shaping the pop: us tv series and italian networked publics”, in journal of sociocybernetics
TRANSCRIPT
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In the first decade of the XXI century, the Internet has evolved from a text-
based to a cross-media platform where corporation distribute mainstream
visual contents. It was also during this time that social media as forums,
blogs, and social network site became popular among youth. From the con-
vergence between old and new media emerged a convergence culture
where mobilized audience compete with corporation in the production of
audiovisual flows of contents and participate in the construction of net-
worked publics that are digital social spaces and imagined communities.
Those socio-technical changes are affecting the way audience communicatewith each other and participate in the construction of new social identity.
The aim of this paper is to describe how the contemporary audience shape
fictional and audiovisual resources that are available in the cross-media
platform. In the networked publics fans of Tv programs appropriate profes-
sionally produced contents and pop icons to express their affiliation to a
mainstream global culture participating in the construction of a complex
social network that I propose to call starring system. With this term Id
like to focus on a new dynamic in the networked publics that is the blurring
of celebrity (professional) and fan (amateur). In particular I will describe
how Italian fans of US Tv series combine the use of social media and thecreative remixing of audiovisual contents distributed by US broadcasters to
communicate with each other. This process will be exemplified with a case
study on an online community of fans of US Tv series: ::Italian Subs Ad-
dicted::.
Journal of Sociocybernetics, 7 (S) (2009) pp 1-160
Citation: Vellar, A. (2009) Shaping the Pop: US Tv Series and Italian Networked Publics,
in Journal of Sociocybernetics, 7(2), pp. 144160.
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Special Issue Selected Urbino Contributions
avatar banner
fanart
fancfic fanvid
Journal of Sociocybernetics, 7 (S) (2009)
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ad hoc com-
munity club culture
objectified
fanart
fanfict
audience community of practice
Journal of Sociocybernetics, 7 (S) (2009) pp 1-160
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Special Issue Selected Urbino Contributions
primary
webisodes mobisodes
speak peak
webisode
pop cosmopolitanism
hang out
mess around
geek out
invisible audiences col-
lapsed context blurring of public and private
Journal of Sociocybernetics, 7 (S) (2009)
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Publicly Private
Privately Public
hang out mess around
fanart
egocentric network
networked collectivism
egocentric networks
starring system
blurring of celebrity (profes-
sional) and fan (amateur)
Journal of Sociocybernetics, 7 (S) (2009) pp 1-160
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Special Issue Selected Urbino Contributions
collapsed context blurring of public andprivate
starring system
Journal of Sociocybernetics, 7 (S) (2009)
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fanarts
fanarts
concept oriented
social oriented
Beverly Hills 90210
Dawson's Creek
Journal of Sociocybernetics, 7 (S) (2009) pp 1-160
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Special Issue Selected Urbino Contributions
Sex and the City
shophaolic
fanart
fanfiction fansub tertiary text
fansite
Gossip Girl
Journal of Sociocybernetics, 7 (S) (2009)
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Gossip Girl
Telefilm Festival 2008
GossipGirl
Gossip Girls
Gossip Girl
Telefilm Festival 2008
single-fandommulti-fandom
gg_akame
Journal of Sociocybernetics, 7 (S) (2009) pp 1-160
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Special Issue Selected Urbino Contributions
Telefilm Festival
Lost The L Word
Lost
Lost
Twin Peaks
Journal of Sociocybernetics, 7 (S) (2009)
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Lost
The L Word
Lost
Telefilm Festival
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Special Issue Selected Urbino Contributions
Lost
tight knit group
fanart fanfic
fanart
Fanarts
Journal of Sociocybernetics, 7 (S) (2009)
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avatar banner usebar
screencap image wallpaper comic animated gif fanvid fanfic
fansong calendar fanarts avatar banner sign usebar
usebar
wallpaper calendars
digital bedroom
fanart
screencaps
screencaps animated gif
fanart comincs
fanart
fanarts avatars
avatar banner
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Special Issue Selected Urbino Contributions
Skins
screencaps
vis-
ual circuit
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fanarts
webseries mobisodes
starring
systemlingua franca
fanarts
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Journal of Sociocybernetics, 7 (S) (2009) pp 1-160