thank you for auditioning for beehive: the 60’s musical ... · my daddy loved tina turner. but...

12
Thank you for auditioning for BEEHIVE: THE 60’S MUSICAL at RIVERSIDE THEATRE ROLE: JASMINE Present in the room will be director/choreographer, producing team & casting. Initial Call please prepare: A brief song in the style of or from the show. Please also have your book with you in case we would like to hear something else. You may or may not be asked for the material in this packet but, please be familiar with it. If you are called back please prepare: This ENTIRE packet. INSTRUCTIONS: Be sure to bring your picture and resume, otherwise we will not have one in the room! Thanks so much! W | S Casting

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Page 1: Thank you for auditioning for BEEHIVE: THE 60’S MUSICAL ... · My daddy loved Tina Turner. But I’m not sure which he loved more… the sound of her voice or the length of her

Thankyouforauditioningfor

BEEHIVE:THE60’SMUSICAL

atRIVERSIDETHEATRE

ROLE:JASMINE

Presentintheroomwillbedirector/choreographer,producingteam&casting.

InitialCallpleaseprepare:• Abriefsonginthestyleoforfromtheshow.• Pleasealsohaveyourbookwithyouincasewewouldliketohearsomethingelse.• Youmayormaynotbeaskedforthematerialinthispacketbut,pleasebefamiliarwithit.

Ifyouarecalledbackpleaseprepare:

• ThisENTIREpacket.

INSTRUCTIONS:Besuretobringyourpictureandresume,otherwisewewillnothaveoneintheroom!

Thankssomuch!W|SCasting

Page 2: Thank you for auditioning for BEEHIVE: THE 60’S MUSICAL ... · My daddy loved Tina Turner. But I’m not sure which he loved more… the sound of her voice or the length of her

44

SCENE SEVEN

(lights come up on WANDA… she crosses down to talk to AUDIENCE)

WANDA My daddy loved Tina Turner. But I’m not sure which he loved more… the sound of her voice or the length of her skirts.

My mother was the opposite. She would say, “Nice girls don’t wear mini-skirts!” So because I couldn’t wear a mini-skirt to school, this is what I would do. I’d carry a nice thick belt in my purse. When I got to school, I’d run to the bathroom and put that belt on and roll, roll, roll, that skirt up! And I’d make me a nice little mini-skirt! Don’t act like you don’t know what I’m talking about… I know this fashion trend was happening in every high school in America.

In the mid-sixties, America was beginning to accept the importance of the women’s movement. Women were unifying behind women… with a call for change.

I remember one summer night in 1968. I snuck out to go to a concert in Kansas City that transformed me. I heard a voice so powerful… so rich… so honestly painful… and so painfully honest. I knew I was not just hearing any singer, but a liberating voice for women everywhere. She knew our struggles and she spoke to our souls.

(during WANDA’s speech, PATTIE and LAURA enter with their mic stands… at the end of her speech, WANDA exits… lights come up on the two GIRLS… GINA as Aretha Franklin enters)

#23 ARETHA MEDLEY

GINA CHAIN, CHAIN, CHAIN

PATTIE & LAURA CHAIN, CHAIN, CHAIN

GINA CHAIN, CHAIN, CHAIN

PATTIE & LAURA CHAIN CHAIN CHAIN

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Page 3: Thank you for auditioning for BEEHIVE: THE 60’S MUSICAL ... · My daddy loved Tina Turner. But I’m not sure which he loved more… the sound of her voice or the length of her

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5 wÓ jœœ œœn jœœ

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5 Œ jœœœœ ‰ œœœœ œœœœ œœœœ œœœœ.œ jœ œ œn œ œ

C m7

PATTIE & LAURA:

6 Ó jœ œ jœChain, chain, chain.

˙̇ Ó6 ’ ’ ’ ’

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7 jœ .œ ÓÓ jœœ œœ jœœn

Chain, chain, chain.

7 ’ ’ ’ ’.œ jœ œ œn œ œ

Aretha MedleyPiano/Conductor

(from BEEHIVE)23

156

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Page 4: Thank you for auditioning for BEEHIVE: THE 60’S MUSICAL ... · My daddy loved Tina Turner. But I’m not sure which he loved more… the sound of her voice or the length of her

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8 Ó œ œ œ œChain, chain, chain.jœœ ..œœ Ó

8 ’ ’ ’ ’jœ œ jœ œ œn œ œ

9 wŒ œœ jœœ ..œœ

Chain, chain,

9 ’ ’ ’ ’.œ jœ œ œn œ œ

10 Ó œ œ œChain of fools.

