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CHECK OUT OUR GIVEAWAYS INSIDE FRONT COVER JOE PULIZZI Content Marketing Guru Reverse Engineers Content Marketing in his new book CONTENT INC. MORE... Does Your Social Media Plan Include Instagram? It Should! The Verdict is In on Custom Publications How To Leverage Your Employees LinkedIn Pages SPRING 2016 IDEAS FOR MARKETING AND CREATIVE PROFESSIONALS

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Page 1: SPRING 2016 IDEAS FOR MARKETING AND CREATIVE … · Joe Pulizzi The recognized leader of content marketing talks about his new book and six-step process for content development. (Page

CHECK OUT OUR

GIVEAWAYS

INSID

E FRONT COVER

JOE PULIZZIContent Marketing Guru Reverse Engineers Content Marketing in his new book CONTENT INC.

MORE...Does Your Social Media Plan Include Instagram? It Should!

The Verdict is In on Custom Publications

How To Leverage Your Employees LinkedIn Pages

merrittgraphics.com/print-solutions/amplify

SPRING 2016 IDEAS FOR MARKETING AND CREATIVE PROFESSIONALS

Page 2: SPRING 2016 IDEAS FOR MARKETING AND CREATIVE … · Joe Pulizzi The recognized leader of content marketing talks about his new book and six-step process for content development. (Page

JUMP-START YOUR PERSONAL AND CORPORATE BRAND

WITH LINKEDIN (Feature Story, page 12)

HOT OFF THE PRESS! The completely revised The Power Formula for LinkedIn Success

by Wayne Breitbarth and New York Times Best Seller The LinkedIn Code by Melonie Dodaro.

GREAT GIVEAWAYS FROM THIS ISSUE!

CONTENT INC. (Cover Story, page 6)

Content marketing evangelist Joe Pulizzi reverse engineers content marketing and walks you through how to differentiate your content, pick the right platform foundations, and convert readers to subscribers.

BONUS! Struggling with how to write great content? We’ve paired Wall Street Journal Best Seller EVERYBODY WRITES: Your Go-To Guide to Creating Ridiculously Good Content by Ann Handley with Joe’s newest book!

HOW’S IT WORK? Moleskine and Adobe teamed up on a new Creative Cloud Moleskine notebook, allowing your sketches to be transferred directly into digital format. Draw in the book, take a photo with a connected app, and a vector version of your sketch is sent to your Adobe Creative Cloud account. How cool is that?!

WIN A MOLESKINE SMART NOTEBOOK (Cool Finds, page 3)

“ Everybody Writes gives you all the tools you need to make writing a core part of your life (and it needs to be).” — Joe Pulizzi, Founder, Content Marketing Institute

REGISTER TODAY AND YOU COULD WIN ONE OF THESE GREAT GIVEAWAYS!

To enter, scan the QR code or visit: merrittgraphics.com/print-solutions/Giveaway

Page 3: SPRING 2016 IDEAS FOR MARKETING AND CREATIVE … · Joe Pulizzi The recognized leader of content marketing talks about his new book and six-step process for content development. (Page

WELCOME Spring 2016 01

Executive EditorCindy Woods

Contributing Writers Tim Sweeney, Cindy Woods

EXPERT OPINIONRead insights from the following

contributors in this issue:

Wayne Breitbarth LinkedIn expert consultant and author examines

the importance of your employees, LinkedIn pages, along with Melonie Dodaro, number one

best-selling author of The LinkedIn Code. (Page 12)

Lee WattsDirector of Marketing and Business

Development at Smith, Gambrell & Russell, LLP discusses their corporate publication. (Page 10)

Joe PulizziThe recognized leader of content marketing

talks about his new book and six-step process for content development. (Page 6)

01 WelcomeLetter from the President, plus a selection of the key contributors writing in this issue.

02 InsightsIdeas, opinions, news, and trends.

06 Interview with Joe PulizziThe number one leading content marketing guru gives us insight into his new book, Content Inc.

10 Marketing Case StudyThe Director of Marketing and Business Development for the law firm of Smith, Gambrell & Russell, LLP shares her insight into the success of their custom publication.

12 Engaging Employees on LinkedInTwo LinkedIn experts discuss the importance of having engaged emloyees on LinkedIn.

16 My Working DayA communications manager for a 1000+ employee law firm explains her role.

Printed and distributed by Merritt Graphics www.merrittprintsolutions.com

Welcome to the Spring issue of #amplify!

#amplify is a publication of Merritt Graphics Print Solutions

for the customers and colleagues of Joseph Merritt & Company, Inc.

#amplify is printed on anHP Indigo 7800 digital press using

Blazer 80# Silk Cover & 100# Silk Text.

Follow us online facebook.com/merrittgraphics @merrittgraphics linkedin.com/company/joseph-merritt-&-company /user/JosephMerrittCompany

hhh, Spring is in the air! A great time to clean out, de-clutter, and reorganize. And guess what, there’s no app for that! Not the kind we’re talking

about. You can Wunderlist™, Evernote™ or Any.do™ your to-do lists to death, but when it comes to the physical act of spring cleaning, no digital wizard is going to come to your rescue! Below, we’ve compiled a short list of tips that not only cover traditional spring cleaning, but also include a little bit of cleansing for mind and body too. These tips work great in both professional and personal lives.

#amplify Your Space (Tips from Wasp Barcode)1. Get Rid of Old Papers — Sort through any stacks ofpapers, asking yourself: Do I need this? Why? Where will Ilook for it when I need it? Create a filing system that best fits your needs, and make a point to file future paperwork as they are created to keep the problem from reoccurring. 2. Keep Supplies and Often-Used Items Separate — Daily-use items like your laptop, pens, planner, and Post-ItNotes, all deserve a spot on your desk. Other items (tape, stapler, paper clips, envelopes) should be neatly stored inside your desk. This keeps less-frequently-used items from taking up valuable desk real estate.3. Organize Your Computer — When your favoritedesktop background starts getting obscured with icons,it’s time to de-clutter your virtual desktop. File away documents that you’ll need again, and send everything else off to the virtual recycle bin. You’ll have a much more attractive desktop screen, and will save countless hours searching for important documents.4. Slow Down — Invest the time toproperly organize your space. Put files, supplies, and other items in intuitive, easy-to-find places. Spending a few seconds to return items to a designated spot saves time in the long run.

