winsor & newton catalogue 2013 updated

Catalogue www.winsornewton.com

Winsor &

New

tonTM

Catalogue

Winsor & Newton�

21 Evesham Street, London

W11 4AJ, England.

www.winsornewton.com

1. Suitability for useEvery care is taken to maintain the highest standards of quality, but Winsor & Newton wish to make it clear that it is the user’s responsibility to ensure that the goods purchased are suitable for his or her particular requirements. In no circumstances can claims be entertained for the value of work alleged to be spoilt by the use of a product which proves unsatisfactory, the makers liability being confined to replacement of any product proved to be defective in respect of materials or workmanship.

2. Packaging & descriptionWinsor & Newton have a policy of continuous product improvement. Whilst catalogue descriptions and illustrations are as accurate as possible at the time of printing, we reserve the right to amend specifications without notice.

3. Colour chartsWhilst we make every effort to depict colours as accurately as possible in this catalogue, the limitations of the printing process may cause slight variation from the actual product.

4. Papers & boardsCertain terms are normally used to describe papers, these are explained below:

Weights

The thickness of a paper is denoted by weight. Two measurement systems exist:-

Weight per Ream Grammes per Square Metre i.e. 90lb, 140lb, etc. i.e. 190 gsm, 300 gsm, etc.

Of the two systems, the latter allows closer and more accurate comparisons as it is based upon a standard area of paper (1 square metre). The lb. per ream of a paper will vary according to sheet size.

As both systems are in common usage, where available, we quote both alternatives in our product descriptions.

Surface Textures

The surface texture of high quality water colour papers are described in one of the following ways: Hot Pressed (HP) - Smooth surface NOT or Cold Pressed (CP) - Intermediate surface Rough - Highly textured surface

Paper Sizes

International Paper Sizes: A1 594 x 841mm (23 3/8” x 33 1/8”) A2 420 x 594mm (16 1/2” x 23 3/8”) A3 297 x 420mm (11 3/4” x 16 1/2”) A4 210 x 297mm (8 1/4” x 11 3/4”) A5 148 x 210mm (5 7/8” x 8 1/4”)

Traditional British Sizes:

Imperial 30” x 22” (762 x 559mm)

5. Caution hazardous materialsTo the best of our knowledge all materials listed in our catalogue are safe for general usage unless cautioned with the symbol appearing against a product description, and comply with EEC Directive 1999/45/EC The New Preparations Directive and its UK implementation in Chemicals (Hazard Information and Packaging for supply) Regulations 2002. Where a cautionary warning appears it is to indicate that a product should be avoided if there is any prospect of it being applied in other than the normal manner or in an unsupervised environment. No responsibility for any mishap arising from non-compliance with this warning can be accepted by us.

6. Aerosol productsIn line with our policy, all aerosol products supplied are Ozone Friendly and do not contain Chlorofluorocarbons (C.F.C.’s).

7. Trade multiple order quantitiesCertain products are subject to a multiple order quantity. Details are given on the appropriate pages where this is applicable. Any order for less than the multiple order quantity will be automatically increased to the stated minimum. This applies to Trade Customers only, ordering directly from Winsor & Newton.

8. Copyright© Winsor & Newton 2010. All rights reserved. The reproduction of part or all of the contents of this catalogue is prohibited other than when express permission has been sought and granted by Winsor & Newton.

9. Trade marksThe following non-exhaustive list are all trade marks.

Artgel, Artguard, Artisan, Artwipes, Cirrus, Colourman, Cotman, Field Box, Galeria, Griffin (word), Griffin (device/logo), Liquin, Monarch, Oilbar, Sansodor, Sceptre Gold, Series 7,University, Winsor, Winsor & Newton (words), Winsor & Newton (device/logo), Winsor & Newton Designers, Winsor & Newton Rathbone, Winton.

Winsor & Newton, London, W11 4AJ, England.

10. ContactUK Sales & Enquiries

Winsor & Newton ColArt Fine Art & Graphics Ltd Goldthorn Road Kidderminster Worcestershire DY11 7JN England

Telephone: 01562 744522 Fax: 01562 823181 Email: [email protected] Website: www.winsornewton.com

Office Hours

Monday – Thursday 8.45am-5.00pm Friday 8.45am-3.45pm

International Sales & Enquiries

Winsor & Newton 11 Evesham Street London W11 4AJ England

Telephone: 0208 424 3200 International: +44 208 424 3200 Email: [email protected] Website: www.winsornewton.com

Office Hours

Monday – Thursday 9.00am-5.00pm Friday 9.00am – 4.30pm

General Information

Artist: Nick Malone

Oil Colour

Water Colour

Acrylic Colour

Graphics

Artists’ Brushes

Easels, Grounds and Accessories

Health & Safety Information

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139

Contents

Artist: Beckie ReedArtist:

Adebanji Alade

Artist: Kerstin Petterson

T

Winsor & NewtonW E L C O M E T O

William Winsor

Henry Newton

he scent of roasting rose madder

roots permeates one side of the

Winsor & Newton factory. Brought from

the Middle East, these exotic plants are

ground and treated in an age-old tradition

to become delicate blush-pink paints.

At the opposite end of the building,

brown packages move along a hi-tech

packaging machine, preparing

Winsor & Newton colours, brushes

and some 6,000 other types of artists’

materials for dispatch to customers over

the world.

This is - and always has been - the essence

of Winsor & Newton: a mix of natural

processes and recipes that have been

honed over the centuries, and the latest in

technical advancements. Ever since artist

Henry Newton and the more scientifically

inclined chemist William Winsor founded

the company in 1832, the relentless quest

to innovate and improve has continued.

Increasingly sophisticated machines have

been invented to produce new products,

from the world’s first moist water colours

(1835) to the vibrant new Artists’ Acrylics

(2009). Meanwhile, traditional, labour-

intensive methods that cannot be bettered

have been rigorously maintained in order

to uphold quality. All our highly skilled

craftsmen and women take immense pride

in their work and ensure that each item is

made with the greatest care.

We hope you will gain as much pleasure

and stimulation from browsing through this

catalogue as we have had developing the

products. Our aim is to make the highest

quality art materials that will inspire artists

to push their creative boundaries in order to

achieve their artistic goals.

To discover more, please visit our website

www.winsornewton.com

1832

Winsor & Newton founded at 38, Rathbone Place, London.

1835

The world’s first moist water colours launched, enabling artists such as Turner to paint more prolifically.

1841

Royal Warrant issued by Queen Victoria and Prince Albert.

1842

William Winsor patents the first screw cap mechanism for a collapsible metal tube.

1851

Winsor & Newton are awarded the only prize medal open to competitors for artists’ colours at the Great Exhibition in Crystal Palace.

1892

Winsor & Newton are the first company to publish the Composition & Pemanence of Artists’ Colours.

4

By Royal Appointment

After dedicating more than 175 years

to perfecting the world’s finest artists’

materials, we are proud to hold a Royal

Warrant as suppliers to His Royal

Highness, The Prince of Wales.

Like his great-great-great grandmother,

Queen Victoria, who also accorded

us this honour, Prince Charles is a

passionate water colourist.

The Royal Warrant indicates that he

has been using Winsor & Newton

materials for at least five years. It also

serves to underline their exceptional

quality - an excellence that comes

from constant contact with artists to

understand their wishes and then to

develop products that fulfil their needs.

As holders of a royal warrant, we are

among a select number of companies

similarly distinguished and united by a

commitment to the highest standards of

service and excellence.

W E L C O M E T O

At Winsor & Newton, we seek out

opportunity to listen and engage in

conversations with our consumers. Whether

it is new ideas, challenges or problems,

we are always keen to hear from artists in

order to address their needs. It is through

conversations with everyone from beginners

to painters whose work is exhibited in the

world’s major galleries that solutions to

challenges can be found.

While we are the largest supplier of artists’

materials in the USA and UK, and supply

no fewer than 110 countries worldwide,

many of our products are painstakingly

made by hand, to an unrivalled level of

quality and individuality. Certain pieces are

fashioned to order by members of staff who

take personal ownership of the product.

It is perhaps no coincidence that these

craftsmen and women often measure their

working life at Winsor & Newton in terms of

decades rather than years.

Art that endures

From the tomb paintings of ancient Egypt to

the works of today’s celebrity graffiti artists,

art is invariably created to endure. At its

peak it will inspire generations to come. That

is why we believe we have a duty to supply

materials that will last. Constant innovation,

rigorous testing and stringent quality control

all play their part in the development of

products that will withstand the vagaries

of time.

The stability and resilience of the materials,

the lack of colour-shift, the ability of paints

and canvasses to tolerate different climate

conditions: all these are qualities that

we constantly refine. By using the finest raw

ingredients, plus the most sophisticated

manufacturing processes, artists are

assured that these are the best products

available today - and will serve them well for

years to come.

1937

Winsor & Newton launch Designers’ Gouache and Colour Works open on present-day Harrow site.

1946

Brush-making factory opens in Lowestoft.

1976

The world’s first fast-drying oil colour range, now called Griffin Alkyd, is launched.

1998

Launch of Artisan Water Mixable Oil Colour which feels and behaves like oil colour but thins and cleans up with water.

2007

Winsor & Newton celebrate 175 years of colour by re-introducing the 19th century blue pigment, Smalt.

2009

Artists’ Acrylic is launched offering no colour shift from wet to dry.

5

Phil Jones Research and Development

Director, has worked in the colour

industry for over 23 years.

“Our discussions with artists often focus

on the challenges that they face in the

creation of their art. My aim is to come

up with solutions to these challenges

by developing products that will help artists achieve their goals. We

have a large team of dedicated scientists devoted to the creation

of new and inspiring products which we hope will help artists to

turn their ideas into artistic reality. Alongside this, I also manage the

quality assurance of our products. Many artists grow very attached

to their colours and we have to ensure that the colour they bought

twenty years ago matches the colour we made yesterday. We have

a rigourous range of checks and controls that are applied to each

batch of colour we make. Some of these are done by machine

and others can only be done visually and so over the years I’ve

developed a very sharp eye for colour.”

Peter WaldronSenior Chemist, with nearly 40 years

of experience working in the

Research and Development team.

“I have worked on all of our new

product ranges since the 1980s—water

colours, oils, gouaches and associated

mediums such as varnishes. I review

existing ranges, to ensure that they retain their quality and improve

them wherever possible. I’m always pushing to expand our range of

pigments, I look everywhere that colour exists, whether decorators’

paints, ceramics or the car industry. I visit manufacturers of new

machinery for other industries, such as printing inks, to see what

we can learn from them. In fact I monitor many different areas, from

the latest developments in pharmaceuticals to unusual cooking

ingredients. On top of this I also handle numerous customer

enquiries where artists require extra help or guidance from a

technical point of view.”

Paul RobinsonPainting and Technical Advisor,

has been with the company for

10 years in a variety of roles. He began

as a project engineer, working on

machinery, and moved to his current

role a year ago.

Outside working hours he paints in

acrylics, both exhibiting and working to commission for international

clients as far afield as Australia and the USA.

“My work at Winsor & Newton centres on talking to artists and

discovering their aims and requirements. Either they call me or I

contact someone who is really pushing the boundaries and might

go even further with certain new materials. Last week I spoke with

an artist who I had seen interviewed in a magazine and we are now

developing several ideas together. Winsor & Newton are well-

established as far as traditional products are concerned: I am keen

to take things to another level, and to work with artists whose work

is evolving. I give talks here and at colleges, attend art shows and

work with our Research and Development team to test new products.

My technical background added to my experience as an artist helps

me to understand how materials actually perform, and to appreciate

artists’ challenges.”

Bob HarrodBrush Maker and Supervisor,

joined Winsor & Newton in 1969 as

an apprentice.

“Over the 40 years that I have been with

Winsor & Newton much has changed

but one thing has not: the level of

attention given to each brush and the

determination that every one should be of the highest quality. All

our brushes are the best that they can be for the job that they are

designed to do. But at the pinnacle is the Series 7 Kolinsky Sable

Water Colour brush. This was perfection at the time that we sold it

to Queen Victoria and it remains the Rolls-Royce of brushes today.

Every aspect of every brush is checked before it leaves the factory:

there’s nothing we don’t do except paint with it. Each brush points

perfectly, has a wonderful colour-holding capacity and springs back

into shape after use. I receive many letters from artists saying how

much they enjoy working with our brushes. Everyone who works here

in our factory is proud to be associated with these brushes.”

Winsor & NewtonT H E P E O P L E B E H I N D

Meet a few of the team...

6

Our commitment to The EnvironmentWinsor & Newton takes its environmental responsibility very seriously. The company is keen to reduce any negative impact that its activities might have on the planet. We are constantly investigating ways in which we can decrease water pollution, waste, emissions and energy. For instance, through reduction in water usage and investment in our effluent treatment plant we have been able to reduce our water usage by 1.2 million litres a year. Looking at other areas, we have achieved significant reductions in packaging wastage, our recycling facility has reduced landfill disposal by 180-220 tonnes per year. We are also keen to work with other companies who mirror our commitment to environmental practices. For example we work with suppliers who can source FSC wood for all our brush handles, easels and canvas stretchers. Where this isn’t possible, for technical or quality reasons, we ensure that our suppliers prove that the wood they are using is legally sourced and harvested. All this has helped us to achieve ISO 14001 an internationally accepted standard which shows our commitment to reducing our impact on the environment.

facts S O M E C U R I O U S

Constantly innovatingAt Winsor & Newton we never stand still for long, we’re constantly looking for new ways we can lead the field. Following extensive research we recently introduced our new Artists’ Acrylic range. Harnessing the company’s world-beating colour-making experience, we’ve developed colours that cannot be bettered for brilliance, intensity and depth. The key to their exceptional quality is the

absence of colour shift from wet to dry. This is the result of a new hi-tech binding agent: a clear resin that does not change colour as it dries - leaving the paint strong and vibrant, even when applied thinly. The formulation of Artists’ Acrylic is one of our most scientifically advanced achievements using a tremendous amount of knowledge and experience which has been built up by our Research and Development team over many years. As a final touch, the tubes come with a sample of the actual paint on the front, enabling the artist to make the perfect choice.

1| Our pigment “library” includes colours

dating back to 3,000 BC and our oldest

colour recipe book dates back to 1832.

2| The famous colour, Indian Yellow,

was originally produced by feeding cows

exclusively on mango leaves and

using the resulting urine to manufacture

the paint.

3| There was a shortage of brush-

makers after the war so we had to look

for a new factory site in an area with

a surplus of labour. The East Anglian

fishing port of Lowestoft proved perfect,

as the skills required for mending the

fishing nets could be transferred to tying

knots for brushes.

4| We produce the inks used by the

police for fingerprinting.

5| Prior to 1840 paint was loaded into

pigs bladders by artists. Luckily for us

they now come in tubes!

6| Emerald green was originally made

from arsenic, a deadly poison.

7| Among the items salvaged from the

sunken Titanic was a Series 7 sable

paintbrush. It was still in perfect condition

after lying 2½ miles beneath the waves

for more than 75 years.

8| While on its famous 1916 expedition,

Ernest Shackleton’s ship, The Endurance,

was crushed in polar ice. The crew

escaped using lifeboats that had to

be caulked (made watertight) with oil.

Following the survival of every single

crew member it was discovered that the

lifeboats had been caulked with our oil

colour supplied by the ship’s expedition

artist, George Marston.

.

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W O R K I N G W I T H

Artists

Patricia SanchezDedicated oil painter Patricia Sanchez lives and works in Guadalajara,

Mexico. She exhibits in galleries in Mexico and Argentina and her work is

held in private collections all around the world.

I mostly use Artists’ Oil

Colour and Winton, the colours

are so rich and expressive that

they’ve had a profound impact

on my work. I also love Liquin

Original which helps me to

achieve very detailed images

and its great when I need

to add transparency to my

colours.