˙̇ œœ œœ œœnchain. Chain of fools.

10 ’ ’ ’ ’jœ œ jœ œ œn œ œ

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11 jœ .œ Ójœœ ..œœ Ó

11 ’ ’ ’ ’.œ jœ œ œn œ œ

12 Œ ‰ jœ œ œ œ œFor five long years,

!12 ’ ’ ’ ’

jœ œ jœ œ œ œn œ

13 œ œ œ œ œ ˙!

13 ’ ’ ’ ’.œ jœ œ œ œn œ

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14 ‰ œ œ œ œ œ œ œI thought you were my man.

14 ’ ’ ’ ’œ œ œ œ œ œ œ œn

15

œ Œ Ó15 ’ ’ ’ ’

.œ jœ œ œ œn œ

16 Œ ‰ jœ œ œ œBut I found

16 ’ ’ ’ ’jœ œ jœ œ œ œ œn

2 Aretha Medley#23

157

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17 .œ jœ œ œ œ Œout.

17 ’ ’ ’ ’.œ jœ œ œ œn œ

18 ‰ œ œ œ œ œ œ œI'm just a link in your chain.

18 ’ ’ ’ ’œ œ œ œ œ œ œ œn

19

œ Œ Œ ‰ jœOh,

19 ’ ’ ’ ’.œ jœ œ œ œn œ

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20

œ œ œ ‰ jœ œ œ œ œyou got me where you

20 !20 ’ ’ ’ ’

œ œ œ œ œ œ œ œn

21 œ œ œ Ówant me,

21 Œ œœ. œœ œœ ‰ jœœ.21 ’ ’ ’ ’

.œ jœ œ œ œn œ

Hns

22 ‰ œ œ œ œ œ œ œI ain't noth ing but your fool.

22 !22 ’ ’ ’ ’

jœ œ jœ œ œ œ œn

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23

˙ Ó23 Œ œœ. œœ œœ ‰ jœœ.23 ’ ’ ’ ’

.œ jœ œ œ œn œ

24 Œ ‰ jœ œ œ œ œYou treat ed me mean,

24 !24 ’ ’ ’ ’

jœ œ jœ œ œ œ œn

25 œ Œ ‰ .œoh,

25 Œ œœ. œœ œœ ‰ jœœ.25 ’ ’ ’ ’

.œ jœ œ œ œn œ

-

3Aretha Medley#23

158

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26 œ œ œ œ œ œ œ œ œyou treat ed me cruel.

!26 œœ. œœ. œœ œœ Œ26 ’ ’ ’ ’

œ œ œ œ œ œ œ œ

27 jœ .œ Ó

!27 Œ œœ. œœ œœ ‰ jœœ.27 ’ ’ ’ ’

.œ jœ œ œ œn œ

28 Ó œ œ œ œChain, chain, chain.

Ó œœ œœn œœ œœChain, chain, chain.

28 œœ. .˙28 ’ ’ ’ ’

jœ œ jœ œ œ œ œ

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29 wœœ Œ jœœ œœn jœœ

Chain, chain, chain.

29 Œ œœ. œœ œœ ‰ jœœ.29 ’ ’ ’ ’

jœ œ jœ œ œn œ œ

PATTIE & LAURA:

30 Ó œ œ œChain of fools.

˙̇ œœ œœ œœnChain of fools.

30 œœ. œœ. œœ œœ Œ30 ’ ’ ’ ’

.œ jœ œ œn œ œ

31 jœ .œ Ójœœ ..œœ Ó

31 Œ œœ. œœ œœ ‰ jœœ.31 ’ ’ ’ ’

.œ jœ œ œ œn œ

4 Aretha Medley#23

159

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32 Ó œ œ œ œEv er y chain

32 œœflŒ Ó

32 ’ ’ ’ ’œ œ œ œ œ œ œ œ

33 œ Œ Ó33 !

33 ’ ’ ’ ’.œ jœ œ œ œn œ

34 Œ ‰ jœ œ œ œ œhas got a weak

34 !

34 ’ ’ ’ ’œ œ œ œ œ œ œ œ

35 œ Œ Ólink.

35 !

35 ’ ’ ’ ’.œ jœ œ œ œn œ

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36 ‰ œ jœ Jœ œ JœI might be weak,

36 ’ ’ ’ ’œ œ œ œ œ œ œ œ

37 .œ Jœ œ œ œ œ œ œchild,

37 ’ ’ ’ ’.œ jœ œ œn œ œ

38 ‰ jœ œ œ œ œ œbut I'll give you strength.