#amplify Your Focus (Tips from Dale Bell)1. Embrace Time Management — Time block youractivities for maximum effectiveness. When it is time tofocus, turn off your IM service, log-off of Facebook, and put your phone on silent.2. Big Rocks First — To maximize your effectiveness,begin with those items that MUST be completed. Work topdown from most important to least important.3. Clear it Off — When you are working, brainstormingor working creatively, clear off your workspace.4. Balance — While technology can become distracting,it is invaluable to your future business prospects. Learn to leverage the technology, while preventing it from derailing your success. When you master this self-control skill, there’s nothing else to stand in your way of greatness!

#amplify Your Life (Tips from Derek Lauber)1. Get Healthy — Your ability to succeed in business andlife is connected directly to your energy. So start giving your body and mind more of what it needs, eat better and exercise.2. Get Creative — Add fun back in to your routine bystarting up an activity again that you used to enjoy. Being creative is a key human need. Whether it’s painting, writing,music or learning a new language, commit to flexing your

creativity muscle and have some fun!3. Be Out in Nature — A lot of us spend themajority of our day indoors, either at home, in the office, or in the car. It’s time to get outside and reconnect with nature. Nature gives you space to breathe, let go of work, and reconnect with the present moment. Commit to being outside for at least 15-30 minutes each day.

Commit to taking one action every day in each of these areas, and you’ll see amazing results!

a

Design Production Design Designlogix Diann Durham

©2016 All Rights Reserved

Ed PerryPresident & CEO,Joseph Merritt & Company

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Spring 2016INSIGHTS NEWS | REVIEWS | IDEAS | OPINION |

SOCIAL MEDIA »

Instagram Done Right

1. PETCOThe key to Petco’s content is that it’s not product related, but is instead generated by its followers sending photos of their pets—in Star Wars attire, in holiday garb, or just mugging for the camera. Because pets love to play dress up, evidently. Petco also runs contests asking for pet photos with certain hashtags and gives away gift cards to weekly winners.

Five to Follow

ven if your business doesn’t have an official Instagram account, chances are it’s already on Instagram. With

more than 400 million people now using the photo-sharing social network, there’s a good chance people have posted photos of or discussed your brand there. But if controlling your brand image and the imagery associated with it on Instagram isn’t reason enough to create an account, the possibilities that Instagram offers to grow a community—and therefore your business—ought to be. The chance to use captivating imagery to engage consumers, build trust in your expertise, and potentially drive consumers to your website is one you can no longer afford to pass on. Here are a few tips for creating brand engagement on “Insta,” as the kids call it. The most successful branded Instagram accounts aren’t necessarily showing off the products that said company is selling. In fact, many hardly show their products at all, at least not in a traditional sense. Instead, they use lifestyle shots to demonstrate the benefits of products without really pitching them. Think: it’s not a photo of the credit card itself that gains new subscribers, but the pictures of the places you can go with it. To mix things up, occasionally work videos into your posts as well.

E

2. GOPRO Maybe not a surprise since their product is a camera, but, again, user-generated content is the order of the day. Incentives like their Photo of the Day contest urge users to send their best images in hopes that it may be shared with GoPro’s audience of more than 7 million followers. It also motivates others to buy a GoPro.

3. SHARPIE It’s just a pen, right? Wrong. Sharpie’s Instagram feed puts shameless brand exposure to the side and shows what can be created when its products are placed in the hands of talented people, displaying artwork done by its users with Sharpies. The only downside: if you don’t have such prodigious talent, it’s mildly disheartening to see the work of those who do.

Looking for a road map for creating a better Instagram presence? Check out these five brands for inspiration.

A day in the life: What better way to connect with

your customer than an exclusive peek inside your brand’s daily life?

Announcements: Add Instagram photos and

videos to your PR plan. Press releases are so “yesterday!”

Show your products in a creative way: Pilot

Pen USA shows photos of handwritten notes and their pens—very creatively!

Show appreciation: Follow Starbucks’ lead and give a

shout-out to your followers who are posting cool images on your Instagram account. Fans love it!

Host a photo contest: And make a unique hashtag just

for that campaign. You can even make a campaign out of creating the hashtag name!

Need ideas for your Instagram account? Check these out:

1

2

3

4

5

Want more fun Instagram ideas?

Download our infographic,

15 GREAT INSTAGRAM MARKETING

IDEAS

Scan the QR code or visit:merrittgraphics.com/print-solutions/Instagram

Page 5: SPRING 2016 IDEAS FOR MARKETING AND CREATIVE … · Joe Pulizzi The recognized leader of content marketing talks about his new book and six-step process for content development. (Page

INSIGHTS Spring 2016INSIGHTS 03

If done right, your followers will play a crucial role in generating content around your brand. Users of Instagram upload something like 40 million pictures each day. Stage hashtagged photo contests with prizes for winners, share consumer images of your brand on your Instagram feed, and use creative hashtags to assemble photos around certain topics to increase consumer-generated content. Many businesses neglect the opportunity to rely on partners to drive traffic to each other’s Instagram accounts. Customers, business partners, and suppliers often share similar audiences, so tagging them in your posts can help spread the love and drive traffic between you. Trending hashtags can also help your brand join photo “conversations” and send users your way that might not find your brand otherwise. Instagram is huge, but Facebook is . . . more huge, and it owns Instagram. Adding an Instagram tab on your Facebook Page enables you to instantly share your Instagram photos to your Facebook fans. Finally, remember that simply gaining followers on Instagram is generally not the end goal. Whether you’re looking to collect emails or send viewers to a product page for a special offer, use the endless character count allowed by Instagram with your photo to tell a story, and use a call to action that refers followers to the link in your bio that can be updated at any time. n

4. GENERAL ELECTRIC Yep, THOSE guys. GE’s Instagram account does a wonderful job of showing off all the things they do that you didn’t realize they did. Spectacular images of big machines such as locomotives as well as videos of wind turbines combine with inspiring quotes to visually tell the brand story: “to build, power, move and cure the world.”

And the winner is . . .@MAILCHIMPWe’ve crowned MailChimp as one of the best B2B Insta’s we’ve ever seen. Through bright but simple photographs, we go behind the scenes at their Atlanta, GA headquarters and live the MailChimp life of fun and goodness! We meet winners of the office baking contest, coffee hour guests, and executive team members such as Dan, the Co Founder and Chief Customer Officer. We even follow them to sporting events and talent-recruitment days. If you’re looking for great Instagram creativity and inspiration, look no further!

COOL FIND! »

CALLING ALL DESIGNERS AND SKETCH NOTE TAKERSThe Moleskine Smart Notebook is a MUST-HAVE tool!