Celia Atkins Celia Atkins is based in

Cheltenham, England. She

regularly exhibits and works on

commissions for portraits, abstract

work and free-flowing landscapes.

I love the vibrancy of the

Artists’ Acrylic – especially as there is no colour shift and the colour

is maintained when the paint dries.

Daniel Preece Daniel Preece was born in London, where he has returned to work after

living in Paris and New York. Focusing mainly on urban landscapes, this

award-winning artist has had many solo exhibitions and undertakes

commissions. His paintings and drawings can be found in public and

private collections worldwide.

I work with

Winsor & Newton Artists’

Oil Colour for the intensity

and richness of the paints.

The large range and the

consistency are important

too, but mainly I choose them

for the vibrant colours.

Kerstin Petterson Kerstin Petterson is a full time artist living and working near Stockholm,

Sweden, where she studied graphic design and illustration. She now

exhibits regularly in and around her home city.

I use Artists’ Acrylic as

the colours are so bright

they resemble glass when

painting in thin layers. The

drying time is a little longer:

that’s good because I like

to blend the colours on

the canvas. It is also good

that you can see the actual

colour on the label.

he fascinating artists’

colourmen’s room at the

entrance to Winsor & Newton

is hung with memorabilia that

includes letters from satisfied customers

such as John Ruskin and G F Watts.

From the earliest days, the company has

been proud to supply the most serious

and successful artists of the time.

From acrylics and oils to water colours,

gouache and everything in between our

broad range of superior materials are

used by artists all over the world.

Here you can meet some of these artists

and read what they have to say.

The Artists-in personT

8

Mark Jessett Mark Jessett studied Fine Art at

Goldsmiths’ College, London,

he now lives and works in

Warwickshire.

As a long-time user of

Winsor & Newton products, I

work with mixed media and Designers Gouache is an integral part of

them. Its flat, matt and bright colours give my paintings the vivacity

I seek. In addition, the layering of colour needs a medium which is

opaque and will layer successfully while maintaining brilliance.

Adebanji Alade Adebanji Alade is a professional artist working in London. He trained in

Nigeria and Chelsea, and exhibits internationally. He has won many awards

including the John Walton Figurative Prize.

The Artists’ Acrylic

colours are bright, which is

great for my portraits, as I

want the skin of the figures

to have a glow that emanates

from them, reflecting

the artificial light of the place

they are in.

Mario Andres RobinsonMario Andres Robinson was born in Altus, Oklahoma, where he lived

with his family before relocating to New Jersey. Mario has studied at the

prestigious Pratt Institute in Brooklyn,

New York and was recently

selected as one of the top 20 realist

artists under the age of 40 by

The Artist’s Magazine.

I use Winsor & Newton

because of the strength and

versatility of the pigments. There’s

a brilliance to their water colours that helps my work come alive. I

can lay down light transparent washes to capture light or build vibrant

darker tones with thick glazes.

Charles SlugaAustralian Artist Charles Sluga has a

reputation for his unique vision and

versatility with water colour. Charles

has won many awards including the

highly coveted Alice Bale Award,

Australia’s premier award for realist

and figurative art.

I am very particular about the

colours that I have in my water

colour palette and I choose Winsor & Newton colours to satisfy my

need for certain paint characteristics. It is the purity, freshness and

idiosyncratic qualities of all the Winsor & Newton colours that I use

which help me achieve the results that I am after. Luscious and bold

colours with personality - exactly what I expect from a great

water colour paint.

Roger LustyRoger Lusty lives in Winnipeg,

Manitoba, Canada, where he

has lived and worked for the

last fifty years. His love of the

automobile has led his art to

focus on automotive portraits,

he is currently working

on corporate and private

commissions.

The automotive subjects demand a great amount of detail and

accuracy, and for this reason I have chosen Winsor & Newton Artists’

Water Colour, Designers Gouache, and brushes to achieve the best

results. The automotive finishes and colours can be very difficult to

reproduce, however by layering up to eight or more washes I can

achieve the correct colour and depth, while retaining brilliant colour.

The brilliant colours in my work can only be attributed to Artists’ Water

Colour and Designers Gouache.

The Artists-in person

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OIL

CO

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OLO

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Our expertise in the field of

Oil Colour is unsurpassed.

We only source the finest

ingredients to create colours

that are consistently made to the

highest standards. The wealth

of knowledge that our team of

expert chemists hold has allowed

us to create a more diverse range

of oil colours than any other

manufacturer. So no matter what

style or technique, artists will find

the right quality within one of our

five ranges.

Artists’ Oil Colour – Made with

the finest pigments using the

highest pigment loads possible

we have created a world-wide

reputation for supreme quality

amongst professional artists.

Artists’ Oilbar – Offering artists a

dynamic and exciting way to work

in oil, Oilbar is an artists’ quality

oil in a stick form. Literally nothing

comes between the artist and

their surface when using Oilbar.

Winton Oil Colour – The most

popular oil colour in the world,

Winton is ideal for artists who

want a good quality oil colour at

an affordable price.

Artisan Water Mixable Oil

Colour – This artist-friendly

oil colour is great for painters

who don’t want to use solvents.

Instead Artisan can be thinned,

mixed and cleaned up with water.

Griffin Alkyd Fast Drying Oil

Colour – Great for oil painters

who like to paint at speed,

Griffin dries in half the time of a

traditional oil colour.

Oil Colour Mediums – To really

help bring colours to life our

range of oils, mediums and

varnishes are extensive and

varied to suit the diverse needs of

the modern painter.

Oil Colour

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OIL CO

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ART

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’ OIL

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Winsor & Newton Artists’ Oil Colour

owes its reputation for supreme

quality to the careful selection of the

very finest pigments. Each colour

is formulated to take the absolute

maximum pigment load creating the

strongest most powerful colours in

the world.

We exercise precise quality

control throughout all stages of

manufacture, selecting the most

suitable drying oils and method of

pigment dispersion to ensure the

unique individual qualities of the

colours are preserved. To produce

colours of reliable consistency

and a high standard of colour

matching demands a combination

of the traditional crafts of the artists’

colourmen and modern colour

technology skills.

The Winsor & Newton range of

Artists’ Oil Colour is unmatched

for purity, quality and reliability, a

success which is reflected in its

worldwide reputation amongst

professional artists.

Artists’ Oil Colour

Artist: James Lloyd

Key to CodingAA Extremely PermanentA PermanentB Moderately Durable(iii) Bleached by acids, acidic atmospheresS Series Number

TransparentSemi-TransparentOpaqueSemi-Opaque

ASTMI Permanent for artists’ useII Permanent for artists’ use

Where no ASTM rating is listed, please referto the Winsor & Newton permanence rating

347 AA S4ILemon YellowHue

722 A S2IIWinsor Lemon

086 A S4ICadmiumLemon

025 A S4

Bismuth Yellow

653 A S4

TransparentYellow

730 A S2IWinsor Yellow

149 A S1IChrome YellowHue

118 A S4ICadmiumYellow Pale

320 A S2IIndian YellowDeep

319 A S2IIndian Yellow

108 A S4ICadmiumYellow

731 A S2IWinsor YellowDeep

111 A S4ICadmiumYellow Deep

089 A S4ICadmiumOrange

724 A S2

Winsor Orange

257 A S2IFlesh Tint

106 A S4ICadmiumScarlet

603 A S2

Scarlet Lake

726 A S2

Winsor Red

094 A S4ICadmium Red

042 A S1

Bright Red

725 A S2IWinsor RedDeep

097 A S4ICadmium RedDeep

548 A S4

QuinacridoneRed

502 A S2IPermanentRose

576 A S5IIRose Doré

587 A S5IIRose MadderGenuine

004 B S2

AlizarinCrimson

468 A S4 IPermanentAlizarinCrimson

479 A S2

PermanentCarmine

192 AA S5 ICobalt Violet

491 AA S4IPermanentMauve

733 A S2IWinsor Violet(Dioxazine)

672 A(iii) S2I

UltramarineViolet

400 A S1IMauve BlueShade

489 A S2IPermanentMagenta

380 A S2IMagenta

545 A S2IQuinacridoneMagenta

544 A S1

Purple Lake

543 A S2

Purple Madder

379 A S1IManganeseBlue Hue

137 AA S4ICerulean Blue

178 AA S4ICobalt Blue

180 AA S5

Cobalt BlueDeep

707 A S2IWinsor Blue(Green Shade)

706 A S2IWinsor Blue(Red Shade)

667 A (iii) S1I

Ultramarine(Green Shade)

263 A (iii) S2I

FrenchUltramarine

321 A S4IIndanthreneBlue

538 A S1IPrussian Blue

322 A S2IIndigo

526 A S1IPhthaloTurquoise

190 AA S5ICobaltTurquoise

191 AA S4ICobaltTurquoise Light

184 AA S5ICobalt Green

084 A S4 ICadmium GreenPale

708 A S2IWinsor Emerald

483 A S2

PermanentGreen Light

481 A S2 IIPermanentGreen

482 A S2IPermanentGreen Deep

637 AA S1ITerre Verte

459 AA S4IOxide ofChromium

147 A S1 IChrome GreenDeep Hue

183 AA S4ICobalt ChromiteGreen

692 AA S4 IViridian

721 A S2IWinsor Green(Yellow Shade)

720 A S2IWinsor Green

540 A S2IPrussian Green

599 A S2ISap Green

447 A S2IOlive Green

294 A S2IGreen Gold

333 A S1IJaune Brillant

426 A S1INaples YellowLight

422 A S1

Naples Yellow

425 AA S2

Naples YellowDeep

746 AA S1IYellow OchrePale

745 AA S1IYellow OchreLight

285 AA S1IGold Ochre

744 AA S1IYellow Ochre

552 AA S1IRaw Sienna

646 AA S2ITransparentGold Ochre

074 AA S1IBurnt Sienna

648 AA S1ITransparentBrown Oxide

657 A S2

TransparentMaroon

059 AA S1IBrown Ochre

647 AA S1ITransparentRed Ochre

635 AA S1ITerra Rosa

362 AA S1ILight Red

678 AA S1IVenetian Red

317 AA S2IIndian Red

395 AA S2IMars VioletDeep

056 A S1IBrown Madder

076 AA S1IBurnt Umber

676 A S1

Vandyke Brown

557 AA S1IRaw UmberLight

558 AA S1IRaw Umber(Green Shade)

554 AA S1IRaw Umber

217 AA S2 IDavy’s Gray

142 AA S1

Charcoal Grey

465 AA S1IPayne’s Gray

034 AA S1IBlue Black

386 AA S2IMars Black

331 AA S1IIvory Black

337 AA S1 ILamp Black

505 A S1

Perylene Black

330 A S1

Iridescent White

201 A S1ICremnitz White

246 A S1IFlake WhiteNo.1

242 AA S1IFlake White Hue

261 A S1IFoundationWhite

644 AA S1ITitanium White

655 AA S1ITransparentWhite

674 AA S1IUnderpaintingWhite

748 AA S1

Zinc White

283 A S2

Gold

573 A S2

RenaissanceGold

214 A S2

Copper

058 A S2

Bronze

511 A S2

Pewter

617 A S2

Silver

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120 colours

Colour Chart

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Artists’ Oil Colour

21ml Tube A range of 87 colours is available in 21ml tubes.

Product code Series MOQ

1208.... Series 1-4 31208.... Series 5 1

37ml Tube The full range of colours is available in 37ml tubes with the exception of Cremnitz White, Flake White No. 1 and Foundation White.


1214.... Series 1-4 31214.... Series 5 1

200ml Tube A range of 34 colours (42 in the USA) is available in 200ml tubes.


1237.... All Series 1

Oil Painting Primer ▶A ready-to-use primer in a non-yellowing oil-modified alkyd resin medium. No thinning or stirring is required. Oil Painting Primer can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper) with virtually no sinking in. A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming. The treated ground then accepts oil colours easily and without chalkiness or absorbency.

Product code Size MOQ

3040994 250ml 4

3050994 500ml 1

3054994 1 Litre 1

21ml Tube 37ml Tube 200ml Tube

Colour Colour name Series No. 21ml Tube 37ml Tube 200ml Tube code 004 Alizarin Crimson 2 1208004 1214004 1237004 025 Bismuth Yellow 4 1208025 1214025 034 Blue Black 1 1208034 1214034 042 Bright Red 1 1208042 1214042 1237042 058 Bronze 2 1208058 1214058 056 Brown Madder 1 1208056 1214056 059 Brown Ochre 1 1208059 1214059 074 Burnt Sienna 1 1208074 1214074 1237074 076 Burnt Umber 1 1208076 1214076 1237076 084 Cadmium Green Pale 4 1214084 086 Cadmium Lemon 4 1214086 089 Cadmium Orange # 4 1214089 094 Cadmium Red 4 1214094 097 Cadmium Red Deep 4 1214097 106 Cadmium Scarlet 4 1214106 108 Cadmium Yellow 4 1214108 111 Cadmium Yellow Deep 4 1214111 118 Cadmium Yellow Pale # 4 1214118 137 Cerulean Blue 4 1208137 1214137 142 Charcoal Grey 1 1208142 1214142 147 Chrome Green Deep Hue 1 1208147 1214147 149 Chrome Yellow Hue 1 1208149 1214149 178 Cobalt Blue 4 1208178 1214178 1237178 180 Cobalt Blue Deep 5 1208180 1214180 183 Cobalt Chromite Green 4 1214183 184 Cobalt Green 5 1208184 1214184 190 Cobalt Turquoise 5 1214190 191 Cobalt Turquoise Light 4 1208191 1214191 192 Cobalt Violet 5 1208192 1214192 214 Copper 2 1208214 1214214 217 Davy’s Gray 2 1208217 1214217 1237217 242 Flake White Hue # 1 1208242 1214242 1237242 257 Flesh Tint 2 1208257 1214257 261 Foundation White # 1 1214261 263 French Ultramarine 2 1208263 1214263 1237263 283 Gold 2 1208283 1214283 1237283 285 Gold Ochre 1 1214285 294 Green Gold 2 1208294 1214294 317 Indian Red 2 1208317 1214317 319 Indian Yellow 2 1208319 1214319 1237319 320 Indian Yellow Deep 2 1208320 1214320 321 Indanthrene Blue 4 1214321 322 Indigo 2 1208322 1214322 1237322 330 Iridescent White 1 1208330 1214330 331 Ivory Black 1 1208331 1214331 1237331 333 Jaune Brillant 1 1208333 1214333 337 Lamp Black 1 1208337 1214337 347 Lemon Yellow Hue 4 1208347 1214347 362 Light Red 1 1208362 1214362 379 Manganese Blue Hue 1 1208379 1214379 1237379 380 Magenta 2 1208380 1214380 386 Mars Black 2 1214386 395 Mars Violet Deep 2 1208395 1214395 400 Mauve Blue Shade 1 1208400 1214400 422 Naples Yellow # 1 1208422 1214422 425 Naples Yellow Deep 2 1208425 1214425 426 Naples Yellow Light 1 1208426 1214426 447 Olive Green 2 1208447 1214447 1237447 459 Oxide of Chromium 4 1214459 465 Payne’s Gray 1 1208465 1214465 1237465

