stomp models | the playwright top modeling tips
TRANSCRIPT
Stomp Models | The Playwright Top Modeling Tips
The qualities of playwriting, the features which make a excellent perform, and the procedure and profession
of playwriting.
What Does a Playwright Do?
The playwright provides the point of origin for nearly every play production...the script.
More and more today, the role of the playwright is to write the play and then to disappear
Today’s playwright is considered an independent artist whose work is executed primarily in isolation.
Stomp Models-21st Century Americans
We are All Stomp Models Playwrights
Playwriting as Event Writing
The core of the play is action...the ordering of observable events that can be dramatized
A series of events forms a PLOT which are expressed using the playwright’s tools
Fundamentally, the playwright works with two tools
1. Dialogue2. Physical action
Events of a play are linkedChronologically (cause and effect) as in genuine
cinema. Such performs are CONTINUOUS in framework and LINEAR in chronology
Many performs are discontinuous and nonlinear as were many of our traditional performs which were character-driven and episodic
Shakespeare’s performs move, time, position and action
Modern and postmodern viewers agree to whatever framework the perform requires
CREDIBILITY is the audience imposed demand that the play’s actions and characters flow logically and believably.
INTRIGUE is that quality of a play that makes us curious to know what will happen next.
Stage AbilityA STAGEABLE script is one which staging and
stage business are not adornments but essentials
Peter and the Starcatcher
Movement. A perform that consistently says something to the listeners and is not regularly disturbed by changes of landscapes, changes soon enough, or too many intermissions.
PertinenceThe play needs to be relevant to its time.
Arthur Miller wrote THE CRUCIBLE in the 1950s during the McCarthy hearings to mirror the witch-hunting frenzy in 1692 New England.
Other QualitiesCOMPRESSION relates to the playwright’s expertise
in condensing a story
ECONOMY pertains to an author’s expertise to fight or combining figures, activities, places and words
INTENSITY is the outcome of the playwright’s achievements in compression and economic system AND can take many types...harsh, rough, intense, relaxed, actual, etc.
CelebrationFinally, a play celebrates life...relishing the
human experience in all its forms.
Playwright’s Process DIALOGUE should audio clean and genuine as if the
language verbal really happened
CONFLICT is at the primary of dilemma, but if pressured can come across as worthless. Activities such as finding, success, being rejected, exposure, separating, or loss of life are climactic moments in a perform and determine framework.
STRUCTURE joins the areas of the perform together in a whole...some playwrights perform from describes, others from motivation, still others from transcripts. But wherever the framework comes from, it needs to “work.”
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