on the basis like classmate, colleague in

most of the cases.

WHY FROM THE SAME COMMUNITY?

Manu smriti (Manu Dharma Shastra), Guru

Charitra, Bhagvat Gita etc issue strictures for

inter-community / inter-religion marriages.

This is because the progeny (children)/

p r o d u c e d r e s u l t i n g i n l o w e r

community/caste. In other words, this

phenomenon is called as VARNA-SANKARA

(mal-genetics). In Kurukshetra battle field,

Arjuna refuses to wage the war only because

there will be inter–community produces

lower cadre generation resulting after the

war. As per Sage Manu – A Brahmin must

marry a Brahmin and other segments should

also follow the same rule. i.e. the essence

is, marriage within the community produces

pure society (that will not produce another

lower community/caste)

THE GSB SAMMELAN, HEJMADY

Contd.on page 24

CHARACTER OF A SOCIETY :

As per Chanakya, the society consists of

people of all Segments (Varnas) with

balanced proportion of population to

maintain equilibrium. This proportion of

population if maintained without mal-

progeny, Such society is enjoying peace,

dignity, respect for others and promote

Dharmadharita jeevana with Ethics.(moral).

Brahmins are Satwik community and form

the nucleus of the society that which protects

the entire population leading self and others

to Dharmadharita jeevana.

CONCLUSION:

This message is extended for al l

communities to protect their community

culture (samskruti) and the respective role of

contribution to the welfare of the society. This

is done by encouraging their youngsters to

marry from their own community. Any

imbalance will lead to the production of lower

and lower castes having variation of

character, color, culture etc. Everyone must

work for the welfare of the entire population

by performing our duty to set our family in

order as per DHARMA (Refer The Times

of India dtd. 21-10-16 The Centre for Cellular

and Molecular Biology (CCMB) says

GENETIC DIFFERENCE , THE CASTE

SYSTEMS ARE THE MAIN REASONS FOR

PROF. KADAMBI PRABHU

(CULTURAL ANTHROPOLOGIST)


GSBS Medical Trust believes in giving incentives to its employees. This encourages the

employees to put in their best efforts to keep the patiehts happy and to renew the friendly

relationships with the patients. During Diwali get - together and lunch time, the Best

Employee of the Year is honoured with the cash gift from the hands of the chief guest and also

his services are appreciated.This year Dr. Mrs. Sandhya Kamath and Mr. A.N. Kamath were

Guests for the Diwali lunch and the Best Employee award was given to Mr. Mangesh Chile

and his services were very much appreciated.GITA PAI

G. S. B. S. MEDICAL TRUST(Registered No. E 5350)

MEDICAL CENTREShilpa Apartment, Dasturwadi, Mumbai Marathi Granth Sangrahalay Marg,

Opp. Dadar Fire Brigade Station, Dadar (E), Mumbai - 400 014.Tel. 022 - 2411 2322 / 2411 1749,

Email: [email protected] website: www.gsbsmedicaltrust.org


Vasanth Kumar Shivshankar Padukone alias

Guru Dutt is probably the greatest Saraswat

Brahmin in the history of Bollywood.He was

an ace director-actor & producer.He is

included among the greatest directors of all

time by the Sight & Sound critics’ & directors’

poll.In 2010 he was included among top 25

Asian directors of all time by CNN .His films

Pyaasa & Kagaz Ke Phool are included

among the greatest films

and are included in Time

magzine’s “All Time” 100

best movies.

Guru Dutt was born in a

K o n k a n i C h i t r a p u r

thSaraswat family on 9 July

1925 in Banglore.Guru

Dutt spent his early

childhood in Bhovanipore

in West Bengal & spoke

fluent Bengali.He acted in

a film called “Chand” in a

small role of Sri Krishna & later acted as

assistant director as well as choreographer

in films like “Lakharani” & Hum Ek Hain.He

also used to write short stories in English for

The Illustrated Weekly Of India.Guru Dutt

struck an enduring friendship with Dev

Anand and as a result directed “Baazi” in

1950-51.This was followed by not so

successful “Jaal” &”Baaz”.Baazi was

superhit at the box office.Guru Dutt

own team of Waheeda Rehman,Johny

Walker,cinematographer V.K.Murthy &

writer-director Abrar Alvi.He made Aar Paar

in 1954 followed by Mr. & Mrs. 55,C.I.D. &

Sailab out of which the first three films were

superhit.He then made Pyaasa in 1954

which was a failure but is regarded as a

classic film.He then made Kagaz Ke Phool

which also flopped but like Pyaasa is

regarded as a classic film.

Afterwards he made

Chaudavi Ka Chand &

Sahib Bibi Aur Ghulam

both of which struck gold

at the box office.His last

appearance was in a

Hrishikesh Mukharjee

f i l m , ” S a n j h A u r

S a v e r a ” w h i c h w a s

released in 1964.Ironically

Guru Dutt died due to

overdose of sleeping pills

thon 10 October 1964.

Guru Dutt was married to the famous play

back singer Geeta Dutt & had three

children,Tarun, Arun & Nina.Guru Dutt is

counted in the same league of famed

directors like Bimal Roy, Raj Kapoor &

Mehboob Khan.He acted only in about 16

films & directed 8 films.But that was sufficient

to seal his place at the top in Bollywood

history.He is regarded as a man ahead of his

Guru Dutt LEAGENDARY SARASWAT


times.He is regarded as one of the greatest

icons of commercial Hindi cinema.A postage

stamp bearing his face was released by India

thPost to honor him on 11 October 2004.

Some of Famous songs of Guru Dutt

movies-

1) Choudhavi Ka Chand ho from Choudhavi

Ka Chand sung by Rafi,tuned by Ravi.

2) Waqt ne kiya,kyaa hasin sitam from Kagaz

Ke Phool sung by Rafi,tuned by S.D.Burman

3) Jaane Vo Kaise Log The from Pyaasa

s u n g b y H e m a n t K u m a r t u n e d b y

S.D.BurmanVIJAY REGE

EX-G.M. Pidilite

4) Ye lo mai hari piya-sung by Geeta Dutt

from Aar Paar tuned by O.P.Nayyer.

5) Babuji dheere chalana-Aar Paar-Geeta

Dutt-O.P.Nayyar

6) Bhanwara bada nadaan hain from Sahib

Bibi Aur Gulam sung by Asha Bhosale tuned

by Hemant Kumar

7) Aja hoon naa aye balama-Sanjh Aur

Savera sung by Suman Kalyanpur &

Mohommed Rafi

8) Aaj ki mulaqat bus itni from Bharosa sung

by Lata Mangeshkar & Mahendra Kapoor &

tuned by Ravi.

quarterly bulletin, december - 2016 · december - 2016 samyukta saraswat, dec. 2016 2 i am happy to...

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