Colour Colour name Series No. 21ml Tube 37ml Tube 200ml Tube code 468 Permanent Alizarin Crimson 4 1208468 1214468 479 Permanent Carmine 2 1208479 1214479 481 Permanent Green 2 1214481 482 Permanent Green Deep 2 1214482 483 Permanent Green Light 2 1208483 1214483 489 Permanent Magenta 2 1214489 491 Permanent Mauve 4 1214491 502 Permanent Rose 2 1208502 1214502 1237502 505 Perylene Black 1 1208505 1214505 511 Pewter 2 1208511 1214511 526 Phthalo Turquoise 1 1214526 1237526 538 Prussian Blue 1 1208538 1214538 1237538 540 Prussian Green 2 1214540 543 Purple Madder 2 1208543 1214543 544 Purple Lake 1 1214544 545 Quinacridone Magenta 2 1208545 1214545 548 Quinacridone Red 4 1208548 1214548 552 Raw Sienna 1 1208552 1214552 1237552 554 Raw Umber 1 1208554 1214554 1237554 557 Raw Umber Light 1 1208557 1214557 558 Raw Umber (Green Shade) 1 1208558 1214558 573 Renaissance Gold 2 1208573 1214573 1237573 576 Rose Doré 5 1214576 587 Rose Madder Genuine 5 1214587 599 Sap Green 4 1208599 1214599 1237599 603 Scarlet Lake 2 1214603 617 Silver 2 1208617 1214617 1237617 635 Terra Rosa 1 1208635 1214635 637 Terre Verte 1 1208637 1214637 1237637 644 Titanium White 1 1208644 1214644 1237644 646 Transparent Gold Ochre 2 1208646 1214646 647 Transparent Red Ochre 1 1208647 1214647 648 Transparent Brown Oxide 1 1208648 1214648 653 Transparent Yellow 4 1214653 655 Transparent White # 1 1208655 1214655 1237655 657 Transparent Maroon 2 1208657 1214657 667 Ultramarine (Green Shade) 1 1208667 1214667 672 Ultramarine Violet 2 1214672 674 Underpainting White 1 1208674 1214674 1237674 676 Vandyke Brown 1 1208676 1214676 678 Venetian Red 1 1208678 1214678 692 Viridian 4 1208692 1214692 1237692 706 Winsor Blue (Red Shade) 2 1208706 1214706 707 Winsor Blue (Green Shade) 2 1208707 1214707 708 Winsor Emerald 2 1208708 1214708 720 Winsor Green 2 1208720 1214720 721 Winsor Green (Yellow Shade) 2 1214721 722 Winsor Lemon 2 1208722 1214722 1237722 724 Winsor Orange 2 1208724 1214724 725 Winsor Red Deep 2 1214725 726 Winsor Red 2 1208726 1214726 730 Winsor Yellow 2 1208730 1214730 1237730 731 Winsor Yellow Deep 2 1214731 733 Winsor Violet (Dioxazine) 2 1208733 1214733 1237733 744 Yellow Ochre 1 1208744 1214744 1237744 745 Yellow Ochre Light 1 1208745 1214745 746 Yellow Ochre Pale 1 1208746 1214746 1237746 748 Zinc White 1 1208748 1214748 1237748

# 200ml Tube - Available in USA only CAUTION – See notes inside front cover

▶ Artists’ Oil Colour Introductory SetThis introductory set contains a larger selection of 10 x 21ml tubes of Artists’ Oil Colour.

Product code Name MOQ

1290139 Artists’ Oil Colour Introductory Set (10 x 21ml tube) 1

◀ Artists’ Oil Colour Bamboo BoxA beautiful box made from Bamboo, an environmentally friendly source. A great gift idea. This set contains:

8 x 37ml tubes of Artists’ Oil Colour 1 x 75ml bottle of Liquin Original 1 x 75ml bottle of Sansodor (Low Odour Solvent) 2 x Hog Artists’ Brushes 1 x Palette Knife 1 x 2B pencil 1 x Kneaded Eraser 1 x Double Dipper 1 x Plastic Palette 1 x Cleaning Towel 1 x Artists’ Oil Colour leaflet.


1290018 Artists’ Oil Colour Bamboo Box 1

Mayfair Wooden Box ▼An attractive wooden box with a polished brass plaque containing:

11 x 37ml tubes of Artists’ Oil Colour 1 x 75ml bottle each of Sansodor and Liquin Original 2 x Artists’ Hog Brushes 1 x Painting Knife 1 x pack of Willow Charcoal 1 x Double Dipper 1 x Wooden Palette 1 x Artists’ Oil Colour leaflet.


1290013 Mayfair Wooden Box 1

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Painting WhitesThe following whites should not

be used for priming or extensive

underpainting. The Safflower Oil in

which they are ground dries very slowly,

and can cause cracking if subsequent

paint layers are applied before it is

thoroughly dry. However, each has

unique characteristics when used as

an oil colour.

General Purpose and Priming Whites

Transparent WhiteA unique transparent Titanium pigment is used in this colour to produce the most Transparent White available. Ideal for glazes and mixtures when the artist wishes to avoid opacity, covering and the production of pale tints. A medium drier.

Flake White HueA titanium based white formulated to mimic the characteristics of the original hazardous lead based Flake White. It has a lower tinting strength than Titanium White and a warmer hue, therefore, having less influence on mixtures. Flake White Hue has a similar drying rate to Flake White.

Iridescent WhiteA pearlescent white, which is particularly effective when mixed with transparent colours, or used on dark backgrounds.

Zinc WhiteExcellent for making tints and glazing, the least opaque of whites. It has a pure, cold white appearance and is particularly suitable for mixtures with cool colours.

Titanium White (Permanent White)The whitest and most opaque of the range using modern pigment technology to give a high level of performance. The most widely used colour in oil painting today.

Underpainting White (Fast Drying)A titanium based white used for priming. Formulated to mimic all the characteristics of the lead based Foundation White without the issues of toxicity.

Foundation WhiteA traditional lead based white, ground in Linseed Oil making it ideal for priming due to its faster drying rate. Caution – see notes inside front cover.

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Artists’ Oilbar™

Oilbar offers an exciting and

versatile way of painting and

drawing - from sketching to sgraffito

effects to using with oil tube colour.

Oilbar combines the richness and

consistency of oil colour and the

flexibility of pastels and charcoal.

Made from quality artists’ grade

pigments, oils and specially selected

waxes, Oilbar is a range developed

by artists for artists.

Its new and extensive range of

50 colours enables subtle colour

shading and use in combination

with the most popular tube oil

colours.

Softer on application than the

original, the new Oilbar allows

colour to be transferred with less

pressure.

When softened and blended, it

moves freely and mixes well with

any other colour, whether Oilbar or

tube colour.

burnt Sienna

076 AA S1 I

burnt Umber

676 A S1 I

Vandyke brown

554 AA S1 I

Raw Umber

465 A S1 I

Payne’s Gray

331 AA S1 I

Ivory black

337 AA S1 I

Lamp black

060 AA S1 I

buff Titanium

009 AA S1 I

Antique White

644 AA S1 I

Titanium White

415 AA S1 I

Key to coding

AA Extremely PermanentA PermanentS Series Number Transparent Semi-Transparent Opaque Semi-Opaque

ASTM Lightfastness ratingI, II Permanent for artists’ use.

This colour chart is produced within the limitations of lithographic colour printing and is intended as a guide only.

346 A S3 IILemon Yellow Hue

113 A S4 ICadmium Yellow Light

119 A S1 ICadmium Yellow Pale

Hue

116 A S4 ICadmium

Yellow Medium

109 A S1 ICadmium

Yellow Hue

115 A S1 IICadmium

Yellow Deep Hue

089 A S4 I

Cadmium Orange

090 A S2

IICadmium Orange Hue

257 A S2

I Flesh Tint

100 A S4

ICadmium Red Light

107 A S2

IICadmium Scarlet Hue

095 A S2

IICadmium Red Hue

099 A S4

ICadmium Red Medium 098 A S2

IICadmium Red Deep Hue

502 A S3

IPermanent Rose

468 A S3

IPermanent Alizarin Crimson

380 A S1

IMagenta

194 A S2

ICobalt Violet Hue

229 A S2 IDioxazine Purple

Green Light

696 A S2 I Viridian Hue

459 AA S3 IIOxide of

Chromium

637 A S1 ITerre Verte

599 A S4 IPermanent Sap

Green

422 AA S1 INaples Yellow

Hue

744 AA S1 I

Yellow Ochre

552 AA S1 I

Raw Sienna

635 AA S1 I

Terra Rosa

317 AA S2 I

Indian Red

074 AA S1 I

137 AA S4 ICerulean blue

138 A S1 ICerulean blue Hue

178 AA S4 ICobalt blue

179 A S1 ICobalt blue Hue

263 A S2 I French

Ultramarine

516 A S2 IWinsor blue

(Red Shade)

538 A S1 IPrussian blue

692 AA S4 IViridian

721 A S2 IWinsor Green

(Yellow Shade)

483 A S2 IPermanent

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Artists’ Oilbar™

Oilbar - 50ml50 colours are available in the 50ml size.

Product code MOQ

1617.... 3

Oilbar 6 Colour Set ▼Contains a basic starter palette of 6 Oilbars 50ml:

Cadmium Yellow Deep Hue Cadmium Red Light French Ultramarine Ivory Black Titanium White Colourless


1690001 Oilbar 6 x 50ml Set 1

Oilbar 12 Colour Set ▼Contains a basic starter palette of 6 Oilbars 50ml:

Cadmium Yellow Light Cadmium Red Medium Permanent Alizarin Crimson French Ultramarine Cerulean Blue Hue Winsor Green (Yellow Shade) Yellow Ochre Burnt Sienna Raw Umber Ivory Black Titanium White Colourless


1690002 Oilbar 12 x 50ml Set 1

Colour Colour name Series No. 50ml code

009 Antique White 1 1617004

060 Buff Titanium 1 1617009

074 Burnt Sienna 1 1617060

076 Burnt Umber 1 1617074

089 Cadmium Orange 4 1617076

090 Cadmium Orange Hue 2 1617080

098 Cadmium Red Deep Hue 2 1617082

095 Cadmium Red Hue 2 1617086

100 Cadmium Red Light 4 1617089

099 Cadmium Red Medium 4 1617094

107 Cadmium Scarlet Hue 2 1617097

115 Cadmium Yellow Deep Hue 1 1617118

109 Cadmium Yellow Hue 1 1617178

11 Cadmium Yellow Light 4 1617196

116 Cadmium Yellowv Medium 4 1617263

119 Cadmium Yellow Pale Hue 1 1617283

137 Cerulean Blue 4 1617331

138 Cerulean Blue Hue 1 1617347

178 Cobalt Blue 4 1617382

179 Cobalt Blue Hue 1 1617347

194 Cobalt Violet Hue 2 1617382

218 Colourless 1 1617347

229 Dioxazine Purple 2 1617382

257 Flesh Tint 2 1617347

263 French Ultramarine 2 1617382

Colour Colour name Series No. 50ml code

317 Indian Red 2 1617392

331 Ivory Black 1 1617394

337 Lamp Black 1 1617422

346 Lemon Yellow Hue 3 1617459

380 Magenta 1 1617465

422 Naples Yellow Hue 1 1617489

459 Oxide of Chromium 3 1617491

465 Payne’s Gray 1 1617538

468 Permanent Alizarin Crimson 3 1617552

483 Permanent Green Light 2 1617554

502 Permanent Rose 3 1617617

599 Permanent Sap Green 4 1617644

538 Prussian Blue 1 1617669

552 Raw Sienna 1 1617671

554 Raw Umber 1 1617720

415 Soft Mixing White 1 1617744

635 Terra Rosa 1 1617720

637 Terra Verte 1 1617744

644 Titanium White 1 1617720

676 Vandyke Brown 1 1617744

692 Viridian 4 1617720

696 Viridian Hue 2 1617744

516 Winsor Blue (Red Shade) 2 1617744

721 Winsor Green (Yellow Shade) 2 1617744

744 Yellow Ochre 1 1617744

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Winton™ Oil Colour

Winton Oil Colour is the most popular

oil brand in the world, its success is due

to its high quality yet affordable price.

Every colour in the Winton range

is individually formulated to take

advantage of the natural characteristics

of each pigment and to ensure the

stability of the colour. A high level of

pigmentation provides good covering

power and tinting strength and whilst it

may not have the superior pigment load

of Artists’ Oil Colour, the Winton range

is much stronger than many other

artists’ quality ranges.

The range of 47 colours offer the

most popular colours in a balanced

spectrum and as ever our formulation,

manufacture and quality control ensure

a product of excellence.

Artist: James Hart-Dyke

Key to Coding

AA Extremely PermanentA PermanentB Moderately Durable(iii) Bleached by acids, acidic atmospheresT Transparent/Semi-TransparentO Opaque/Semi-Opaque


Where no ASTM rating is listed, please refer to theWinsor & Newton permanence rating

346 A O II

Lemon YellowHue

087 A O II

CadmiumLemon Hue

119 A O I

CadmiumYellow Pale Hue

149 A O I

Chrome YellowHue

109 A O I

CadmiumYellow Hue

115 A O II

CadmiumYellow DeepHue

090 A O

CadmiumOrange Hue

257 A O I

Flesh Tint

603 A O I

Scarlet Lake

095 A O II

Cadmium RedHue

682 A O

Vermilion Hue

098 A O II

Cadmium RedDeep Hue

480 A T

PermanentGeranium Lake

502 A T I

Permanent Rose

478 A T I

PermanentCrimson Lake

468 A T I

PermanentAlizarin Crimson

380 A T I

Magenta

194 A O I

Cobalt VioletHue

229 A T I

Dioxazine Purple

138 A O I

Cerulean BlueHue

179 A (iii) OICobalt Blue Hue

263 A (iii) TIFrenchUltramarine

516 A T

Phthalo Blue

538 A T I

Prussian Blue

241 A O II

Emerald Green

483 A O I


145 A O II

Chrome GreenHue

696 A T I

Viridian Hue

459 A O II

Oxide ofChromium

637 A T I

Terre Verte

599 B T

Sap Green

422 A O I

Naples YellowHue

744 AA O I

Yellow Ochre

552 AA T I

Raw Sienna

362 AA O I

Light Red

317 AA O I

Indian Red

074 AA T I

Burnt Sienna

076 AA O I

Burnt Umber

676 A O

Vandyke Brown

554 AA T I

Raw Umber

465 A O

Payne’s Gray

331 AA O I

Ivory Black

337 AA O I

Lamp Black

242 AA O I

Flake White Hue

415 AA O I

Soft MixingWhite

644 AA O I

Titanium White

748 AA O I

Zinc White

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Winton™ Oil Colour

21ml Tube All colours, except Soft Mixing White available in this size.

Product code MOQ

1408.... 3

37ml Tube The full range of colours is available in 37ml tubes.

Product code MOQ

1414.... 3

200ml Tube The full range of colours is available in the 200ml tube size, a large capacity tube with a wide nozzle and easy grip top.