38 ’ ’ ’ ’jœ œ jœ œ œn œ œ

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39

œ œ Œ ‰ jœ œ œOh, hey.

!39 ’ ’ ’ ’

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40

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40 ’ ’ ’ ’jœ œ jœ œ œn œ œ

41 Ó ‰ œ JœYou told

Œ ‰ jœœ. Œ ‰ jœœ.Hoo. Hoo.

41 Œ ¿ Œ ¿

!

(Hand claps)

+Dr.

42 œ œ œ œ œ œ œ œme to leave you a lone.

Œ ‰ jœœ. Œ ‰ jœœ.Hoo. Hoo.

42 Œ ¿ Œ ¿

!

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5Aretha Medley#23

160

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43 Ó ‰ œ JœMy fa

Œ ‰ jœœ. Œ ‰ jœœ.Hoo. Hoo.

43 Œ ¿ Œ ¿

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44 œ œ œ Jœ œ jœther said, "Come on home."

Œ ‰ jœœ. Œ ‰ jœœ.Hoo. Hoo.

44 Œ ¿ Œ ¿

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45 œ œ œ Œ ‰ œ JœMy doc

Œ ‰ jœœ. Œ ‰ jœœ.Hoo. Hoo.

45 Œ ¿ Œ ¿

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46 œ œ Œ Jœ œ Jœtor said, "Take it eas

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46 Œ ¿ Œ ¿

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47 œ œ œ œ ‰ jœ œ œy." Oh, but your

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47 !47 Œ ¿ Œ ¿

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48 œ œ œ œ jœ œ jœlov in' is much too strong.

Œ ‰ jœœ. Œ ‰ jœœ.Hoo. Hoo.

48 !48 Œ ¿ Œ ¿

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49

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49 !49 ¿ Œ

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50 œ œ œ œ œ œ œ œto your chain, chain, chain.

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50 ’ ’Ó50 !

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- - -

6 Aretha Medley#23

161

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51 wœœ Œ jœœ œœn jœœ

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51 Œ œœ.. œœ œœ ‰ jœœ..51 Œ jœœœœ ‰ œœœœ œœœœ œœœœ œœœœ

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52 Ó jœ œ jœChain, chain, chain.

˙̇ Ó52 œœ.. œœ.. œœ œœ Œ52 ’ ’ ’ ’

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53 jœ .œ ÓÓ jœœ œœ jœœn

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53 Œ œœ.. œœ œœ ‰ jœœ..53 ’ ’ ’ ’

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54 Ó œ œ œ œChain, chain, chain.

jœœ ..œœ Ó54 œœ.. œœ.. œœ œœ Œ54 ’ ’ ’ ’

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55 w

Œ œœ jœœ ..œœChain, chain,

55 Œ œœ.. œœ œœ ‰ jœœ..55 ’ ’ ’ ’

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56 œ "Œ œ œ œChain of fools.

œœ "Œ œœ œœ œœnchain. Chain of fools.

56 œœ.. Œ Ó56 œœœœ "Œ Ó

œœ"Œ Ó

Dictated!57 jœ .œU Ó

jœœ ..œœU Ó

57 !57 ÓU Ó

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7Aretha Medley#23

162

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39 œ œ œ œ œ œ œIt's my par ty and I'll

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39

œœ..‰ jœœ ˙̇

39 œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ

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ALL GIRLS:

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40 œ œ œ œ jœ œ Jœcry if I want to. Cry

œœœ# œœœ œœœ œœœjœœœ œœœ

jœœœcry if I want to. Cry

40

œœb ..‰ jœœ ˙̇

40 œœœ# œœœ œœœ œœœ œœœ œœœ œœœ œœœ

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41 œ œ œ œ jœ œ Jœif I want to. Cry

œœœ œœœ œœœ œœœ jœœœ œœœ jœœœbif I want to. Cry

41

œœ..‰ jœœ ˙̇

41 œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ

.œ jœ ˙C

42 œ œ œ œ jœ .œif I want to.

œœœ œœœb œœœ œœœ jœœœ ...œœœif I want to.

42

œœb ..‰ jœœ ˙̇

42 œœœb œœœ œœœ œœœ œœœ œœœ œœœ œœœ

.œ jœ œ œn œ#C m

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43 Œ œ œ œYou would cry

43 ∑43 œœœœ œœœœ œœœœ œœœœ œœœ œœœ œœœ œœœ

.œ jœ ˙

A 7

G Em

44

œ œ œ œ œ œ œtoo if it hap pened to

44 ∑44 œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ

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45 œ Œ Óyou.