The Moleskine Smart Notebook

and companion app instantly

turn your hand-drawn sketches

into fully workable vector files

accessible within the Adobe

Creative Cloud.

Check out this YouTube video to see how it works:

With the feel of a traditional leather-bound notebook, the Smart Notebook is made of a special paper optimized for digital sharing using markers placed on each page. Download the free app, sketch, point, and click! It’s that easy. And with your Adobe Creative Cloud membership, you can sync your files to the Creative Cloud and immediately open them in Adobe Photoshop CC or Adobe Illustrator CC to continue working.

5. AMERICAN EXPRESS Amex focuses on what you can do with the card and displays it via polished, perfect photos of desirable items and locales. It also relies on Amex ambassadors such as professional photographers and has given smart Instagrammers (such as chefs and designers) the keys to its account as part of its #MyAmex campaign to increase audience engagement.

Looking for a road map for creating a better Instagram presence? Check out these five brands for inspiration.

ENTER TO WIN THE

MOLESKINE SMART NOTEBOOK TODAY!

Scan the QR code or visit:merrittgraphics.com/print-solutions/Giveaway

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Spring 2016INSIGHTS NEWS | REVIEWS | IDEAS | OPINION |

TRENDING »

Recruitment Marketing: Marketing’s New Role with HR

eing able to connect with today’s Millennial job seekers and drive them to apply for a position with

your company is challenging for a number of reasons, but chief among them is that young people today see their careers in a different light than previous generations. In a 2014 Allstate/National Journal Heartland Monitor poll, 57 percent of young people said finding something enjoyable or making a difference in society was their top priority jobwise. Millennials, and many Gen Xers, also see themselves moving from company to company throughout their career in order to advance. These viewpoints certainly shape how companies sell themselves to potential employees, and no one knows how to do that better than the marketers inside the building. Because today’s marketing teams are experienced at finding the right audience, presenting the brand, telling the story, and converting believers, human resource departments are relying on the skills of their marketing teams to help them recruit the best talent on the job-hunting market. The Global Recruiting Trends 2016 report from LinkedIn Talent Solutions surveyed nearly 4,000 talent-acquisition teams worldwide and found that 47 percent share or contribute to employer branding with their marketing department. Marketers, can you say “job security”? “Marketing comes with their own skill set, whether it be copywriting or visual elements,” says Megan Wakefield, Director of HR at San Diego-based fitness company

Jazzercise. “They are trained to talk to your target audience and engage with them, so it makes sense to get assistance in targeting the right candidate in the correct voice.” The ability to write a job posting that effectively targets the desired audience is not necessarily a skill set a typical HR professional would have, and a job posting is truly an advertisement in a sea of others. The applicable skills of a marketer continue to go well beyond that. Today’s marketing departments can help their HR

colleagues approach recruitment the same way they approach customer acquisition and conversion, in many cases right down to analyzing where the best candidates are coming from. Expertise in mobile marketing, for example, is just one area where marketers can contribute, with 73 percent of Millennials saying they use a mobile device to search for jobs, according to a 2014 report from the Indeed Hiring Lab. The use of branded content—especially video, which is favored by Millennials—can play a vital role in attracting talented individuals that can both fill positions and fit within the company culture. As young candidates search for career information and advice, delivering such content validates your company as a trusted expert in your field. From there, it’s about sharing that content in online communities where your target audience gathers, a practice that marketing teams are accustomed to executing. Effectively utilizing social media can also put your job openings in the right arena to be seen by qualified individuals. Hashtags on Twitter can connect you to industry-specific conversations where candidates are likely to engage with job postings if you tweet them with that hashtag. Recruitment marketing might also involve the creation of videos in which your company’s employees share the brand story, a highly effective way to connect with a candidate audience that trusts the opinions of individual employees more than any overt messaging from your HR, marketing, or PR departments.

B

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Spring 2016INSIGHTS 05

5-MINUTE EXPERT »

How do you approach a logo design project?

Develop a list of questions concerning various criteria that affect the choice of the components of the solution. The answers will put the identity into a defined set of parameters, like the framework of a house. It will keep the client honest about what they are really looking for (since there are hundreds of ways to solve an identity issue, and all could be reasonably correct). It will also keep the designer from making serious errors in judgment or spending huge amounts of time redoing items over miscommunicated expectations.

Are you seeing any trends in logo design?

Complex has been done. A return to simplicity and minimalism, with simple and bold twists on reality, is resonating with consumers. There needs to be a rule: No more swashes. No more orbits. No more rings!

What should a client expect to receive from their designer?

Define this up front with your designer. The normal deliverable should be a vector-based file, which is scalable to infinity. Typographic solutions should always be delivered as paths and not as genuine typography. (A version of the identity should always be kept by the designer, who holds the initial typography intact as a reference for future needs or for future refreshing.) Full-color identities should be provided, with PMS as a

Arnold Fishman Design Director, Lipman Hearne, Chicago IL

5-Minute Expert

Q&A with Arnold Fishman

standard deliverable and with hex colors provided in RGB. Logos should be shown on white grounds, as well as reversed out of color, with a small graphic identity usage guide of all logo colors and

variations, font usage, etc.

How much time should a client

allow for the design process?

One month minimum, from the time of initial meetings to the first presentation of concepts.

Two to three months total time for small- to medium-

sized projects.

What should a designer understand about a company before designing a logo?

The location or locations; the meaning of the company name; how many owners of the company there are; the primary product or products that the client sees as defining the company; what segment of the market the company wants to be strongest in; what type of client character the company wants to have as their ideal customer; how the logo is going to be displayed (print, web, clothing, embroidered, metal, decal, engraved, etc.).

In summary:

Identity should be long in wear, which is why identities need to be timeless and well thought out. It’s much better to change website experiences on a regular two- to three-year basis, taglines 5 to 10 years, identities 15 to 25 years or longer, depending on the likely lifespan of the company. But developing a brand’s identity is an investment and should be done right the first time.