Product code MOQ

1437.... 1

21ml Tube 37ml Tube 200ml Tube

Colour Colour name Series Ref. 21ml Tube 37ml Tube 200ml Tube code No. No.* 074 Burnt Sienna 1 2 1408074 1414074 1437074 076 Burnt Umber 1 3 1408076 1414076 1437076 087 Cadmium Lemon Hue 1 7 1408087 1414087 1437087 090 Cadmium Orange Hue 1 4 1408090 1414090 1437090 095 Cadmium Red Hue 1 5 1408095 1414095 1437095 098 Cadmium Red Deep Hue 1 6 1408098 1414098 1437098 109 Cadmium Yellow Hue 1 9 1408109 1414109 1437109 115 Cadmium Yellow Deep Hue 1 46 1408115 1414115 1437115 119 Cadmium Yellow Pale Hue 1 8 1408119 1414119 1437119 138 Cerulean Blue Hue 1 10 1408138 1414138 1437138 145 Chrome Green Hue 1 11 1408145 1414145 1437145 149 Chrome Yellow Hue 1 13 1408149 1414149 1437149 179 Cobalt Blue Hue 1 15 1408179 1414179 1437179 194 Cobalt Violet Hue 1 16 1408194 1414194 1437194 229 Dioxazine Purple 1 47 1408229 1414229 1437229 241 Emerald Green 1 18 1408241 1414241 1437241 242 Flake White Hue 1 73 1408242 1414242 1437242 257 Flesh Tint 1 20 1408257 1414257 1437257 263 French Ultramarine 1 21 1408263 1414263 1437263 317 Indian Red 1 23 1408317 1414317 1437317 331 Ivory Black 1 24 1408331 1414331 1437331 337 Lamp Black 1 25 1408337 1414337 1437337 346 Lemon Yellow Hue 1 26 1408346 1414346 1437346 362 Light Red 1 27 1408362 1414362 1437362 380 Magenta 1 28 1408380 1414380 1437380 422 Naples Yellow Hue 1 29 1408422 1414422 1437422 459 Oxide of Chromium 1 31 1408459 1414459 1437459 465 Payne’s Gray 1 32 1408465 1414465 1437465 468 Permanent Alizarin Crimson 1 1 1408468 1414468 1437468 478 Permanent Crimson Lake 1 17 1408478 1414478 1437478 480 Permanent Geranium Lake 1 22 1408480 1414480 1437480 483 Permanent Green Light 1 48 1408483 1414483 1437483 502 Permanent Rose 1 49 1408502 1414502 1437502 516 Phthalo Blue 1 30 1408516 1414516 1437516 538 Prussian Blue 1 33 1408538 1414538 1437538 552 Raw Sienna 1 34 1408552 1414552 1437552 554 Raw Umber 1 35 1408554 1414554 1437554 599 Sap Green 1 37 1408599 1414599 1437599 603 Scarlet Lake 1 38 1408603 1414603 1437603 415 Soft Mixing White 1 77 1414415 1437415 637 Terre Verte 1 39 1408637 1414637 1437637 644 Titanium White 1 40 1408644 1414644 1437644 676 Vandyke Brown 1 41 1408676 1414676 1437676 682 Vermilion Hue 1 42 1408682 1414682 1437682 696 Viridian Hue 1 43 1408696 1414696 1437696 744 Yellow Ochre 1 44 1408744 1414744 1437744 748 Zinc White 1 45 1408748 1414748 1437748* Ref. No. indicates the reference number shown in the circle on the front of the tube

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◀ Winton Studio SetAn attractively packaged painting set making an ideal gift for the beginner.

The set contains: 8 x 21ml tubes of Winton Oil Colour 1 x 60ml tube of Titanium White 1 x 75ml bottle of Liquin Original Painting Medium 2 x Winton Hog Brushes 1 x Instructional leaflet.


1490620 Winton Studio Set 1

Winton 10 x 21ml Tube Set ▼This set contains a comprehensive range of colours in 21ml tubes.


1490618 Winton 10 x 21ml Tube Set 1

Winton 6 x 21ml Tube Set ▲A small tube set containing 6 x 21ml tubes of Winton Oil Colour.



Winton 10 x 37ml Tube Set ▶This set contains a comprehensive range of colours in 37ml tubes.



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Griffin™ Alkyd Fast Drying Oil Colour

Griffin Alkyd Fast Drying Oil

Colour offers the excellent

advantage of drying in half the

time of traditional oil colours.

This means that colours can

be touch dry on the canvas in

under 24 hours. Ideal for artists

who use oil techniques such as

impasto or glazing as work can

be completed in considerably

less time.

The clarity of the alkyd resin

allows the full brightness of the

pigment to show when the colour

is dry. Their unique luminosity

make them an ideal choice for

glazing techniques, particularly in

conjunction with Liquin medium,

thereby creating a speedier

process than with oils. Many

artists underpaint in alkyds

to save time, subsequently

completing their painting in

traditional oils. In addition,

Griffin Alkyd is highly

recommended for use on a

variety of porous surfaces

and especially for work that

is to be exhibited outdoors

and on fabric.

Key to CodingAA Extremely PermanentA PermanentB Moderately Durable(iii) Bleached by acids, acidic atmospheres(v) Should not be prepared in pale tints with

Flake White, as these will fadeS Series NumberT Transparent/Semi-TransparentO Opaque/Semi-Opaque


Where no ASTM rating is listed, pleaserefer to the Winsor & Newtonpermanence rating

722 A S1 TIIWinsor Lemon

086 A S2 OICadmiumLemon

730 A S1 T

Winsor Yellow

113 A S2 OICadmiumYellow Light

116 A S2 OICadmiumYellow Medium

319 A S1 T

Indian Yellow

111 A S2 OICadmiumYellow Deep

089 A S3 OICadmiumOrange

257 A S1 OIFlesh Tint

100 A S2 OICadmium RedLight

603 A S1 T

Scarlet Lake

099 A S2 OICadmium RedMedium

680 A (v) S1O Vermilion Hue

726 A S1 T

Winsor Red

097 A S2O ICadmium RedDeep

480 A S1 T

PermanentGeranium Lake

468 A S2 T


501 A S2T IPermanent Rose

544 A S1 T

Purple Lake

380 A S1 TIMagenta

229 A S1 TIDioxazine Purple

263 A (iii) S1T IFrenchUltramarine

667 A (iii) S1T IUltramarine(Green Shade)

178 AA S3 TICobalt Blue

538 A S1 TIPrussian Blue

514 A S1 TIPhthalo Blue

137 AA S2O Cerulean Blue

139 A S1 OICerulean BlueHue

522 A S1 TIPhthalo Green

692 AA S3T IViridian

521 A S1 T

Phthalo Green(Yellow Shade)

637 AA S1 OITerre Verte

459 AA S1 O

Oxide ofChromium

503 A S2 T

Permanent SapGreen

447 B S2 T

Olive Green

422 A S1 OINaples YellowHue

744 AA S1O IYellow Ochre

552 AA S1T IRaw Sienna

074 AA S1 TIBurnt Sienna

362 AA S1 OILight Red

317 AA S1 OIIndian Red

076 AA S1 TIBurnt Umber

676 AA S1 OIVandyke Brown

554 AA S1 TIRaw Umber

217 A S1 T

Davys Gray

465 A S1 OIPayne’s Gray

331 AA S1 OIIvory Black

337 AA S1 OILamp Black

415 AA S1 OIMixing White

644 AA S1O ITitanium White

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Griffin™ Alkyd Fast Drying Oil Colour

37ml TubeThe full range of 48 colours is available in 37ml tubes.

Product code MOQ

1914.... 3

200ml TubeOnly Titanium White is available in 200ml tube size.

Product code MOQ

1937644 1

37ml Tube 200ml Tube

▲ Griffin Alkyd 6 x 37ml Tube SetIdeal for beginners, this set contains 6 colours in 37ml tubes.


1990150 Griffin Alkyd 6 x 37ml Tube Set 1

Colour Colour name Series No. 37ml Tube code

074 Burnt Sienna 1 1914074

076 Burnt Umber 1 1914076

090 Cadmium Orange Hue 1 1914090

098 Cadmium Red Deep Hue 1 1914098

095 Cadmium Red Medium Hue 1 1914095

101 Cadmium Red Light Hue 1 1914101

115 Cadmium Yellow Deep Hue 1 1914115

119 Cadmium Yellow Light Hue 1 1914119

109 Cadmium Yellow Medium Hue 1 1914109

139 Cerulean Blue Hue 1 1914139

179 Cobalt Blue Hue 1 1914179

194 Cobalt Violet Hue 1 1914194

217 Davys Gray 1 1914217

229 Dioxazine Purple 1 1914229

257 Flesh Tint 1 1914257

263 French Ultramarine 1 1914263

317 Indian Red 1 1914317

319 Indian Yellow 1 1914319

331 Ivory Black 1 1914331

337 Lamp Black 1 1914337

362 Light Red 1 1914362

380 Magenta 1 1914380

415 Mixing White 1 1914415

422 Naples Yellow Hue 1 1914422

Colour Colour name Series No. 37ml Tube code

447 Olive Green 1 1914447

459 Oxide of Chromium 1 1914459

465 Payne’s Gray 1 1914465

468 Permanent Alizarin Crimson 2 1914468

480 Permanent Geranium Lake 1 1914480

501 Permanent Rose 1 1914501


514 Phthalo Blue 1 1914514

521 Phthalo Green (Yellow Shade) 1 1914521

522 Phthalo Green 1 1914522

538 Prussian Blue 1 1914538

544 Purple Lake 1 1914544

552 Raw Sienna 1 1914552

554 Raw Umber 1 1914554

637 Terre Verte 1 1914637

644 Titanium White † 1 1914644

667 Ultramarine (Green Shade) 1 1914667

676 Vandyke Brown 1 1914676

680 Vermilion Hue 1 1914680

696 Viridian Hue 1 1914696

722 Winsor Lemon 1 1914722

726 Winsor Red 1 1914726

730 Winsor Yellow 1 1914730

744 Yellow Ochre 1 1914744

† 200ml Tube

26

DRY

ING

OIL

SD

RYIN

G O

ILS

Refined Linseed Oil Slows the drying rate of colour whilst reducing colour consistency and increasing gloss and transparency.

Stand Oil Slows drying while increasing the durability of the film. Gives a smooth enamel effect finish with no brush marks. Ideal for glazing & fine detail if mixed with solvent.

Oils are used to modify the consistency, gloss and drying time of colour. They can prevent over thinning

with solvents. They’re also particularly useful in maintaining flexibility of paint films especially when

working fat over lean.

Oils

Size Product code MOQ

75ml bottle (English, Italian) 3021748 3

75ml bottle (French, German) 2621748 3

75ml bottle (Spanish, Portuguese) 2921748 3

75ml bottle (Swedish, Danish) 3121748 3

75ml bottle (Finnish, Russian) 3321748 3

75ml bottle (Dutch, French) 2821748 3

75ml bottle (Japanese, English) 2521748 3

75ml bottle CAN (English, French) 2721748 3

75ml bottle USA (English, Spanish) 3221748 3

250ml bottle (English, French, Dutch, German) 3039748 1

250ml bottle (Italian, Spanish, Portuguese) 2939748 1

250ml bottle (Swedish, Finnish, Danish, Russian) 3139748 1







1 litre tin (English, French, Dutch, German, Spanish, Italian, Portuguese,

Swedish, Finnish, Danish, Russian) 3053748 1

1 litre tin USA (English, Spanish) 3253748 1












Drying Linseed OilThis is an oil of darker colour than Refined Linseed Oil, which promotes the fastest drying rate of all the oils whilst increasing gloss and transparency.










Drying Poppy OilUsed to increase drying rate, this oil reduces consistency, increases gloss and transparency. Made from poppy seeds, it is the palest of the oils and is resistant to yellowing which makes it well suited for whites and pale colours.









Which solvent is right for you?

29

DRYIIN

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27

Cold-Pressed Linseed OilReduces the consistency, improves flow, and increases gloss and transparency whilst reducing brush marks. Ideal for grinding pigments.











Thickened Linseed OilA faster drying oil which improves flow and gloss and increases the durability of paint film. This oil behaves like Stand Oil but dries quicker and darker and reduces brush stroke retention.








Safflower OilA slow drying oil which improves flow, increases gloss & transparency. Particularly suitable for use with whites & pale colours.








Speedsdrying

1

2

2

Slowsdrying

5

6

7

8

Improvesflow

•

•

•

Reducesconsistency

••

•

••

••

••

•

••

Increasesgloss

•

•

•

•

•

•

•

Increasestransparency

•

•

•

•

•

•

•

Increasesfilm

durability

•

Resistsyellowing

••

•

••

Use with pale colours

•

•

For preparing mediums

•

•

•

•

•

•

•

Used with a

solvent

Often

Always

Often

Often

Often

Always

Often

Drying Linseed Oil

Thickened Linseed Oil

Drying Poppy Oil

Cold-Pressed Linseed Oil

Refined Linseed Oil

Stand Oil

Safflower Oil

1––> 8 Fastest to slowest drying rate

28

OIL

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OIL

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Oil Colour Mediums

Artists’ Painting MediumIdeal for fine detail work, glazing and smoothly blended areas with no brush marks. Well suited for oiling out and enriching dull patches. Dries slowly to a flexible gloss film with good yellowing resistance.

Liquin OriginalThis reliable favourite is a general purpose semi gloss medium which speeds drying, reduces brush stroke retention and resists yellowing.

Mediums are additives which alter or enhance the characteristics of the colour. They are used to change the rate of drying, increase gloss, improve flow or provide texture. Mediums are based on the binders used in milling the colours: linseed oil, alkyd resin and modified oils for water mixable oils. All mediums should be used in moderation; they are intended only as an additive to the colour. In addition, avoid adding multiple mediums to the colour.

























1 litre tin CAN (English, French) 2753751 1


2.5 litre tin (English, French, Dutch, German, Spanish, Italian, Portuguese,


2.5 litre tin USA (English, Spanish) 3256751 1




















Liquin Oleopasto MediumA semi matt, quick drying, non-yellowing impasto medium which adds body and levels slightly. Thickens rapidly and extends tube colour.

Liquin Impasto Medium A semi gloss, quick drying non-yellowing impasto medium, which retains crisp textures and brush marks. Thickens slowly & extends tube colour.


200ml tube (English, French, Dutch, German) 3036755 1

200ml tube (Italian, Spanish, Portuguese) 2936755 1

200ml tube (Swedish, Finnish, Danish, Russian) 3136755 1

200ml tube USA (English, Spanish) 3236755 1








200ml tube CAN (English, French) 2736753 1

200ml tube USA (English, Spanish) 3236753 1

Which medium is right for you?

29

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Liquin Fine DetailThe most fluid of the Liquin family this fast drying gloss medium is ideal for fine detail, glazing & blending, or when producing a smooth surface painting.

Liquin Light GelThis gloss medium offers a fast drying gel that brushes out smoothly and is ideal for artists looking for a non-drip effect when mixed with colour.













































Blending and Glazing MediumThis new medium slows drying & improves flow. Ideal for blending, glazing, stroke work, antiquing and staining.

Speedsdrying

1

1

2

1

2

Slowsdrying

6

7

Improvesflow

•

•

•

•

•

Reducesconsistency

•

•

•

•

•

Increasesfilm

durability

•

•

•

•

•

•

•

Resistsyellowing

••

••

••

••

••

•

•

Impasto & texture

•

•

Retains brushmarks

•

•

••

Fluid detail& drip efects

•

•

•

Oiling out

•

Finish

Semi Gloss

Gloss

Gloss

Semi Matt

Semi Gloss

Gloss

Gloss

Prepared Oil Mediums

Liquin Original

Liquin Light Gel

Liquin Fine Detail

Liquin Oleopasto

Liquin Impasto

blending & Glazing Medium

Artists’ Painting Medium











30

SOLV

ENTS

SOLV

ENTS

Solvents

Solvents are used to dilute colour, as well as for cleaning brushes and palettes after a painting session. Solvents

made for artists are intended to be fully volatile, meaning that upon evaporation from the paint mixture, they leave

no residual matter behind.

Hardware/DIY grade solvents, though lower in cost, are not refined to the degree required for artists, and will

often leave a tacky painting surface where used, and a paint film that won’t fully dry.

Sansodor Suitable for oil and alkyd colour, Sansodor increases blending time and has minimal odour. This is well suited to artists who prefer to limit exposure to turpentine.






















2.5 litre tin (English, French, Dutch, German, Spanish, Italian, Portuguese,


2.5 litre tin USA (English, Spanish) 3256757 1

Distilled Turpentine A highly refined essential oil used as a diluent (thinner) for oil colours and cleaning brushes. Keep tightly closed and away from light to prevent oxidation.

























Thins/dilutes

•

•

•

Speed ofevaporation

1

2

8

Low odour

•

For preparingMediums

•

•

•

brushcleaning

•

•

•

•

Varnishremover

•

•

Picturecleaning

•

Which solvent is right for you?

Solvents

Distilled Turpentine

Artists’ White Spirit

Sansodor

Artists’ brush Cleaner

Artists’ Picture Cleaner

1––> 8 Fastest to slowest evaporationArtists’ brush Cleaner cleans both oil colour & acrylic

31

SOLVEN

TSSO

LVENTS

Artgel A hygienic gel cleaner, which quickly and effectively removes oil, alkyd and acrylic colours from brushes and hands without harmful effects. It also helps to restore natural oils to the skin and conditions brushes.