45 Œ œœ..œœ..

jœœflflœœää jœ

œflfl45 œœœ œœœ œœœ Jœœœ œœœ J

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œœ œœ œœ jœ œ jœœG C G

46 ∑46 ∑46 ‰ œœœœ œœœœ œœœœ œœœœ œœœœ œœœœ œœœœ

‰ œœ œœ œœ œœ œœ œœ œœA 7

pull back!Shuffle ŒÂ = Œ lj

"Where Did Our Love Go?"

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5It's My Party/Supremes#3

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47

œ œ œ œBa by, ba by,

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œœ œœ œ œœ œœ œ

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q = 140

F+Tamb (Tpt)

JASMINE: 48 Œ ‰ jœ œ œ œwhere did our

∑48 œœ œœ œ œœ œ œœ

œ ‰ jœ œ ‰ jœ

49 œ œ Ólove go?

∑49

œœ œœ œ œœ œœ œœ ‰ jœ œ ‰ jœ

A

50 ˙ œ œOoh, don't you

∑50

œœ œœ œ œœ œ œœœ ‰ jœ œ ‰ jœ

ALL GIRLS:

51 œn ˙ Œwant me?

Œ œn œ œ œ ŒBa by, ba by.

51 œœn œœ œ œœ œœ œ

œ ‰ jœ œ ‰ jœEm

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52 Œ œ œ œ œ œ œDon't you want me no more?

∑52 œœn œœ œ œœ œ œœ

œ ‰ jœ œ œ

53

œ Œ ÓŒ œn œ œ œ ‰ œ

Ba by, ba by ooh

53 œœœn œœœ œ œœœ œœœ œœ ‰ jœ œ ‰ jœ

A 7

54 Œ œ œ œI've got this

œ œ œ œ œba by, ba by

54

œœn œœ œ œœœ œœœœn ‰ jœ œ ‰ jœ

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55

œ œ œ œburn in', burn in'

∑55 œœ œœ œ œœ œœ œ

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56

œ œ œ œ œyearn in' feel in' in

∑56

œœ œœ œ œœ œ œœ

œ ‰ jœ œ ‰ jœ

57 œ œ Œ ‰ jœside me. Ooh

∑57

œœ œœ œ œœ œœ œœ ‰ jœ œ ‰ jœ

A

58 œ Œ œ œdeep in

∑58

œœ œœ œ œœ œ œœœ ‰ jœ œ ‰ jœ

59 œn œ Óside me,

Œ œn œ œ œ ŒBa by, ba by.

59 œœn œœ œ œœ œœ œ

œ ‰ jœ œ ‰ jœEm

- - - -

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6 It's My Party/Supremes#3

25

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60 ‰ œ œ œ jœ œ jœyou know it hurts so bad.

∑60 œœn œœ œ œœ œ œœ

œ ‰ jœ œ œG

61 .˙ ŒŒ œn œ œ œ Œ

Ba by, ba by

61 œœœn œœœ œ œœœ œœœ œœ ‰ jœ œ ‰ jœ

A 7

62 Ó jœ œ jœI've been cry

∑62 œœœ> œœœ> Ó

œœ>œœ>

ÓG

Straight q = 135-137 ALISON:

fORGAN

PIANO

"Come See About Me"

63 œ œ œ Óing

Ó Œ œœHoo

63 œœœ œœœ œœœ œ œœœ...˙̇̇ œœœ.œ Jœ œ œ

D G

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64 Ó jœ œ jœ'cause I'm lone

..˙̇ ŒHoo.

64 ...œœœ jœjœœœ œœœ jœœœ

˙̇̇ ...œœœ jœœœ.œ Jœ œ œ œ œ

D G D

65 œ œ œ Óly.

Ó Œ œœFor

65 Œ œœœ œœœ œ œœœ...˙̇̇ œœœ.œ Jœ œ œ

G

66 Ó jœ œ jœSmiles have all

..˙̇ Œyou.

66 ...œœœ jœjœœœ œœœ jœœœ

˙̇̇ ...œœœ jœœœ.œ Jœ œ œ œ œ

D G D

67 œ œ œ Óturned.

Ó Œ œœTo

67 Œ œœœ œœœ œ œœœ...˙̇̇ œœœ.œ Jœ œ œ

G

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7It's My Party/Supremes#3

26

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