Your recruiters may have implemented a well-crafted application online, but do they know how effective it really is? How many applicants who start the process actually finish it? Where and why do they abandon the application? Is it too lengthy, frustrating, or just plain difficult to complete? Marketers have experience with converting users—whether it involves making an online purchase, gaining new followers on social media, acquiring an email address, or increasing newsletter open rates. By knowing where you might be losing candidates in the application process, your HR team can close the gaps and convert more of them. To help drive candidates down the applications funnel, marketing professionals can also help their HR colleagues create a branded career page that not only appeals both visually and in brand voice, but also uses SEO and keywords that help job postings appear prominently in searches. Only when you’ve garnered the attention of the candidates you hope to attract can you begin to tell them the story of why they might want to work for you. “Candidates today don’t want to just show up and do the same thing over and over again for a company they don’t care about, so explaining why you’re different is important, and marketing people really know how to tell that story,” Wakefield says. “And the context of the role is crucial. You need to tell candidates how the position fits into the company and then how the company fits into the world or the market in a certain way, and telling that story allows candidates to see the meaning in their potential work.” n

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06 Spring 2016 COVER STORY

THE GODFATHER

That’s quite a moniker to live up to, but as an entrepreneur, speaker, and author, the moniker is well earned. Pulizzi founded the Content Marketing Institute, which has a stated mission of advancing the practice of content marketing and which publishes the bimonthly magazine Chief Content Officer. His new book, Content Inc.: How Entrepreneurs Use Content to Build Massive Audiences and Create Radically Successful Businesses, came out in September 2015. Three years ago, we sat down with Pulizzi for a deep dive into the world of content marketing. Now, we figured it was time to pick his brain again for a sort of 2016 State of the Union on content marketing.

Q: Your new book, Content Inc., talks about flipping the script to create valuable content for an audience before creating the product. For those tied to the traditional approach, wondering where the audience comes from without a product they desire/need, can you explain this thinking to get us started?

Joe: There will always be companies that create amazing products. Some market themselves. People find them, love them, talk about them, and the company succeeds. Others invest heavily in marketing and attract prospects and then customers. Nothing wrong with that.

Interview by Tim Sweeney

Joe Pulizzi is considered ”the Godfather of Content Marketing.”

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Spring 2016 07

Most content

marketing programs

fail simply because

they stop. Consistent

publishing is where

organizations fall

down. They exercise

too much campaign-

centric thinking.

But when I started to discover so many multimillion-dollar, fast-growing companies that started with no products and services at all, it was worth a deeper look. Those entities focused on a particular audience and delivered amazing information to that audience consistently over time. Those subscribers came to know, like, and trust those organizations, so much so that whatever products and services they launched were purchased. In most cases, the products created were incredibly needed because the audience was so well understood. In many case studies, the audience actually “asked” the company to produce them. What resulted was an organization that never, if they chose not to, marketed in traditional ways. Why? Because they already had access to and a relationship with those people. This model would have been extremely challenging a few years back. Today, it’s possible because there are no barriers to entry for publishing and unlimited access to content for consumers.

Q: Your book outlines a six-step model

to follow. At the base of all this is the core knowledge and passion, but there is also a need to generate content, of course, which might not be a skill set all entrepreneurs believe they are blessed with. Any advice for those people?

JP: Of course. Many entrepreneurs aren’t good at accounting, either. Or legal issues. When they need to print something, they don’t go out and buy an industrial printer. Those things are outsourced.

Like any good business, we keep in-house what we are good at and passionate about. Everything else, we outsource or find talent. To someone in publishing, this makes perfect sense. For someone not in publishing, it seems daunting, but, in reality, it’s like everything else we have to accomplish as a business.

Q: Content Inc. also addresses “change agents” at larger companies—the people who might be struggling to convert their colleagues from the old ways of marketing into believers in content marketing. Can you give us a snippet of how the book addresses this challenge that many marketers encounter today?

JP: The Content Inc. model—or the idea of building an audience first and then monetizing it—can work for any-size company. For larger enterprises targeting a particular niche, especially a new area or audience base, the model works well to build a relationship with that audience first, get intelligence, and then launch the product. Oftentimes this model can serve like a pilot program—instead of launching the product offering, we can launch a content initiative, which is much less risky. In company cultures that are hard to change, which is just about all large companies, content pilots work best, targeting one audience around one niche. Once we can gain some success in the pilot, then we can go after increasing the budget. In many large companies, they won’t significantly invest in

content marketing until they see some kind of success.

LESS IS MOREMore and more businesses are realizing

this, so there is a movement away from quantity of content to quality.

THE GROWTH OF VIDEO

We are seeing video lengths in all forms, from short, 15-second videos to 20-minute (and even longer) series. YouTube incentivizes longer watch time, so many YouTubers are creating longer and longer videos.

1 THE CHALLENGE OF CONSISTENCY

Consistently delivering quality content to a particular audience over time might be the greatest challenge going forward. In our Content Inc. case studies, the average time to monetization with content for small- and medium-sized business is 15–17 months, which means if you aren’t patient, it simply won’t work. This is also why small- and medium-sized businesses have an opportunity over large companies, because they often have the luxury of being more patient.

2

3

THE FUTURE

Content marketing moves quickly. Joe Pulizzi offers some insight for small- and medium- sized businesses going forward.

Q: So many companies are desperate to create content around their brand these days that they end up creating content that is not useful, almost noisy. Is it better to post better quality less frequently, or does volume matter? And how often should people be posting?

JP: Your goal, any organization’s goal, is to create the minimum amount of content with the maximum amount of results. No one should actually want to create more content. But when you do create, it must be consistent, whether that’s every day, three times per week, weekly, or monthly. I’ve seen all of these frequencies be successful.

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08 Spring 2016 COVER STORY

Q: When a brand has determined its consistent content frequency, what goals should they have for their content? Is it all about click-throughs to their website, gaining followers, and gaining database subscribers?

JP: There are only three goals for content marketing—generating sales, decreasing costs, or creating happier customers. Now, website traffic and social shares are low-level indicators of success, sometimes even meaningless. If there is a holy grail metric to content marketing, it’s the subscriber—someone that opts in to receive our content on a regular basis. Once we start growing our subscriber base (the audience), we can begin to measure how those subscribers behave differently. Do they buy more? Stay longer as customers? Talk more favorably about us? That’s the end game—seeing a behavior change over time in some way.

Q: It seems as though more and more companies are simply sharing content rather than generating original content. Is that okay? Should we tell people, “Well, it’s better than nothing”?

JP: If you have an influencer strategy to build relationships, just sharing content is fine. But if you want to position yourself as the leading informational expert over a particular content area, you have to create your own consistently valuable content over time. Success could be possible if we curated content in a certain way, but we’d need to make that package valuable enough for people to want to subscribe to it.

Q: What are your thoughts on how to find affordable, credible content developers for SMBs? Is there a difference between a copywriter and a content developer?