Artguard Barrier Cream A light, non-greasy cream which, when applied to hands before working, forms a protective barrier against all types of artists’ materials. The cream can be removed with soap and water or Artgel and also contains moisturizers to condition the skin and hands.

Artists Care Range

Artists’ White SpiritA volatile, flammable diluent (thinner) for oil colours and the cleaning of brushes. Suitable for oil & alkyd colour. Slower drying than turpentine and does not deteriorate with storage.

Artists’ Picture CleanerDesigned for the cleaning of varnished paintings, it works by dissolving linseed oil oxidation and will remove surface dirt and the products of oxidation in the old varnish.
































Brush CleanerA new addition to the range, this brush cleaner removes dried oil, alkyd & acrylic colour from brushes and other surfaces. It is water-miscible and, therefore, can be cleaned with water.















250ml pot (English, French, Duch, Italian, German) 3040969 4


250ml pot (English, French, Duch, Italian, German) 3040997 4

32

VARN

ISH

ESVA

RNIS

HES

Varnishes

Varnishes are final coatings which protect finished pictures from the build up of dirt and grease. Oil paintings must

be thoroughly dry (at least 6 -12 months) before varnishing. For fine art usage picture varnishes should be removable

so that paintings can be cleaned in the future. It should be noted that different resins used in the varnishes impart

varying degrees of gloss.

Artists’ Matt Varnish A superior quality UV resistant artists’ matt varnish removable with White Spirit or Turpentine. Dries quickly to a non-yellowing film, does not bloom or crack.

Dammar Varnish A pale yellow varnish which dries quickly to a high gloss for use on oil and alkyd paintings. It tends to darken with ageing and is removable with Turpentine.

Artists’ Gloss Varnish A superior quality UV resistant artists’ gloss varnish removable with White Spirit or Turpentine. Dries quickly to a non-yellowing film, does not bloom or crack.



































Artists’ Satin Varnish A superior quality UV resistant artists’ satin varnish removable with White Spirit or Turpentine. Dries quickly to a non-yellowing film, does not bloom or crack.

















500ml bottle USA (English, Spanish) 3249737 1Size Product code MOQ











Artists’ Retouching Varnish A gloss varnish which is non-yellowing and UV resistant. Gives temporary protection to recently completed oil paintings.


















Japan Gold Size A dark, thin liquid, which acts as a quick drying adhesive for use when gilding. Can also be used as a non removable exterior varnish.









33

AER

OSO

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AER

OSO

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Aerosol Varnishes

Artists’ Matt Varnish ▲A final clear, non-yellowing varnish with a matt finish for the protection of oil, alkyd and acrylic paintings.


3033981 150ml aerosol can (English, French, German, Dutch) 6

3042981 400ml aerosol can (English, French, German, Italian, Dutch, Greek) 6

3048981 400ml aerosol can (English, Swedish, Finnish, Spanish, Portuguese, Danish) 6 CAUTION - see notes inside front cover

Artists’ Gloss Varnish ▲A final clear, non-yellowing varnish with a gloss finish for the protection of oil, alkyd and acrylic paintings.


3033982 150ml aerosol can (English, French, German, Dutch, Spanish) 6

3042982 400ml aerosol can (English, French, German, Dutch, Greek) 6


Artists’ Satin Varnish ▲A final clear, non-yellowing varnish with a satin finish for the protection of oil, alkyd and acrylic paintings.





Dammar High Gloss Varnish ▲A traditional general varnish with a high gloss finish for the protection of oil, alkyd and acrylic paintings.





34

AERO

SOL VA

RNISH

ESA

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ISHES

All Purpose Matt Varnish ▶A clear matt varnish which provides permanent protection of craftwork from dust and moisture. Ideal for a variety of surfaces including wood, metal, paper and modelling materials. Note; As this varnish is non-removable, it is unsuitable for fine arts.


3033989 150ml aerosol can (English, French, German, Italian, Dutch, Spanish) 6



All Purpose High Gloss Varnish ▶A clear gloss varnish which provides permanent protection of craftwork from dust and moisture. Ideal for a variety of surfaces including wood, metal, paper and modelling materials. Note; As this varnish is non-removable, it is unsuitable for fine arts.





Artists’ Retouching Gloss Varnish ▶A non-yellowing varnish for the protection of recently finished paintings which are in the process of drying. The varnish can be removed using White Spirit before applying a final permanent varnish.





35

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Artisan™ Water Mixable Oil Colour

The artist-friendly oil colour, Artisan

Water Mixable Oil Colour feels and

looks like an oil colour, but can be

thinned and cleaned up with water.

No longer do oil colour artists need

to rely on hazardous solvents to

clean their brushes or thin their

colour, instead water can be used

in its place. As a result artists can

enjoy a safer painting environment

making it ideal for those who share

a work space, in schools or when

painting at home.

At the same time Artisan still feels

like a traditional oil colour with its

buttery smoothness and strong

colours. This means that artists

can work with Artisan in exactly the

same way as traditional oils from

glazing and blending through to

thick impasto techniques.

Complimenting the colour, there is

a dedicated range of 11 Artisan oils,

mediums and varnishes, allowing

you to achieve all oil painting

techniques.

Artist: Daniel Preece

Key to CodingAA Extremely PermanentA Permanent(iii) Bleached by acids, acidic atmospheres

S Series NumberT Transparent/Semi-TransparentO Opaque/Semi-Opaque

346 A S1 T

Lemon Yellow

113 A S2 O

CadmiumYellow Light

119 A S1 T


116 A S2 O

CadmiumYellow Medium

109 A S1 T

CadmiumYellow Hue

115 A S1 T

CadmiumYellow DeepHue

090 A S1 T

CadmiumOrange Hue

100 A S2 O

Cadmium RedLight

099 A S2 O

Cadmium RedMedium

095 A S1 T

Cadmium RedHue

104 A S2 O

Cadmium RedDark

098 A S1 T

Cadmium RedDeep Hue

502 A S1 T

Permanent Rose

468 A S1 T


380 A S1 T

Magenta

229 A S1 T

Dioxazine Purple

137 AA S2 OCerulean Blue

138 AA S1 OCerulean BlueHue

178 AA S2TCobalt Blue

179 A S1 O

Cobalt Blue Hue

263 A (iii)S1 TFrenchUltramarine

514 A S1 T

Phthalo Blue(Red Shade)

538 A S1 T

Prussian Blue

521 A S1 T

Phthalo Green(Yellow Shade)

692 AA S2TViridian

522 A S1 T

Phthalo Green(Blue Shade)

503 A S2 T

Permanent SapGreen

447 A S1 T

Olive Green

422 AA S1ONaples YellowHue

744 AA S1OYellow Ochre

552 AA S1TRaw Sienna

317 AA S1OIndian Red

074 AA S1TBurnt Sienna

076 AA S1TBurnt Umber

554 AA S1TRaw Umber

465 A S1OPayne’s Gray

331 AA S1OIvory Black

337 AA S1OLamp Black

644 AA S1OTitanium White

748 AA S1OZinc White(Mixing White)

36

ARTISA

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WATER M

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WATER MIXABLEOIL COLOUR

40 colours

Colour Chart

37

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Artisan™ Water Mixable Oil Colour

37ml Tube The complete range of colours is available in 37ml tubes.

Product code MOQ

1514.... 3

200ml Tube A range of 31 colours is available in 200ml tubes.

Product code MOQ

1537.... 1

37ml Tube 200ml Tube

Colour Colour name Series No. 37ml Tube 200ml Tube code

074 Burnt Sienna 1 1514074 1537074

076 Burnt Umber 1 1514076 1537076

090 Cadmium Orange Hue 1 1514090 1537090

095 Cadmium Red Hue 1 1514095 1537095

098 Cadmium Red Deep Hue 1 1514098 1537098

099 Cadmium Red Medium 2 1514099

100 Cadmium Red Light 2 1514100

104 Cadmium Red Dark 2 1514104

109 Cadmium Yellow Hue 1 1514109 1537109

113 Cadmium Yellow Light 2 1514113

115 Cadmium Yellow Deep Hue 1 1514115 1537115

116 Cadmium Yellow Medium 2 1514116

119 Cadmium Yellow Pale Hue 1 1514119 1537119

137 Cerulean Blue 2 1514137

138 Cerulean Blue Hue 1 1514138 1537138

178 Cobalt Blue 2 1514178

179 Cobalt Blue Hue 1 1514179 1537179

229 Dioxazine Purple 1 1514229 1537229

263 French Ultramarine 1 1514263 1537263

317 Indian Red 1 1514317 1537317

331 Ivory Black 1 1514331 1537331

337 Lamp Black 1 1514337 1537337

346 Lemon Yellow 1 1514346 1537346

380 Magenta 1 1514380 1537380

422 Naples Yellow Hue 1 1514422 1537422

447 Olive Green 1 1514447 1537447

465 Payne’s Gray 1 1514465 1537465

468 Permanent Alizarin Crimson 1 1514468 1537468

502 Permanent Rose 1 1514502 1537502


514 Phthalo Blue (Red Shade) 1 1514514 1537514

521 Phthalo Green (Yellow Shade) 1 1514521 1537521

522 Phthalo Green (Blue Shade) 1 1514522 1537522

538 Prussian Blue 1 1514538 1537538

552 Raw Sienna 1 1514552 1537552

554 Raw Umber 1 1514554 1537554

644 Titanium White 1 1514644 1537644

692 Viridian 2 1514692

744 Yellow Ochre 1 1514744 1537744

748 Zinc White (Mixing White) 1 1514748 1537748

CAUTION – See notes inside front cover

38

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◀ Artisan Beginners SetThis set offers a basic colour palette with 6 x 37ml tubes.


1590251 Artisan Beginners Set 1

Artisan Starter Set ▶A small tube set containing 6 x 21ml tubes.


1590264 Artisan Starter Set 1

Artisan Studio Set ▼This attractively packaged painting set makes an ideal gift for beginners.

Contents include: 10 x 37ml tubes of Artisan Water Mixable Oil Colour 1 x 75ml bottle of Artisan Water Mixable Linseed Oil 2 x Hog Brushes.


1590252 Artisan Studio Set 1

10 x 21ml Tube Set ▲This set contains a comprehensive range of colours in 21ml tubes.


1590227 10 x 21ml Tube Set 1

10 x 37ml Tube Set ▲This set contains a comprehensive range of colours in 37ml tubes.


1590228 10 x 37ml Tube Set 1

39

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Artisan Mediums

Artisan Water Mixable Linseed OilThis reduces the consistency and improves flow of Artisan oil colours. It also increases the gloss and transparency of Artisan.

Artisan Water Mixable Impasto MediumThis is a quick-drying non-yellowing medium designed for Artisan Oil colour.

Artisan Water Mixable Safflower OilSlow drying, this oil improves flow, increases gloss & transparency of Artisan Oil Colour. It is particularly suitable for use with whites & pale colours.

Artisan Water Mixable Stand Oil Ideal for glazing & fine detail as it smoothes brush marks.

Artisan has its own specially developed range of Oils, Mediums, Varnishes and Solvents, so that all the techniques

available to traditional oil painters can be achieved with Artisan. Similar to the colour, these can be mixed with water

and used without the need for any hazardous solvents.








































60ml tube USA (English, Spanish, French) 3219722 3




200ml tube USA (English, Spanish, French) 3236722 1

Artisan Water Mixable Fast Drying MediumThis is a fast drying medium that smoothes brushwork & increases transparency. It is excellent for glazing and producing fine detail and is resistant to yellowing.













Artisan Water Mixable Painting MediumThis slow drying medium reduces consistency, increases luminosity & flexibility of Artisan Oil Colour. Ideal for oiling out & enriching dull patches and is resistant to yellowing.













Which varnish is right for you?


40

ARTISA

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ARTISA

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Artisan Water Mixable ThinnerArtisan Water Mixable Oil Colour has a specific Thinner for the range. Artisan was developed to avoid the use of hazardous solvents. Although water is suitable as a diluent for the colour, its speedy evaporation can make the colour thicken upon the palette much quicker than conventional oil colour would when used with turpentine. To help with this, a thinner has now been developed which maintains an oily feel and keeps colour open for longer than water.

Artisan Water Mixable Gloss VarnishArtisan Gloss Varnish is UV resistant, non yellowing and provides protection for paintings.

Artisan Water Mixable Satin VarnishArtisan Satin Varnish is UV resistant, non yellowing and provides protection for paintings.

Artisan Water Mixable Matt VarnishArtisan Matt Varnish is UV resistant, non yellowing and provides protection for paintings.

Artisan Water Mixable Varnish RemoverSafely removes Artisan varnishes for cleaning & re-varnishing.








75ml bottle USA (English, Spanish, French) 3221729 3




























250ml bottle USA (English, Spanish, French ) 3239724 1





















Removable

•

•

•

Permanentprotection

•

•

•

Quickdrying

•

•

•

Flexible

•

•

•

Non-yellowing

•

•

•

Will not bloom

or crack

•

•

•

Removesvarnish

•

Soap & water clean up

•

•

•

•

Finish

Gloss

Satin

Matt

Varnishes

Artisan Gloss Varnish

Artisan Satin Varnish

Artisan Matt Varnish

Artisan Varnish Remover

Speedsdrying

1

1

Slowsdrying

7

Improvesflow

•

•

Reducesconsistency

•

•

Increasesfilm

durability

•

•

•

Resistsyellowing

•

•

•

Retains brushmarks

•

Oiling out

•

Finish

Gloss

Gloss

Semi Matt

Soap & water clean up

•

•

•

Prepared Mediums

Artisan Fast Drying Medium

Artisan Painting Medium

Artisan Impasto Medium


WAT

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WAT

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41

Since the 1830’s, when the

original founders of the company

introduced the first moist water

colours, we have placed these

colours at the very heart of our

company. At the forefront of

our offering, Professional Water

Colour takes pride of place, its

purity, quality and reliability are

unsurpassed by any other water

colour in the world.

In more recent years Cotman

Water Colour has been

developed to offer artists a good

quality range at an affordable

price allowing a greater number

of artists to try water colour for the

first time.

Our water colours are available in

two forms, tubes and pans. Tubes

are primarily suited to artists using

large volumes of colour whilst

pans are preferred by sketchers

and infrequent painters.

Water Colour

WATER CO

LOU

RW

ATER COLO

UR

42

43

Prof

essi

onal

Wat

er C

olou

rPr

ofes

sion

al W

ater

Col

our

The finest water colour, offering

the widest choice of pigments

and the highest possible

permanence.

Since 1832 when Henry Newton

and William Winsor introduced

the first moist water colours to

the world, much of our reputation

for supreme quality has stemmed

from the Professional Water Colour

range.

Since then Professional Water

Colour continues to be formulated

and manufactured according to

our founding principles; to create

an unparalleled water colour range

which offers artists the widest

and most balanced choice of

pigments with the greatest possible

permanence. Each colour within

this wide and balanced spectrum

of 96 colours, has been selected

and formulated to offer the greatest

choice so that artists can use a

unique palette that best suits their

work.

Both Professional Water Colour

tube and pan colours are made

individually to the highest

standards. Pan colour is often used

by beginners because it can be less

inhibiting and easier to control the

strength of colour. Tube colour is

more popular overall, and is ideal

for those who use high volumes of

colour or stronger washes of colour.

Of course, artists can use both tube

and pan together if they wish.

For the artist that requires large

volumes of colour, then a limited

range of colours are available in

larger sized 37ml tubes and large

pans which make for painting on

a larger scale a bit easier.

