emanuele d'antrassi portfolio
DESCRIPTION
portfolio - CVTRANSCRIPT
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Emanuele D’Antrassiarchitecture, design, creativity
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BR +55 (11) 96449-3360
IT +39 3481863572
www.behance.net/emanueledantrassi
BORN: 20/03/1989
NATIONALITY: ITALY
Curriculum Vitae
2009 - 2012formation
Università Iuav di VeneziaUniversity in Venice, Italy
2010 - 2011formation
Abate Zanetti Srl Scuola Del Vetro
2013 - 2014
2014 - 2015
formation
formation
Politecnico di Milano
Escola da Cidade
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Curriculum Vitae
2011 - 2014 2012
2013
2014
2013 - 2014
2014
2014
work experience work experience
work experience
work experience
work experience
work experience
work experience
Venini S.p.a. competition ARCHImedium
competition AC-CA padilion
fifa world cup RJ
competitioninterior design
Museum Murano’s glass
Cincinnatus project
installation MICROmacro’s
space Salone del mobile
Progress S.r.l. 2015work experience
installation Kimi Nii
exposição no Rio de Janeiro
2015work experience
CEO Ca.Da project
personal Skills
personal Skills
ItalianEnglishPortughese
PhotoshopIndesignIllustratorVrayAutocadRhino 3dOfficeGlassblowingAdobe AcrobatDigital SketchingInterior DesignWacom Tablet
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Cincinnatus is an object based on an organic shape that gives the barrique a new image and functionality linking oak with crystal.Cincinnatus project works in two different moments: happyhour/taste of red and white wines and taste of grappa and schnapps.The project completely made in Italy is based onhand-crafted work in each phase of its creation.The object finds its own place in the wine business, from wine cooperative to wine shop.Cincinnatus is perfectly located also in the catering business giving elegance and uniqueness in special ambient.
Cincinnatus
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“ O tecido de luz, devido à sua forma e sua densa rede de fios de led e borracha, é um objeto flexível, aplicável em diferentes ambientes e em diferentes situações.
uma noite na praiaum jantar românticouma tapeçaria na parede.
o objeto é completamente costumizável, tanto em tamanho quanto na cor, adaptando-se aos gostos de todo de uma maneira diversificada.”
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The world known glass producer, Venini, took me under its wing offering me a work experience at their Venice based factory. From the furnace sector to the moleria sector, from the colours’ chemist to the packaging sector, they were a second family to me. Humble and simple people, they were hiding knowledge that I could not find in any book. Moreover, in 2011 I had the amazing chance to follow and help the Campana brothers in their tribute work for the Venini’s 90th anniverisary. In this occasion I came across an utterly different aspect of design: the re-use, a way of changing the intrinsic functionality of an object at zero cost.
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The world known glass producer, Venini, took me under its wing offering me a work experience at their Venice based factory. From the furnace sector to the moleria sector, from the colours’ chemist to the packaging sector, they were a second family to me. Humble and simple people, they were hiding knowledge that I could not find in any book. Moreover, in 2011 I had the amazing chance to follow and help the Campana brothers in their tribute work for the Venini’s 90th anniverisary. In this occasion I came across an utterly different aspect of design: the re-use, a way of changing the intrinsic functionality of an object at zero cost.
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blends the knowledge of the blow glass of Murano, and not only, in a single vase using the incalmo technique to unify two half apples made with different techniques.The vase merges the application of mur-rina with the use of the “filigrana”; the combination of plate glass with opaque glass. The apple, the heart of the vase, has always been a symbol of knowledge; it is the symbol of Murano and a clear manifesto of the refined glassmaking culture that has always been inherent in the island
Fruit mold:
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The aim of this International Competi-tion is to design a free standing World Cup Structure in Lapa square in the heart of Rio de Janeiro during the 2014 FIFA World Cup.
The neighborhood of Lapa, known as the cradle of bohemian Rio is also famous for its architecture, with struc-ture such as the arches “Arcos da Lapa” constructed in 1723. It was intended to transport water from the Carioca river height to the surrounding area, now serves as a track for the cable cars that climb the hill of Santa Teresa and an iconic landmark.
International Competition hosted by [AC-CA]
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redevelopment of Sacca Fisola, Murano Island
The place is situated in the north of the Murano’s island, in sacca Fisola.
This is an area of 31 hectares which currently has not a particular purpose, and it is used as a dump site rich of glass rubbish due to the glass industries. The idea is to develop a park in a context so characteristic strictly linked with the scale of the laguna.
The north of Murano, really far from Venice as a place of mass tourism, has to combined global interests and local needs in a new setting
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Extention project Rietveld Accademy
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