JP: : It can be affordable with the right strategy. Instead of creating content everywhere, focus on one content type, one content channel, and consistently deliver over time. That might mean you need to hire a journalist, editor, etc. The most important position you can fill is an editorial role. Getting the raw content is probably a lot easier (much of that can come from employees or customers), but putting it

together in a coherent story is challenging. So find the editor first. Look at some of the leading trade publications in your industry. You’ll find many people there that don’t work directly for the publication. I would start there.

Q: When we chatted with you a few years ago, you spoke about the importance of tailoring content for print and online, even if it’s rooted in the same original content. How has that strategy evolved in recent years? And what are you doing specifically with Chief Content Officer when you take that content to the online space?

JP: Print, today, is like a trade show that all of your customers are at, with no competitors. It’s such a great opportunity right now. We have to remember that we aren’t creating a blog or a print article, we are telling a story. How we tell that story comes later. So we want to first figure out the story and, secondarily, figure out how we will tell that story in print and online. Sometimes they work together, sometimes they don’t. Generally, we will tell a detailed story in print and then edit that story specifically for the web (usually more how-to related, while print is more focused on strategy).

Q: Three years ago you said that print was offering a bit of an opportunity because less mail was being sent as companies gave up on direct mail, etc. How do you feel about that today? Are there areas of print marketing that you feel brands have abandoned and are missing out on opportunities because of it?

JP: I feel the opportunity is even greater today, even though more and more brands are seeing this opportunity, like Airbnb and Uber. Airbnb launched a print publication called Pineapple and has since suspended publishing. Not sure why they stopped, but this is a great example of a brand not following through with a customer promise. I love thinkMoney magazine from TD Ameritrade, a magazine that goes to heavy traders. They found that subscribers who receive the magazine trade five times more than those that don’t. Fantastic.

Q: You also spoke to us a few years ago about Google’s Panda and Penguin algorithms placing more of an emphasis on

KEEPING PACE WITH THESE

IN PRINT1. Inc. – Inc.‘s content focuses on

technology, money, leadership, and

ways to grow yourself and your business,

with engaging profiles on interesting

professionals in the business world.

2. WIRED – Launched in 1993 to

cover the digital revolution, WIRED was

dictionary thick during the dot-com days.

Today, it reports on business, culture,

design, science, gear, and transportation—

all with a mainstream feel.

3. Chief Content Officer – Produced

by Pulizzi’s Content Marketing Institute,

it’s the first globally distributed magazine

devoted to content marketing, focusing

on the tools, technologies, and processes

used to help marketers learn new

publishing tools. Available online and in

print; the print edition is free in the U.S.

ONLINE4. SocialMediaExaminer.com – The

world’s largest social media-marketing

online magazine, delivering daily, original

articles to more than 430,000 email

subscribers.

5. Copyblogger.com – Delivers

original, weekly content that teaches

people how to create online content.

6. ProBlogger.net – Started by blogger

Darren Rowse in 2004, it helps other

bloggers learn the skills of blogging and

features more than 7,000 articles, tips,

and tutorials.

7. Moz.com – The Moz blog features

posts to help you with your SEO and

online marketing, written by the likes of

cofounder Rand Fishkin.

8. Relevance.com – Features data-

validated guidance to digital marketing

leaders. Relevance.com’s publication

section delivers insight on content

promotion and distribution.

8

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09Spring 2016

Instead of creating

content everywhere,

focus on one content

type, one content

channel, and

consistently deliver

over time. That might

mean you need to hire

a journalist, editor, etc.

social media-generated content—meaning companies needed to develop a “social play” to make it into the search rankings. Google is constantly evolving in an effort to make search functions more useful to users, so where are we now in that world? Are you still focused on the same strategy?

JP: Even though some people think that social media plays a direct role, nothing is proven. I think the play is this: more people share your content, more people engage in that content, more people write about that content and link to that content. Links, we know, help your search rankings. So, in and of itself, there is a social play there. I would focus on sharing content to build subscribers in social channels to then try to convert those people into email subscribers, which we have more control over.

ADVICE FROM JOE

We asked Joe Pulizzi for his best professional advice. These tips sound simple enough, but he says No. 1 changed his life. Maybe it will change yours.

Write down your goals and review them EVERY DAY. Make it a habit.

Set particular times to respond to email. Don’t be in your email every minute of the day.

Focus on what you are passionate about and outsource the rest.

Q: You’ve spoken in the past about being able to create content that is specifically targeted to consumers. What kind of advances have you seen in recent years in the ability to first identify different types of consumers and then target them with content?

JP: What’s changed so much over the years is the cost of acquiring an audience. Literally, all audiences are accessible online. Finding communities online where your customers are at has never been easier. Using tools such as Google Trends to identify what your audience may or may not be searching for is at your fingertips. n

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REGISTER TODAY AND WIN JOE PULIZZI’S NEW BOOK CONTENT INC.

Scan the QR code to enter, or visit: merrittgraphics.com/print-solutions/Giveaway

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10 Spring 2016 CASE STUDY

f law is not your profession—or at least something you have a very keen interest in—the idea of reading a publication

filled with articles written by attorneys might seem like the perfect cure for insomnia. But for Atlanta-based law firm Smith, Gambrell & Russell, LLP, publishing a quarterly magazine has proven to be an excellent marketing tool, providing value to clients, aiding in pitch presentations, and educating readers about the firm’s various areas of practice and office locations. In 2009, in an effort to display credibility, authority, and expertise, the then-marketing director for Smith, Gambrell & Russell thought it was a good idea to get something in the hands of clients that highlighted the firm’s thought leadership. Trust the Leaders was born. Lee Watts, the current Director of Marketing and Business Development, was a bit skeptical of the practice when she started at the firm in 2013. “This is my fourth firm, and it’s not common for firms to do this,” she says. “My gut reaction when I started here was that it was crazy, considering the cost and time spent on it, and I wondered why they weren’t doing it digitally. Now that I’ve been here, I get it. For law firms, there’s always that pressure to add value, and this is another way to do that.” Trust the Leaders has a mailing list that is 12,000 strong, the bulk of which are business owners and in-house attorneys for other companies. Additional copies are distributed around the firm’s various offices for attorneys to share with clients or potential clients.

OBJECTING TO A CUSTOM PRINT PUBLICATION? OVERRULED!Think it’s too expensive and too old-fashioned to produce a company

newsletter or magazine? One law firm argues otherwise.