Professional Water Colour

Artist: Charles Evans

331 AA S1 OG IIvory Black

337 AA S1 OILamp Black

386 AA S1 OGMars Black

217 AA S1 SO IDavy’s Gray

150 AA S1 SO IChinese White

644 AA S1 OITitanium White(Opaque White)

Key to Coding

AA Extremely PermanentA PermanentB Moderately Durable(i) ‘A’ rated in full strength

may fade in thin washes(ii) Cannot be relied upon

to withstand damp(iii) Bleached by acids,

acidic atmosphere

ASTM

I Permanent for artists’ useII Permanent for artists’ use

Where no ASTM rating is listed,please refer to the Winsor &Newton permanence rating

(iv) Fluctuating colour, fades in light, recovers in dark

S Series numberT TransparentST Semi-TransparentO OpaqueSO Semi-OpaqueG Granulating ColourSt Staining Colour

587 B (i) S4T G Rose MadderGenuine

448 B S2 ST

Opera Rose

545 A S3 T

QuinacridoneMagenta

489 A S3 TSt IPermanentMagenta

192 AA S4 ST G ICobalt Violet

491 A S3 STG IPermanentMauve

672 A S2 STG IUltramarineViolet

733 A S1 TSt Winsor Violet(Dioxazine)

321 A S3 ST

IndanthreneBlue

180 AA S4 ST G Cobalt BlueDeep

263 A (iii) S2T G IFrenchUltramarine

667 A (iii) S2T IUltramarine(Green Shade)

178 AA S4 ST G ICobalt Blue

709 A S1 TSt IIWinsor Blue(Red Shade)

010 A (iv) S1T IAntwerp Blue

538 A (iv) S1T St IPrussian Blue

707 A S1 TSt IIWinsor Blue(Green Shade)

140 AA S3 SO G ICerulean Blue(Red Shade)

137 AA S3SO G ICerulean Blue

379 A S2 SOG IIManganese Blue Hue

526 A S2 TSt PhthaloTurquoise

191 AA S4SO CobaltTurquoise Light

190 AA S4 SO ICobaltTurquoise

184 AA S4 SO G Cobalt Green

719 A S1 TSt IWinsor Green(Blue Shade)

692 AA S3 TG IViridian

721 A S1 TSt IWinsor Green(Yellow Shade)

637 AA S1 ST ITerre Verte

460 A S2 TStPerylene Green

459 AA S3O G/St IOxide ofChromium

311 A S1 TSt IHooker’s Green

503 A S1 TSt IPermanent SapGreen

447 A S1 TSt IOlive Green

638 AA S1 TG ITerre Verte(Yellow Shade)

294 A S2 T

Green Gold

422 AA S1 O INaples Yellow

425 AA S1 OINaples YellowDeep

745 AA S1SO IYellow OchreLight

744 AA S1SO IYellow Ochre

552 AA S1 TG IRaw Sienna

285 AA S2 ST St IGold Ochre

547 A S3 TSt QuinacridoneGold

059 AA S1ST G IBrown Ochre

381 AA S1 O GMagnesiumBrown

074 AA S1 TIBurnt Sienna

362 AA S1 SO Light Red

678 AA S1 OSt IVenetian Red

317 AA S1 OIIndian Red

056 A S1 STSt Brown Madder

537 AA S2SO GPotter’s Pink

507 A S3 TSt PeryleneMaroon

470 A S2 TStPerylene Violet

125 AA S2 OSt ICaput MortuumViolet

554 AA S1 TG IRaw Umber

076 AA S1 TIBurnt Umber

676 AA S1 ST St IVandyke Brown

609 AA S1 OISepia

322 A S1 OSt IIIndigo

465 A S1 SOSt IIPayne’s Gray

430 A S1 OSt IINeutral Tint

347 AA S4 OILemon Yellow(Nickel Titanate)

025 A S3 SOSt Bismuth Yellow

086 A (ii) S4O St ICadmiumLemon

722 A S1 STSt IIWinsor Lemon

730 A S1 STSt IIWinsor Yellow

348 AA S2 SO GLemon YellowDeep

016 A (i) (ii)S4 T St IIAureolin

653 A S1 TSt ITransparentYellow

118 A (ii) S4O St ICadmiumYellow Pale

649 AA S3 O

Turner’s Yellow

267 A S1 STIINew Gamboge

108 A (ii) S4O St ICadmiumYellow

731 A S1 STIIWinsor YellowDeep

319 A S1 TIIIndian Yellow

111 A (ii) S4O St ICadmiumYellow Deep

089 A (ii) S4O ICadmiumOrange

724 A S1 SOIWinsor Orange

723 A S1 SOStWinsor Orange(Red Shade)

106 A (ii) S4O St ICadmiumScarlet

603 A S2 STSt IIScarlet Lake

094 A (ii) S4O G/St ICadmium Red

097 A (ii) S4O G ICadmium RedDeep

726 A S1 STSt Winsor Red

576 A S4 TSt IIRose Doré

548 A S3 TIIQuinacridoneRed

725 A S1 SO StWinsor RedDeep

466 A S3 TSt PermanentAlizarinCrimson

004 B S1 TSt AlizarinCrimson

479 A S3 TSt PermanentCarmine

502 A S3 TSt IIPermanentRose

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Colour Chart

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Half PanThe full range of colours is available in Half Pans.

Product code MOQ

0101.... 3

Whole PanThere are 72 colours is available in Whole Pans.

Product code MOQ

0100.... 1

Large PanThere are 27 colours available in Large Pans.

Product code MOQ

0127.... 1

5ml TubeThe full range of colours is available in 5ml tube size.

Product code MOQ

0102.... 3


Product code MOQ

0105.... 3

37ml TubeThere are 24 colours available in 37ml tube size.

Product code MOQ

0114.... 3

Colour Colour name Series No. 5ml Tube 14ml Tube 37ml Tube Half Pan Whole Pan Large Pan code

004 Alizarin Crimson 1 0102004 0105004 0114004 0101004 0100004 0127004

010 Antwerp Blue 1 0102010 0105010 0114010 0101010 0100010 0127010

016 Aureolin 4 0102016 0105016 0101016 0100016

025 Bismuth Yellow 3 0102025 0105025 0101025

056 Brown Madder 1 0102056 0105056 0114056 0101056 0127056

059 Brown Ochre 1 0102059 0105059 0101059

074 Burnt Sienna 1 0102074 0105074 0114074 0101074 0100074 0127074

076 Burnt Umber 1 0102076 0105076 0114076 0101076 0100076 0127076

086 Cadmium Lemon 4 0102086 0105086 0101086

089 Cadmium Orange 4 0102089 0105089 0101089

094 Cadmium Red 4 0102094 0105094 0101094

097 Cadmium Red Deep 4 0102097 0105097 0101097

106 Cadmium Scarlet 4 0102106 0105106 0101106

108 Cadmium Yellow 4 0102108 0105108 0101108

111 Cadmium Yellow Deep 4 0102111 0105111 0101111

118 Cadmium Yellow Pale 4 0102118 0105118 0101118

125 Caput Mortuum Violet 2 0102125 0105125 0101125 0100125

137 Cerulean Blue 3 0102137 0105137 0114137 0101137 0100137 0127137

140 Cerulean Blue (Red Shade) 3 0102140 0105140 0101140 0100140

150 Chinese White 1 0102150 0105150 0101150 0100150

178 Cobalt Blue 4 0102178 0105178 0114178 0101178 0100178 0127178

180 Cobalt Blue Deep 4 0102180 0105180 0101180 0100180

184 Cobalt Green 4 0102184 0105184 0101184 0100184

190 Cobalt Turquoise 4 0102190 0105190 0101190 0100190

191 Cobalt Turquoise Light 4 0102191 0105191 0101191 0100191

192 Cobalt Violet 4 0102192 0105192 0101192 0100192

217 Davy’s Gray 1 0102217 0105217 0101217 0100217

263 French Ultramarine 2 0102263 0105263 0114263 0101263 0100263 0127263

285 Gold Ochre 2 0102285 0105285 0101285

294 Green Gold 2 0102294 0105294 0101294 0100294

311 Hooker’s Green 1 0102311 0105311 0101311 0100311 0127311

321 Indanthrene Blue 3 0102321 0105321 0101321 0100321

317 Indian Red 1 0102317 0105317 0101317 0100317

319 Indian Yellow 1 0102319 0105319 0101319 0100319

322 Indigo 1 0102322 0105322 0101322 0100322

331 Ivory Black 1 0102331 0105331 0101331 0100331

337 Lamp Black 1 0102337 0105337 0101337

347 Lemon Yellow (Nickel Titanate) 4 0102347 0105347 0101347 0100347

348 Lemon Yellow Deep 2 0102348 0105348 0101348

362 Light Red 1 0102362 0105362 0101362 0100362

381 Magnesium Brown 1 0102381 0105381 0101381

379 Manganese Blue Hue 2 0102379 0105379 0101379 0100379

386 Mars Black 1 0102386 0105386 0101386 0100386

422 Naples Yellow 1 0102422 0105422 0101422 0100422

425 Naples Yellow Deep 1 0102425 0105425 0101425 0100425

430 Neutral Tint 1 0102430 0105430 0101430 0100430

267 New Gamboge 1 0102267 0105267 0114267 0101267 0100267 0127267

447 Olive Green 1 0102447 0105447 0101447 0100447

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37ml Tube Large Pan14ml Tube Whole Pan5ml Tube Half Pan

Colour Colour name Series No. 5ml Tube 14ml Tube 37ml Tube Half Pan Whole Pan Large Pan code

448 Opera Rose 2 0102448 0105448 0101448 0100448 0127448

459 Oxide of Chromium 3 0102459 0105459 0101459 0100459

465 Payne’s Gray 1 0102465 0105465 0114465 0101465 0100465 0127465

466 Permanent Alizarin Crimson 3 0102466 0105466 0114466 0101466 0100466 0127466

479 Permanent Carmine 3 0102479 0105479 0101479 0100479

489 Permanent Magenta 3 0102489 0105489 0101489 0100489

491 Permanent Mauve 3 0102491 0105491 0101491 0100491

502 Permanent Rose 3 0102502 0105502 0114502 0101502 0100502 0127502

503 Permanent Sap Green 1 0102503 0105503 0114503 0101503 0100503 0127503

460 Perylene Green 2 0102460 0105460 0101460 0100460

507 Perylene Maroon 3 0102507 0105507 0101507 0100507

470 Perylene Violet 2 0102470 0105470 0101470

526 Phthalo Turquoise 2 0102526 0105526 0101526

537 Potter’s Pink 2 0102537 0105537 0101537 0100537

538 Prussian Blue 1 0102538 0105538 0101538 0100538

547 Quinacridone Gold 3 0102547 0105547 0114547 0101547 0100547 0127547

545 Quinacridone Magenta 3 0102545 0105545 0101545 0100545

548 Quinacridone Red 3 0102548 0105548 0101548

552 Raw Sienna 1 0102552 0105552 0114552 0101552 0100552 0127552

554 Raw Umber 1 0102554 0105554 0114554 0101554 0100554 0127554

576 Rose Doré 4 0102576 0105576 0101576 0100576

587 Rose Madder Genuine 4 0102587 0105587 0114587 0101587 0100587 0127587

603 Scarlet Lake 2 0102603 0105603 0101603

609 Sepia 1 0102609 0105609 0101609 0100609

637 Terre Verte 1 0102637 0105637 0101637 0100637

638 Terre Verte (Yellow Shade) 1 0102638 0105638 0101638

644 Titanium White (Opaque White) 1 0102644 0105644 0101644 0100644

653 Transparent Yellow 1 0102653 0105653 0101653 0100653

649 Turner’s Yellow 3 0102649 0105649 0101649 0100649

667 Ultramarine (Green Shade) 2 0102667 0105667 0101667 0100667

672 Ultramarine Violet 2 0102672 0105672 0101672 0100672

676 Vandyke Brown 1 0102676 0105676 0101676 0100676

678 Venetian Red 1 0102678 0105678 0101678

692 Viridian 3 0102692 0105692 0114692 0101692 0100692 0127692

707 Winsor Blue (Green Shade) 1 0102707 0105707 0114707 0101707 0100707 0127707

709 Winsor Blue (Red Shade) 1 0102709 0105709 0114709 0101709 0100709 0127709

719 Winsor Green (Blue Shade) 1 0102719 0105719 0101719 0100719 0127719

721 Winsor Green (Yellow Shade) 1 0102721 0105721 0101721

722 Winsor Lemon 1 0102722 0105722 0101722 0100722

724 Winsor Orange 1 0102724 0105724 0101724

723 Winsor Orange (Red Shade) 1 0102723 0105723 0101723 0100723

726 Winsor Red 1 0102726 0105726 0114726 0101726 0100726 0127726

725 Winsor Red Deep 1 0102725 0105725 0101725 0100725

733 Winsor Violet (Dioxazine) 1 0102733 0105733 0114733 0101733 0100733 0127730

730 Winsor Yellow 1 0102730 0105730 0114730 0101730 0100730 0127733

731 Winsor Yellow Deep 1 0102731 0105731 0101731 0100731

744 Yellow Ochre 1 0102744 0105744 0114744 0101744 0100744 0127744

745 Yellow Ochre Light 1 0102745 0105745 0101745


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Professional Water Colour 10 x 5ml Tubes Field Box ▶A practical set, ideal for artists on the move who enjoy using water colour in tubes. The set contains:

10 x 5ml tubes of Professional Water Colour 1 x Series 16 Sable Brush.


0190604 Professional Water Colour 10 x 5ml Tubes Field Box 1

▼ Professional Water Colour Field Box This lightweight, compact box contains everything required for outdoor painting. The durable plastic box contains:

12 x Half pans of Professional Water Colour 1 x Pocket Brush 1 x Artists’ Sponge 1 x 35ml capacity water bottle 1 x Water container.


0190685 Professional Water Colour Field Box 1

Professional Water Colour Compact Set ▶This pocket-sized lightweight box is ideal for the outdoor artist as it has a number of useful mixing surfaces, an additional sliding palette and mediums dish. It contains:

14 x half pans of Professional Water Colour 1 x Series 16 Sable Brush.


0190049 Professional Water Colour Compact Set 1

▼ Lightweight Enamelled Box 12 TubeA lightweight tube box containing 12 x 5ml tubes of Professional Water Colour.


0190552 Lightweight Enamelled Box 12 Tube 1

Lightweight Enamelled Box 24 Half Pans ▶This lightweight set contains a selection of 24 Professional Water Colour half pans.


0190553 Lightweight Enamelled Box 24 Half Pans 1

◀ Heavyweight Enamelled Box 12 Whole Pans This box contains a selection of 12 Professional Water Colour whole pans.


0190542 Heavyweight Enamelled Box 12 Whole Pans 1

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◀ Piccadilly Wooden BoxA wooden box with polished brass plaque containing:

18 x half pans of Professional Water Colour 1 x 5ml tube of Chinese White 2 x Series 16 Sable Brushes 1 x Porcelain Palette 1 x Artists’ Sponge 1 x Kneader Eraser.


0190004 Piccadilly Wooden Box 1

◀ Professional Water Colour Bamboo Box (half pan variant) Similar to the tube variant this box set is an ideal gift for watercolourists who prefer pan colour.

12 x half pans of Professional Water Colour 2 x Professional Water Colour Sable Brushes 1 x Professional Water Colour Pad 1 x 2B pencil 1 x Kneaded Eraser 1 x Sponge 1 x Cleaning Towel 1 x Professional Water Colour leaflet.


0190693 Professional Water Colour Bamboo Box Half Pan 1

A beautiful box made from Bamboo, an environmentally friendly source. A great gift idea for watercolourists who paint with tube colour. This set contains:

12 x 5ml tubes of Professional Water Colour 2 x Professional Water Colour Sable Brushes 1 x Professional Water Colour Pad 1 x Porcelain Palette 1 x 2B pencil 1 x Kneaded Eraser 1 x Sponge 1 x Cleaning Towel 1 x Professional Water Colour leaflet.


0190692 Professional Water Colour Bamboo Box Tube 1

Professional Water Colour Bamboo Box (tube vari-ant) ▼

▲ Chelsea Wooden BoxA wooden box with polished brass plaque containing:

14 x 5ml tubes of Professional Water Colour 1 x 14ml tube of Chinese White 2 x Series 16 Sable Brushes 1 x Porcelain Palette 1 x Artists’ Sponge 1 x Kneader Eraser 1 x instructional leaflet.


0190003 Chelsea Wooden Box 1

▲ Professional Water Colour Black BoxA lightweight black enamelled box containing 12 assorted Professional Water Colour half pans with space for an additional 12 colours.


0193548 Professional Water Colour Black Box 1

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A popular water colour made from selected pigments

for watercolourists looking for an economical choice.

Cotman Water Colours offer a range of colours

that are made to our high standards, but are kept

to an economical price level by replacing some

of the more costly pigments with less expensive

alternatives. The range of 40 colours all possess high

levels of permanence with good transparency and

excellent tinting strength.

Cotman™ Water Colour

Key to CodingAA Extremely PermanentA Permanent(iii) Bleached by acids, acidic atmospheres(iv) Fluctuating colour; fades in light, recovers in darkT Transparent/Semi-TransparentO Opaque/Semi-OpaqueG Granulating ColourSt Staining Colour


Where no ASTM rating is listed, pleaserefer to the Winsor & Newtonpermanence rating

346 A T

Lemon YellowHue

119 A T St


266 A T IIGamboge Hue

109 A T StIICadmiumYellow Hue

090 A T

CadmiumOrange Hue

103 A T StIICadmium RedPale Hue

095 A T St

Cadmium RedHue

098 A T St

Cadmium RedDeep Hue

003 A T

Alizarin CrimsonHue

502 A T StIIPermanent Rose

580 A T

Rose MadderHue

544 A T IIPurple Lake

398 A T

Mauve

231 A T St

Dioxazine Violet

660 A (iii) T G IUltramarine

179 A (iii)T ICobalt Blue Hue

139 A O IICerulean BlueHue

654 A O IITurquoise

327 A T StIIIntense Blue

538 A (iv) TIPrussian Blue

329 A T StIIntense Green

696 A T StIViridian Hue

235 A O

Emerald

312 A T St

Hooker’s GreenDark

314 A T St

Hooker’s GreenLight

599 A T St

Sap Green

552 AA T IRaw Sienna

744 AA O IYellow Ochre

554 AA T IRaw Umber

074 AA T IBurnt Sienna

362 AA O ILight Red

317 AA O IIndian Red

076 AA O IBurnt Umber

676 AA O IVandyke Brown

609 AA T ISepia

322 A O IIIndigo

465 A T

Payne’s Gray

331 AA O IIvory Black

337 AA O ILamp Black

150 AA O IChinese White

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40 colours

Colour Chart

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Half PanThe full range of colours is available in half pans.

Product code MOQ

0301.... 3


Product code MOQ

0303.... 3

21ml TubeThe full range of colours is also available in 21ml tube size.

Product code MOQ

0308.... 3Half Pan 8ml Tube 21ml Tube

Colour Colour Series 8ml 21ml Half Code No tube tube pan

003 Alizarin Crimson Hue 1 0303003 0308003 0301003

074 Burnt Sienna 1 0303074 0308074 0301074

076 Burnt Umber 1 0303076 0308076 0301076

090 Cadmium Orange Hue 1 0303090 0308090 0301090

098 Cadmium Red Deep Hue 1 0303098 0308098 0301098

095 Cadmium Red Hue 1 0303095 0308095 0301095

103 Cadmium Red Pale Hue 1 0303103 0308103 0301103

109 Cadmium Yellow Hue 1 0303109 0308109 0301109

119 Cadmium Yellow Pale Hue 1 0303119 0308119 0301119

139 Cerulean Blue Hue 1 0303139 0308139 0301139

150 Chinese White 1 0303150 0308150 0301150

179 Cobalt Blue Hue 1 0303179 0308179 0301179

231 Dioxazine Violet 1 0303231 0308231 0301231

235 Emerald 1 0303235 0308235 0301235

266 Gamboge Hue 1 0303266 0308266 0301266

312 Hooker’s Green Dark 1 0303312 0308312 0301312

314 Hooker’s Green Light 1 0303314 0308314 0301314

317 Indian Red 1 0303317 0308317 0301317

322 Indigo 1 0303322 0308322 0301322

327 Intense Blue 1 0303327 0308327 0301327

Colour Colour Series 8ml 21ml Half Code No tube tube pan

329 Intense Green 1 0303329 0308329 0301329

331 Ivory Black 1 0303331 0308331 0301331

337 Lamp Black 1 0303337 0308337 0301337

346 Lemon Yellow Hue 1 0303346 0308346 0301346

362 Light Red 1 0303362 0308362 0301362

398 Mauve 1 0303398 0308398 0301398

465 Payne’s Gray 1 0303465 0308465 0301465

502 Permanent Rose 1 0303502 0308502 0301502

538 Prussian Blue 1 0303538 0308538 0301538

544 Purple Lake 1 0303544 0308544 0301544

552 Raw Sienna 1 0303552 0308552 0301552

554 Raw Umber 1 0303554 0308554 0301554

580 Rose Madder Hue 1 0303580 0308580 0301580

599 Sap Green 1 0303599 0308599 0301599

609 Sepia 1 0303609 0308609 0301609

654 Turquoise 1 0303654 0308654 0301654

660 Ultramarine 1 0303660 0308660 0301660

676 Vandyke Brown 1 0303676 0308676 0301676

696 Viridian Hue 1 0303696 0308696 0301696

744 Yellow Ochre 1 0303744 0308744 0301744

▲ Cotman Deluxe Sketchers’ Pocket BoxThis high quality, light weight plastic set contains:

16 x Cotman Water Colour half pans 1 x Pocket brush 1 x Kneaded eraser 1 x Pencil


0390060 Cotman Deluxe Sketchers’ Pocket Box 1

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Cotman 6 Tube Set ▲This introductory set contains 6 x 8ml tubes of Cotman Water Colour, offering a perfect starter palette for the medium.


0390635 Cotman 6 Tube Set 1

▲ Cotman Sketchers’ Pocket BoxThis popular pocket-sized plastic box features an integral mixing palette in the lid and contains:

12 x Cotman Water Colour half pans 1 x Pocket brush.


0390640 Cotman Sketchers’ Pocket Box 1

▲ Cotman Palette SetA great idea for a gift. The set contains:

10 x 8ml tubes of Cotman Water Colour 1 x Cotman Water Colour Brush 1 x Integral slant well mixing palette.


0390646 Cotman Palette Set 1

◀ Cotman 12 Tube SetA wider palette of 12 x 8ml tubes of Cotman Water Colour, for newcomers to water colour painting.


0390636 Cotman 12 Tube Set 1

Cotman Compact Box ▶This pocket-sized lightweight box is ideal for the outdoor artist. The set offers a number of mixing surfaces, a slide out palette and a mediums dish. It contains:

14 x half pans of Cotman Water Colour 1 x Cotman Series 111 Water Colour brush


0390083 Cotman Compact Box 1

◀ Cotman Whole Pan Painting BoxThis high quality lightweight plastic box features a six well mixing palette in the lid and a thumb ring in the base. The box contains:

12 x Cotman Water Colour whole pans 1 x Pocket brush.


0390653 Cotman Whole Pan Painting Box 1

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Cotman Travel Bag ▼Ideal for painting trips or a serious painting holiday this attractive water-resistant bag with an adjustable strap is ideal for the travelling or outdoor artist. Contains the following products:

1 x Cotman Water Colour Compact Set with 14 half pans 1 x Cotman Spiral Pad 8” x 5” 140lb/300gsm 2 x Cotman Series 111 brushes 1 x Water bottle 1 x Folding bucket 1 x Pencil 1 x Kneaded eraser 1 x Hints, Tips and Techniques booklet.


0394183 Cotman Travel Bag 1

▲ Cotman Metal Sketchers’ Box (24 Half Pans)This lightweight metal sketchers’ box contains 24 assorted Cotman Water Colour half pans and an instructional leaflet.The box itself has an integral palette in the lid plus a hinged flap for mixing and tinting plus a thumb ring in the base.


0390645 Cotman Metal Sketchers’ Box (24 Half Pans) 1

Cotman Half Pan Studio Set ▼A large set containing 45 Cotman half pans covering the full range of colours plus one extra of each of the most popular colours.


0390471 Cotman Half Pan Studio Set 1

The Cotman Studio Set ▶This high quality studio set contains a comprehensive palette of 24 Cotman Water Colour whole pans. The box itself is made from lightweight plastic and has a detachable lid and palette for easy cleaning and handling.


0390084 The Cotman Studio Set 1

Cotman Blue Box ▲This lightweight dark blue metal box contains 12 assorted Cotman Water Colour half pans with space for an additional 12 colours. Each of the 12 assorted colours has been chosen in conjunction with each other, for a colour range that allows the cleanest mixing of the whole colour spectrum. The robust metal box has a mixing palette integrated into the lid and a removable palette to help simplify cleaning.


0390453 Cotman Blue Box 1

This exclusive compact Field Box has been designed to be light-weight and fit snugly into the pocket while providing everything required for successful outdoor water colour painting. Constructed in durable blue plastic, the Field Box opens up to reveal:

Cotman Field Box ▼

12 x Cotman Water Colour half pans 1 x Pocket brush 1 x Artists’ sponge 1 x 35ml capacity water bottle 1 x Clip-on water container.


0390639 Cotman Field Box 1

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Cotman Pocket PLUS ▶The Cotman Pocket PLUS set is part of our pioneering Cotman PLUS range which offers a selection of innovative and modern water colour sets for all water colour artists. This compact, lightweight plastic box fits snugly into your pocket and is ideal for painting outdoors and when travelling. The Cotman Pocket PLUS set contains:

12 x Cotman Water Colour half pans 1 x Cotman pocket brush (No.5).


0390373 Cotman Pocket PLUS 1

Cotman Field PLUS ▲The Cotman Field PLUS is a compact and easy to carry set which transforms into the ultimate field water colour set, containing everything you need to paint outdoors.Constructed in durable plastic with thumb ring, the Field Plus opens to reveal 12 half pans of Cotman water colours, a Cotman Pocket Brush (No.5), Artists’ Sponge, 2 clip-on water pots and a 60ml capacity water bottle. It also offers 3 substantial mixing surfaces, one internal mixing palette with deep wells and two detachable sliding palettes with more shallow wells.


0390374 Cotman Field PLUS 1

▼ Cotman Painting PLUS Tube SetA similar concept to the Half Pan set, the Cotman Painting PLUS Tube set contains:

12 x 8ml Cotman Water Colour tubes 1 x Cotman Series 111 No.3 brush.


0390377 Cotman Painting PLUS Tube Set 1

Cotman Painting PLUS - Pan & Tube ▶A stylish set that is comprehensive and practical in size, making it suitable for studio or outdoor painting.

This set contains: 16 x Cotman Water Colour half pans 3 x 8ml Cotman Water Colour tubes 1 x Cotman Series 111 No.3 brush.


0390375 Cotman Painting PLUS - Pan & Tube 1

▲ Cotman Painting PLUS 24 Half Pan SetThe Cotman Painting PLUS is comprehensive and practical in size, making it suitable for studio or outdoor painting. The Painting PLUS is the ultimate in versatility - it can accommodate both 8ml tubes and half pans, using the PLUS cartridge system which offers great pan security and versatility. This set contains:

24 assorted Cotman Water Colour half pans 1 x Cotman Series 111 No.3 brush


0390376 Cotman Painting PLUS 24 Half Pan Set 1

Cotman Mini PLUS ▲The innovative Mini PLUS water colour set is ultra compact yet practical. The set is so small it can fit straight into your pocket. It features a number of different integral mixing surfaces and a colour tray that can be used in multiple positions in the set. There’s even a stand for your brush, so you don’t lose it. The Cotman Mini PLUS set contains:

8 x Cotman Water Colour half pans 1 x Cotman pocket brush (No.5).


0390396 Cotman Mini PLUS 1

Size Product code MOQ75ml bottle (English, Italian) 3021759 375ml bottle (French, German) 2621759 375ml bottle (Spanish, Portuguese) 2921759 375ml bottle (Swedish, Danish) 3121759 375ml bottle (Finnish, Russian) 3321759 375ml bottle (Dutch, French) 2821759 375ml bottle (Japanese, English) 2521759 375ml bottle CAN (English, French) 2721759 375ml bottle USA (English, Spanish) 3221759 3250ml bottle (English, French, Dutch, German) 3039759 1250ml bottle (Italian, Spanish, Portuguese) 2939759 1250ml bottle (Swedish, Finnish, Danish, Russian) 3139759 1250ml bottle USA (English, Spanish) 3239759 1

Size Product code MOQ75ml bottle (English, Italian) 3021761 375ml bottle (French, German) 2621761 375ml bottle (Spanish, Portuguese) 2921761 375ml bottle (Swedish, Danish) 3121761 375ml bottle (Finnish, Russian) 3321761 375ml bottle (Dutch, French) 2821761 375ml bottle (Japanese, English) 2521761 375ml bottle CAN (English, French) 2721761 375ml bottle USA (English, Spanish) 3221761 3

Size Product code MOQ75ml bottle (English, Italian) 3021767 375ml bottle (French, German) 2621767 375ml bottle (Spanish, Portuguese) 2921767 375ml bottle (Swedish, Danish) 3121767 375ml bottle (Finnish, Russian) 3321767 375ml bottle (Dutch, French) 2821767 375ml bottle (Japanese, English) 2521767 375ml bottle USA (English, Spanish, French) 3221767 3



Art Masking Fluid A liquid with added pigmentation for masking areas of work needing protection when colour is applied in broad washes. It is composed of rubber latex and pigment. For best results remove as soon as possible after application. Brushes can be cleaned if washed immediately with water after use

Colourless Art Masking Fluid A colourless liquid for masking areas of work needing protection when colour is applied in broad washes. Specifically designed for soft sized papers to avoid staining. For best results remove as soon as possible after application. The fluid is composed of rubber latex. Brushes can be cleaned if washed immediately with water after use.

Permanent Masking Medium This medium is excellent for detail, masking specific areas of paper making them resistant to water. When dry, the

Gum Arabic A pale coloured solution that controls spread of wet colour, reduces staining and slows drying. It can be thinned with water.

Lifting Preparation Lifting Preparation allows dry washes, including staining colours, to be more easily lifted from paper with a wet brush or rag. It is an ideal preparation with which beginners can prime the paper allowing corrections to be made to their painting.

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Water Colour Mediums

Winsor & Newton Water Colour Mediums are used to change the rate of drying, increase gloss, improve flow

or provide texture. They provide water colourists with limitless opportunities to apply many variations to their

water colour paintings.

Size Product code MOQ60ml tube (English, French, Dutch, German) 3019758 360ml tube (Italian, Spanish, Portuguese) 2919758 360ml tube (Swedish, Finnish, Danish, Russian) 3119758 360ml tube USA (English, Spanish, French) 3219758 3






Masks orisolates

areas

•

•

•

Designedto be

removed

•

•

Improvesflow

•

•

Controlsflow

•

•

Increaseswetting

•

Increasesgloss

•

Increasestransparency

•

•

Slowsdrying

•

•

Pearlescentor glitter

effect

•

Mottled or granulated

effect

•

Structure ortexture

•

•

Prepared Oil Mediums

Art Masking Fluid

Colourless Art Masking Fluid

Gum Arabic

Ox Gall Fluid

Aquapasto

Granulation Medium

Lifting Preparation

Permanent Masking Medium

Blending Medium

Texture Medium

Iridescent Medium

Granulation Medium Granulation Medium gives a mottled or granular appearance to colours which usually give a smooth wash. By adding Granulation Medium to colours that already granulate, the effect is further enhanced.

Blending Medium This liquid is used to slow the drying rate of water colours allowing more time for blending. It is particularly useful in hot climates where artists would like their water colours to stay open and workable for a longer period of time.