By Tim Sweeney

The goal is to publish each quarter, but, with all the writers being attorneys and trials often getting in the way, they usually produce three issues per year. Though the magazine is also produced digitally so that it can be easily shared, Watts says people love the hard copy because they believe digital would only get lost in the shuffle.

A magazine committee (including an editor) consisting of marketing personnel and attorneys kicks off the production of each issue by deciding on a theme, usually based on areas the firm is trying to communicate to the market, then determining how that story can be told. Once topics are chosen, they decide who is best qualified to write about them by emailing attorneys and asking for recent success stories. “From there, we sit together, look at what we have, and spend a great deal of time editing and proofreading,” Watts says. The finished content, including most of the artwork that appears in the publication, is sent to an outside publisher. Smith, Gambrell & Russell shares artwork responsibilities with the publisher, but the content is well baked when the firm sends it to them.

I

Lee Watts Director of Marketing and Business Development

My gut reaction when I started

here was that it was crazy,

considering the cost and time

spent on it, and I wondered

why they weren’t doing it

digitally. Now that I’ve been

here, I get it. For law firms,

there’s always that pressure

to add value, and this is

another way to do that.

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Spring 2016 11

WHAT I’VE LEARNEDLee Watts has learned a lot about

publishing a magazine since she

first started at SGR. She took stock

of what she’s picked up along the

way and shares it here.

GET ON THE CONTENT TRAINIf there is a way to create content and

establish yourself as a thought leader,

you should do it. It doesn’t have to be

a colorful, high-end magazine, but if

you can brand yourself in an area,

you can’t lose.

REPURPOSE Often, one of our attorneys

has already done a webinar,

presentation, or client alert on a

topic, so we ask them to turn it into

an article. There’s content all around,

but it’s important to ask, “How can I

make this into something else?”

MAKE YOUR VOICE HEARDWhatever your area of expertise

is in the world, write about it. Let

people know what your opinion

is on topics and comment

on them.

DO WHAT YOU DO WELLIn some cases, we spend hours

on editing. Our lawyers bill a lot of

money per hour, so we have to

focus on what is the best use of

everyone’s time. Do what comes

easily to your organization and

look at what you can outsource.

The magazine‘s database has grown significantly over the years, and feedback has been very positive. “We get people emailing us on the issues covered in the magazine and complimenting us,” Watts says. The firm’s attorneys will often bring issues of the magazine when pitching for new business, especially if they are talking about a topic that will come up in the meeting. “If they are pitching environmental topics, they might bring that issue and leave it behind for the potential client,” Watts says. Relevant articles have even been added to the back of a pitch or proposal. “The potential client will be reading copy and then see this colorful article at the end,” she says. ”There’s been no talk of stopping it, so our attorneys realize there is value in it.” Marketing efforts around the magazine include driving traffic to the firm’s website (currently the focus of a redesign), tweeting story links, and

building the firm’s database. Recently, Smith, Gambrell & Russell started an entertainment practice, so that was the theme of the last issue. “We looked at things like art galleries and sports and entertainment businesses in different cities and mailed them a copy of our publication to spark interest and hopefully add them to our database,” Watts says. “Then we can send them additional information about our firm.” The magazine has also spurred additional content marketing efforts by the firm. A blog post or client alert about a relevant current event or law news is written by attorneys. From there, the marketing team dresses it up and distributes it to the database. Those emails can be segmented so that the news reaches subscribers to whom the topic is relevant. In the

future, Watts would like to create podcasts done by attorneys. The firm also conducts internal and external “Lunch and Learns” aimed at educating

other attorneys or outside attendees about specific topics. Recently, the editor of the magazine recorded a YouTube video discussing the upcoming issue. The video was shared on Twitter and emailed internally to get firm members thinking about clients who don’t receive the publication. “It worked great. A number of our attorneys replied, asking us to add their clients to the mailing list,” says Watts, who adds that much of her job is spent

on internal communications. With five offices covering multiple legal areas, many of the firm’s attorneys aren’t aware of all that the firm does. “That,” she says, “was the reason for the YouTube video. In the future, I’d like for each issue to have its own marketing campaign with a video.” n

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12 Spring 2016 SOCIAL MEDIA

Engaging Your Employees on LinkedIn Want to expand your company’s brand footprint on LinkedIn? Your employees just might be your best resource.

Two LinkedIn experts share advice on building your brand on LinkedIn. (Check out their websites for additional free resources.)

n all likelihood, your company has a

branded Company Page on LinkedIn,

complete with a spiffy banner, job

listings, a well-written description of your

products and services, and occasional posts

on topics that your followers are interested in.

That’s a start. Like Facebook, however, LinkedIn

now shows us only what it thinks we want to

see, meaning that, unless you pay for results,

many of your connections/followers never view

what you post as a brand. The good news: To

increase brand reach on LinkedIn, you don’t

have to look far. Your employees can collectively

touch more people and are more believable

as brand advocates. In fact, the 2014 Edelman

Trust Barometer found that the credibility of

employees has increased 20 percent since 2009,

well above trust in CEOs and PR departments.

ITAPPING INTO YOUR NETWORK To tap into this in-house network, start by

educating your employees on the importance

of their own online profile and how that

filters back and forth between company and

employee, says Wayne Breitbarth, author of

The Power Formula for LinkedIn Success.

“If employees aren’t educated, they think the

company is telling them what to do with their

own profile,” he says. “Employees need to

understand that their LinkedIn profile is part of

their brand. Someday they will likely need to

switch companies, and they may be evaluated

on the depth of their LinkedIn profile, which is

their résumé on steroids.”

Most of the companies Breitbarth works

with seek to use LinkedIn to increase sales

and find talent. By using LinkedIn’s platform

to publish content from company thought

leaders—the CEO, VPs, or R&D—or to

share important industry news, you can drive

brand awareness and become a company other

professionals trust and learn from. “In recent

research I was conducting, I found that there

were 250,000 posts about the lumber industry

on LinkedIn,” Breitbarth says. “Who would

think that? Previously, those people would not

have been connected other than via their

industry association.”

To unlock the potential of your employees on

LinkedIn, start by enlisting what Breitbarth calls the

“love-this-stuff” people within your organization

to act as a sort of social media broadcast team.

“These employees don’t see this as work, love the

content for their own personal brand, and usually

have lots of connections,” he says. “And if those

people are getting branding traction, make sure it’s

shared in a company newsletter, because that next

group of people will soon follow.”

WAYNE BREITBARTH

Author of The Power Forumla

for LinkedIn Success

• LinkedIn Trainer

• Speaker

• LinkedIn Expert/Consultant

Featured in Forbes, NBC,

American Express OPEN Forum,

Fox Business, and WIRED

www.powerformula.net

MELONIE DODARO

International #1 Best-selling

Author of The LinkedIn Code

• LinkedIn Expert

• Consultant

• Keynote Speaker

Featured in CBS Inside Edition,

Huffington Post, ABC World News,

Wall Street Journal, New York Times

www.topdogsocialmedia.com

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Spring 2016 13

service, and marketing. Getting the rest of your

employees to create professional profiles with good

photos would be an added victory.

Breitbarth says creating a Company Page on LinkedIn

that you can load with great marketing information is a

no-brainer, because that will land at the top of a Google

marketing search. But when LinkedIn did away with the

Products and Services tab on Company Pages in 2014

to, in their words, “focus on areas of the product that

most benefit both companies and [their] members,”

Breitbarth says the Company Page lost some of its value.

“From a business-development standpoint, the proper

development of employee profiles is an eight or nine

importance-wise,” he says. “Unless you’re a company

with a half million followers, your employees likely have

a lot more connections when you add them all together.

By getting your employees to partake in some activity on

your Company Page by liking, sharing, or commenting,

the company content gets forced into more feeds.”

Having a president or CEO who believes in the

potential of a substantial LinkedIn presence also

goes a long way toward the rest of the company

taking the efforts seriously. Breitbarth worked with

The Howard Company, a point-of-purchase display

manufacturer in Wisconsin, whose president, Doug

Watson, understood the value of a strong LinkedIn

presence. “He told his sales team, ‘This technique

is a home run, and we’re going to do it,’” Breitbarth

recalls. “There are 20 percent in the room who will

love doing it, and another 20 percent whom you’ll

likely never get onboard. The key is to get that

middle 60 percent. By having a meeting with me

there and their president there, employees knew it

was important.”

Finance and similar departments within

your company may be slow to share and post

employer-related news, so focus first on

outward-facing employees in sales, customer

REGISTER TODAY

TO WIN!THE POWER FORMULA

FOR LINKEDIN SUCCESSby Wayne Breitbarth

Scan the QR code to enter, or visit: merrittgraphics.com/print-solutions/Giveaway

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14 Spring 2016 SOCIAL MEDIA

Wayne Breitbarth offers five suggestions and one request you can make to your employees in order to help them build a better profile and, in turn, create a consistent brand message on LinkedIn.

1. A PROFESSIONAL PHOTO – Bring in a

photographer to take professional headshots

of your employees. Remember the importance

of a first impression; the photo is the first thing

people see when they view a profile.

UP YOUR GAME ON LINKEDIN

LEVERAGING THE PERSONAL PROFILE

There’s another reason urging your employees

to create a strong LinkedIn profile makes good

business sense. “At the end of the day, people

don’t want to do business with logos; they want

to deal with people—the individuals within

organizations,” says Melonie Dodaro, Founder of

Top Dog Social Media and international number

one best-selling author of The LinkedIn Code.

“So it’s about leveraging your individual profile

to grow and build relationships.”

If used correctly, your personal LinkedIn

profile is a fantastic marketing tool for both you

and your employer. “What people forget,” Dodaro

says, “is that LinkedIn is still a social network, so

you need to be social.” Often asked by individuals

she addresses at speaking engagements why

they don’t seem to get sales leads from LinkedIn,

despite accepting connection requests and

sending requests to others, Dodaro tells them the

To increase brand

reach on LinkedIn,

you don’t have to look

far. Your employees

can collectively touch

more people and are

more believable as

brand advocates.

2. KEYWORDS – Don’t expect your employees

to show up in a search unless you’ve given them

a list of 5 to 10 of the most searched terms for

the company—products, services, brands, etc.

Encourage employees to place them in the right

spots on their profile.

3. STANDARD COMPANY DESCRIPTION

– Provide one succinct paragraph to be included

in the summary section of their profile and two

or three more detailed paragraphs to be included

in their current job description area.

4. MEDIA OR WEB LINKS IN THEIR PORTFOLIO

– This is a great place to show off company videos,

slide shows, photos of your organization’s best

work, products, and customer testimonials.

5. CONNECT THEIR JOB TO YOUR COMPANY

PAGE – If your company logo isn’t showing

up on each employee’s job entry, they’ve

added their job prior to your business having

a Company Page with a logo, they’ve

selected the wrong company, or they’ve

not selected a company when adding this

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Spring 2016 15

REGISTER TODAY

TO WIN!

When you’re ready to establish new

connections, use a personalized message that

explains why you want to connect. “Most

connection requests are from people who use

LinkedIn poorly, and they are a huge risk,” Dodaro

says, explaining that the recipient can either ignore

you or hit the “Spam” or “Don’t Know This Person”

buttons, both of which will trigger a red flag with

LinkedIn. Once you get five of those, your account

goes into permanent restriction mode.

key is to move those new relationships forward.

“Don’t just stop at making the connection,” she

says. “Build the relationship.”

That begins with having a LinkedIn profile that

suits your current goals. The beauty of a LinkedIn

profile is that it is static, so you can (and should)

alter it based on your situation. A professional

searching for a new job might want to highlight

recognitions, awards, and expertise, but a sales

professional or account manager hoping to attract

new clients is better off with a client-focused profile.

“That sounds counterintuitive, because people think

this is their professional profile, but your clients are

only going to care about how a relationship with

you benefits them,” Dodaro says.

To enhance credibility, she recommends

creating a profile that informs people about

who you are and why you do what you do. “Think

about your ideal clients and what problems they

have and what solutions you have to solve those

problems,” she advises.

Testimonials should be results oriented, not

just a message about how great you are to work

with, because that likely doesn’t relate to the

client’s goals. Recommendations are also crucial,

because they provide a high-level social proof.

“The reality is that, when people are unsure of

what decision to make, they look at the decisions

other people have made. That’s called social

proof,” Dodaro explains. “The other thing about

the level of social proof you can have on LinkedIn

is that people can write their own testimonials on

their websites, but on LinkedIn there’s a clickable

link to the person who has written the testimonial

or recommendation.”

THE LINKEDIN CODEby Melonie Dodaro

Scan the QR code to enter, or visit: merrittgraphics.com/print-solutions/Giveaway

job to their profile. To fix that, the employee

can edit that job entry and select the correct

Company Page.

6. SHARING, LIKING, OR COMMENTING ON

COMPANY STATUS UPDATES – This can be

difficult to monitor because

it’s ongoing and not a

one-time profile change,

but the more it’s done,

the more sets of eyes your

company updates are seen by.

LinkedIn also offers a number of organizational

tools that surprisingly few professionals rely on. For

example, a built-in CRM allows you to set up tags

and group your connections by those categories,

such as by business or by region. As you look to take

connections offline, you can even create a sequence

of events and add tags, notes, and reminders of

when to follow up as you carry out your lead-

generation plan. LinkedIn also has powerful

advanced-search functionality that allows you to

find people under a variety of search parameters

and save those searches. Later, LinkedIn will even

tell you when there are new people in that search. SHARE YOUR COMPANY CONTENT

Once you’ve made a new connection, Dodaro

recommends building a bit of social capital

before turning on the marketing or sales charm.

Send a follow-up note thanking the person for

accepting your request. From there, follow up

with a white paper (or similar) that your company

just wrote, before messaging them a week later

to set up a call. “One of the biggest mistakes

people make is they are collecting connections

and not building relationships,” Dodaro says.

“Your network equals your net worth. You own

your profile, so spend time nurturing it and

growing it. It’s about connecting on a personal

level and building rapport.” n

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16 Spring 2016 MY WORKING DAY

ost companies today are aware of the call to develop dynamic, quality

content to engage their audience. But it may not be as well known how a professional proofreader can contribute value to that process. Our goal as proofreaders and editors is to remove obstacles between a client’s message and their audience’s comprehension of and engagement with that message. Inconsistencies and mistakes, even when minor, can distract readers and easily lead to disengagement, potentially undermining an entire content strategy.

For example, it might seem unimportant that your website content switches from first-person to third-person pronouns when talking about the company. But the inconsistency will likely give the reader pause, even if subconsciously. If your content also alternates between discussing your “Extended Service Package” and your “Essential Service Package,” the reader may pause again, trying to guess if these descriptions are for the same package or two different ones. You now run the risk that, instead of responding to your call-to-action button, your audience will scroll

back up to reread the text for a better understanding, or even worse, leave your site. Our work every day consists of removing “speed bumps” like these, increasing the likelihood that your message gets through and the audience cruises through to engagement.

Content of all shapes and sizes One of the things we love about our work is the variety of projects we see. On any given day, you might find us editing training materials, proofreading a digital magazine, developing website content, or reviewing K–12 science curriculum.

The people who hire us are just as varied: PR and marketing professionals, training managers, web designers, business owners, and a score of other content producers who want to be sure the messages they’re distributing are as professional, accurate, and effective as they can be.

The difference between proofreading and editingClients come to us at different stages of their project. Content editing (or developmental editing) is for early drafts of the text, where we might advise the author how he or she can strengthen an argument, engage the

reader with an anecdote or practical example, or—perhaps most commonly—simplify for clarity. A lot of rewriting is done at this stage, either by the author or by us, if requested.

Copyediting (sometimes called line editing) is the middle stage of the process, when the details of a text are looked at carefully. Are name spellings, job titles, and URLs accurate and up-to-date? Are sources cited correctly? Grammar and punctuation used appropriately? Section headings formatted

consistently? This is where a lot of “speed bumps” are removed.

Proofreading is the final stage and should be completed after design and layout. In addition to checking for typos that may have snuck in during the production process, a proofreader checks for mistakes in headlines, image captions, page numbers (including page references throughout the text), and other elements that are not usually added until design and layout. n

My Working Day

Proofreading and editing were once professions largely consigned to the book-publishing industry. But with the ever-increasing volume—and value —of content across nearly every industry, the proofreader-for-hire is growing in demand. Here’s a look at how Lori Baxter, Owner of The Scribe Source, and Hannah Comerford, one of the team’s proofreaders, have responded to this need.

“Scribes” for Hire

It’s sometimes possible that, for whatever reason, a glaring mistake has gone

unnoticed throughout the entire editing process until final proofing. We once

proofread a 200-page corporate report that twice used the word “lavatory” in place

of “laboratory.” None of the company’s internal editors caught the mistake, but I’m

confident the executives whose names were attached to the report were glad we did!

Our Favorite Grammar NerdsEven the best proofreader gets stuck from time to time. Where do we turn when we’re stumped?

• Grammar Girl – Part of the Quick and Dirty Tips series, Mignon Fogarty offers down-to-earth advice on a multitude of grammar questions, often marked with quite a bit of humor.

• The Chicago Style Q&A – If a topic is not explicitly stated in The Chicago Manual of Style, it’s likely been asked of their editors at some point. We’ve even submitted our own questions and received prompt responses.

• Other Experts – If it’s an industry-specific term, we might seek out a well-respected source for an industry glossary or consult with friends, past colleagues, or even former professors with experience in a particular field.

• Businesswritingblog.com – On matters of professional courtesy or formal business correspondence, this blog by Lynn Gaertner-Johnston is a great resource.

What your proofreader will need to begin your project Word count – Word count is more reliable than page count in determining cost and turnaround time.

Deadline – Factor in whether you’ll also want final changes rechecked after insertion into the layout.

Style guide of choice – Does your company or industry have a preferred style guide? Choices include Chicago Manual of Style (our top pick), AP Stylebook, APA, MLA, The Gregg Reference Manual, or perhaps your own internal guide developed over time.

File or hard copy of the proofs to be marked – While most content and line editing is done in Microsoft Word using the Track Changes tool, proofreading should be completed using the post-design proofs of your publication. This will likely mean a hard copy or a PDF file that incorporates Adobe’s Comment & Markup tools.

Looking for a place to connect with other professionals?

Lori Baxter and Hannah Comerford of The Scribe Source

Check out the Editorial Freelancers Association at www.the-efa.org.

M

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Tell Your Story with Print.Every business has a story to tell.

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August is the peak season for unsubscribes with a 28% unsubscribe rate. Plan retention maneuvers and release new content and offers in July to avoid this! (Retention Science)

E-mail subject lines

with question marks

have the biggest

impact on opens

with a 44% higher

open rate than using

exclamation marks.

(Retention Science)

More Strategy,

Less Content?

71% of businesses

said they created

more content in 2015

compared to 2014,

but only 12%

said they have an

optimized content

marketing strategy.

(HubSpot and Smart Insights)

From iScoop:

78% of companies now say they have dedicated social media staff as of 2015.

Emails containing subject lines with six to 10 words generate the highest open rates at 21%. (Retention Science)

Send a complimentary

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