Texture Medium Texture medium contains fine particles and can be used to give the impression of depth and structure to water colour paintings.

Iridescent Medium This medium gives pearlescent or glitter effects to your water colours. It can be mixed directly with water colours or applied over a dried wash. Particularly effective when mixed with transparent colours especially over dark backgrounds.

Aquapasto Aquapasto is a translucent gel which thickens water colours and gouache, to give an impasto effect.

Ox Gall liquid A wetting agent used to improve flow when mixed directly with water colours. It can also be used on very hard sized papers to reduce surface tension.


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Brilliance of colour, flexibility and

astonishing versatility are the

hallmarks of our acrylic ranges.

To reflect the dramatic increase in

popularity of this medium we have

incorporated a number of exciting

and ground breaking innovations.

Our most significant development

is the launch of Artists’ Acrylic

which is now established as the

most scientifically advanced

acrylic colour available. Key

to this range is its unique

characteristic of virtually no colour

shift for colours that stay as

brilliant when wet as they do dry.

For artists who require a good

quality acrylic at an economical

price Galeria Acrylic is an ideal

choice. Widely used by students

due to its affordability Galeria

offers a great range of strong and

vibrant colours.

Acrylic Colour

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Artists’ Acrylic is our finest quality

acrylic range and represents a

breakthrough in acrylic colour

technology. After extensive

research and development we

have been able to combine our

world-beating colour making

experience with the latest

developments in resin technology

to take ‘brilliance’ to a new level.

Unique to Artists’ Acrylic is the

ability for its colours to remain

as brilliant when dry as they are

wet. This is what we refer to as

“no colour shift” which was the

result of many years research

that has allowed us to develop a

new unique resin binder that is

translucent when wet and dries

clear. It is this that ensures there

is virtually no noticeable shift

in colour.

As well as no colour shift we

know that there are other

important characteristics

that artists look for including

richness, intensity and depth

of colour. Consequently, in

the development of Artists’

Acrylic, we have used only the

purest ingredients to ensure

these qualities are met to an

unrivalled standard.

Artists’ Acrylic

Artist: Kerstin Petterson

346 A S2 II ~Lemon Yellow

086 A S3 I ~ Cadmium Lemon

025 A S4 I ~Bismuth Yellow

113 A S3 I ~ Cadmium Yellow Light

439 A S3 ~Nickel Azo Yellow

019 A S2 I ~Azo Yellow Medium

116 A S3 I ~ Cadmium

Yellow Medium

111 A S3 ICadmium Yellow

Deep

039 A S2 I ~Azo Yellow Deep

089 A S3 I ~ Cadmium Orange

519 A S4 ~Pyrrole Orange

100 A S3 I ~ Cadmium Red Light

536 A S4 I ~Pyrrole Red Light

099 A S3 I ~ Cadmium Red

Medium

421 A S2 II ~Naphthol Red Light

534 A S4 I ~Pyrrole Red

097 A S3 I ~ Cadmium Red Deep

548 A S3 I ~Quinacridone Red

464 A S4 I ~Perylene Red

423 A S2 II ~ Naphthol Red

Medium

502 A S3 I ~ Permanent Rose

466 A S3 Permanent Alizarin

Crimson

507 A S4 ~Perylene Maroon

550 A S3 I ~ Quinacridone Violet

545 A S3 I ~Quinacridone

Magenta

470 A S4 ~Perylene Violet

229 A S3 II ~ Dioxazine Purple

672 A S2 I ~Ultramarine Violet

321 A S3 I ~Indanthrene Blue

664 A S2 I ~ Ultramarine Blue

180 AA S5 I ~Cobalt Blue Deep

178 AA S4 I ~ Cobalt Blue

514 A S2 I ~ Phthalo Blue

Red Shade

515 A S2 I ~ Phthalo BlueGreen Shade

137 AA S5 I ~ Cerulean Blue

130 AA S4 I ~Cerulean Blue

Chromium

139 A S2 I Cerulean Blue Hue

191 AA S4 I ~Cobalt Turquoise Light

190 AA S5 I ~Cobalt Turquoise

526 A S3 ~Phthalo Turquoise

522 A S2 I ~Phthalo Green

Blue Shade

521 A S2 I ~Phthalo GreenYellow Shade

184 AA S4 I ~Cobalt Green

185 AA S3 I ~Cobalt Green Deep

162 AA S3 I ~Chromium

Oxide Green

311 A S2 Hooker’s Green

460 A S4 ~Perylene Green

503 A S3 I Permanent Sap Green

447 A S2 Olive Green

294 A S4 ~Green Gold

060 AA S1 I Buff Titanium

422 AA S2 Naples Yellow

425 AA S2 ~Naples Yellow Deep

744 AA S1 I ~ Yellow Ochre

737 AA S1 I ~Yellow Iron Oxide

285 AA S1 I ~Gold Ochre

547 A S4 IQuinacridone Gold

552 AA S1 I Raw Sienna

074 AA S1 I ~Burnt Sienna

537 AA S3 ~Potter’s Pink

362 AA S1 I ~Light Red

560 AA S1 I ~Red Iron Oxide

549 A S4 I ~Quinacridone Burnt Orange

691 AA S1 I ~ Violet Iron Oxide

557 AA S1 I ~Raw Umber Light

554 AA S1 I ~Raw Umber

076 AA S1 I ~Burnt Umber

217 A S1 I Davy’s Gray

292 AA S2 I ~Graphite Grey

465 A S1 I ~Payne’s Gray

331 AA S1 I ~Ivory Black

386 AA S1 I ~Mars Black

415 AA S1 I ~Mixing White

644 AA S1 I ~Titanium White

330 A S3 ~ Iridescent White

617 A S3 ~ Silver

624 A S3 ~Silver No.2

283 A S3 ~ Gold

573 A S3 ~ Renaissance Gold

014 A S3 ~ Antique Gold

Key to codes

AA Extremely PermanentA PermanentB Moderately DurableS Series Number

TransparentSemi-TransparentOpaqueSemi-Opaque

ASTM

I Permanent for artists’ useII Permanent for artists’ use

Where no ASTM rating is listed, please refer tothe Winsor & Newton permanence rating.

~ Single pigmented colours

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80 colours

Colour Chart

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Artists’ Acrylic

60ml TubeThe full range of 80 colours is available in 60ml tube size.

Product code MOQ

2320.... 3

200ml TubeA range of 29 colours is available in 200ml tube size.

Product code MOQ

2337.... 1

60ml Tube 200ml Tube 237ml Pot

237ml PotIvory Black, Mars Black, Mixing White and Titanium White are available in 237ml pot size.

Product code MOQ

2340.... 1

Colour Colour name Series no 60ml tube 200ml tube code 014 Antique Gold 3 2320014 039 Azo Yellow Deep 2 2320039 2337039 019 Azo Yellow Medium 2 2320019 2337019 025 Bismuth Yellow 4 2320025 060 Buff Titanium 1 2320060 2337060 074 Burnt Sienna 1 2320074 2337074 076 Burnt Umber 1 2320076 2337076 086 Cadmium Lemon 3 2320086 089 Cadmium Orange 3 2320089 097 Cadmium Red Deep 3 2320097 100 Cadmium Red Light 3 2320100 099 Cadmium Red Medium 3 2320099 111 Cadmium Yellow Deep 3 2320111 113 Cadmium Yellow Light 3 2320113 116 Cadmium Yellow Medium 3 2320116 137 Cerulean Blue 5 2320137 2337137 130 Cerulean Blue Chromium 4 2320130 139 Cerulean Blue Hue 2 2320139 2337139 162 Chromium Oxide Green 3 2320162 178 Cobalt Blue 4 2320178 2337178 180 Cobalt Blue Deep 5 2320180 184 Cobalt Green 4 2320184 185 Cobalt Green Deep 3 2320185 190 Cobalt Turquoise 5 2320190 191 Cobalt Turquoise Light 4 2320191 217 Davy’s Grey 1 2320217 2337217 229 Dioxazine Purple 3 2320229 2337229 283 Gold 3 2320283 2337283 285 Gold Ochre 1 2320285 292 Graphite Grey 2 2320292 294 Green Gold 4 2320294 311 Hooker’s Green 2 2320311 2337311 321 Indanthrene Blue 3 2320321 330 Iridescent White 3 2320330 331 Ivory Black * 1 2320331 2337331 346 Lemon Yellow 2 2320346 2337346 362 Light Red 1 2320362 386 Mars Black * 1 2320386 2337386 415 Mixing White * 1 2320415 2337415 421 Naphthol Red Light 2 2320421 2337421 423 Naphthol Red Medium 2 2320423 2337423

Colour Colour name Series no 60ml tube 200ml tube code 422 Naples Yellow 2 2320422 2337422 425 Naples Yellow Deep 2 2320425 439 Nickel Azo Yellow 3 2320439 447 Olive Green 2 2320447 2337447 465 Payne’s Grey 1 2320465 2337465 466 Permanent Alizarin Crimson 3 2320466 2337466 502 Permanent Rose 3 2320502 2337502 503 Permanent Sap Green 3 2320503 2337503 460 Perylene Green 4 2320460 507 Perylene Maroon 4 2320507 464 Perylene Red 4 2320464 2337464 470 Perylene Violet 4 2320470 515 Phthalo Blue Green Shade 2 2320515 2337515 514 Phthalo Blue Red Shade 2 2320514 2337514 522 Phthalo Green Blue Shade 2 2320522 521 Phthalo Green Yellow Shade 2 2320521 526 Phthalo Turquoise 3 2320526 537 Potter’s Pink 3 2320537 519 Pyrrole Orange 4 2320519 534 Pyrrole Red 4 2320534 536 Pyrrole Red Light 4 2320536 549 Quinacridone Burnt Orange 4 2320549 547 Quinacridone Gold 4 2320547 545 Quinacridone Magenta 3 2320545 2337545 548 Quinacridone Red 3 2320548 550 Quinacridone Violet 3 2320550 2337550 552 Raw Sienna 1 2320552 2337552 554 Raw Umber 1 2320554 2337554 557 Raw Umber Light 1 2320557 560 Red Iron Oxide 1 2320560 573 Renaissance Gold 3 2320573 2337573 617 Silver 3 2320617 2337617 624 Silver No.2 3 2320624 644 Titanium White * 1 2320644 2337644 664 Ultramarine Blue 2 2320664 2337664 672 Ultramarine Violet 2 2320672 691 Violet Iron Oxide 1 2320691 737 Yellow Iron Oxide 1 2320737 744 Yellow Ochre 1 2320744 2337744

* 237ml pots

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▲ Artists’ Acrylic Tube Set 6 x 20mlAn Introductory set containing 6 x 20ml tubes of Artists’ Acrylic and a leaflet.


2390400 Artists’ Acrylic Tube Set 6 x 20ml 1

▲ Artists’ Acrylic Painting SetThis ideal gift set contains all items necessary to explore the versatility of acrylics. The set includes:

8 x 20ml tubes of Artists’ Acrylic 1 x 60ml tube of Titanium White 1 x 60ml tube of Acrylic Gloss Medium 2 x Galeria Acrylic brushes 1 x leaflet.


2390403 Artists’ Acrylic Painting Set 1

Artists’ Acrylic Bamboo Box ▶A beautiful box made from Bamboo, an environmentally friendly source. A great gift idea. This set contains:

8 x 60ml tubes of Artists’ Acrylic 1 x 75ml bottle of Acrylic Flow Improver 1 x 60ml tube of Acrylic Gloss Gel Medium 2 x Artists’ Acrylic Brushes 1 x Palette Knife 1 x 2B pencil 1 x Kneaded Eraser 1 x Plastic Palette 1 x Cleaning Towel 1 x leaflet.


2390404 Artists’ Acrylic Bamboo Box 1

▲ Artists’ Acrylic Tube Set 6 x 60mlThis set offers a basic palette of 6 colours in larger 60ml tube size and a leaflet.



Artists’ Acrylic Tube Set 12 x 20ml ▲Offering a broader palette of colours, this set contains 12 x 20ml tubes of Artists’ Acrylic plus a leaflet.



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Galeria Acrylic is ideal for artists who require a

good quality colour at an affordable price. Carefully

formulated to produce a range of 60 strong and

vibrant colours, Galeria is great to work with having

a free-flowing consistency which maintains body

and retains brush marks. Its high levels of pigment

strength make for good clean colour mixes that dry

to a smooth satin finish.

Galeria Acrylic

Artist: Paul Crook

516 A S1 I Phthalo Blue

434 A S1 II ?Pale Lemon

346 A S1 II Lemon Yellow

114 A S1 II Cadmium Yellow

Pale Hue

653 A S1 I ?Transparent Yellow

120 A S1 I Cadmium Yellow

Medium Hue

Flesh Tint

090 A S1 I Cadmium Orange Hue

682 A S1 I Vermilion Hue

095 A S1 II Cadmium Red Hue

203 A S1 II Crimson

728 A S1 II Winsor Violet

660 A S1 I Ultramarine

446 A S1 I Powder Blue

179 A S1 I Cobalt Blue Hue

706 A S1 I Winsor Blue

483 A S1 II Permanent Green Light

484 A S1 II Permanent

Green Middle

482 A S1 II Permanent Green Deep

522 A S1 I Phthalo Green

232 A S1 I Deep Turquoise

294 A S1 I Green Gold

465 A S1 I Paynes Gray

331 AA S1 I I Ivory Black

337 AA S1 I Lamp Black

386 AA S1 IMars Black

415 AA S1 I Mixing White

644 AA S1 Titanium White

502 A S1 I Permanent Rose

448 B S1Opera Rose

488 A S1 I Permanent Magenta

075 A S1 II Burgundy

444 A S1 II Pale Violet

435 A S1 I Pale Olive

599 A S1 II Sap Green

447 A S1 I Olive Green

311 A S1 IHooker’s Green

060 AA S1 IBuff Titanium

422 AA S1 I Naples Yellow

744 AA S1 I Yellow Ochre

553 AA S1 IRaw Sienna Opaque

552 AA S1 I Raw Sienna

074 AA S1 I Burnt Sienna

283 A S2 Gold

214 A S1 I Copper

617 A S2 Silver

537 A S1 I Process Yellow

533 A S1 I Process Magenta

535 A S1 I Process Cyan

077 AA S1 I Burnt Sienna Opaque

437 AA S1 I Pale Terracotta

076 AA S1 I Burnt Umber

438 AA S1 I Pale Umber

554 AA S1 I Raw Umber

676 AA S1 I Vandyke Brown

Key to coding / Codes

Extremely Permanent

Permanent

Moderately Durable

Series Number

Transparent

Semi-Transparent

Opaque

Semi-Opaque

AA

A

B

S

ASTM

III Permanent for artists’ use

Permanent for artists’ useWhere no ASTM rating islisted, please refer to theWinsor & Newtonpermanence rating

115 A S1 I Cadmium Yellow

Deep Hue

541 A S1 I Prussian Blue Hue

466 A S1 IIPermanent Alizarin

Crimson

564 AA S1 I Red Ochre

257 AA S1 I

138 A S1 I Cerulean Blue Hue

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60 colours

Colour Chart

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Galeria Acrylic

60ml TubeThe full range of 60 colours is available in the popular 60ml tube size.

Product code MOQ

2120.... 3

120ml TubeThe full range of 60 colours is available in the 120ml tube size.

Product code MOQ

2131.... 3

200ml TubeThere are 35 colours available in the 200ml tube size.

Product code MOQ

2136.... 1

250ml PotThis convenient wide neck squeeze pot is also fitted with a nozzle cap for direct colour application and dispensing. There are 60 colours available in the 250ml pot size.

Product code MOQ

2137.... 1

500ml PotThis large, economical pot size also offers convenience and ease of dispensing, featuring the same nozzle as the 250ml size. The full colour range is available.

Product code MOQ

2150.... 1

1 Litre PotA range of 25 popular colours from the range is available in 1 litre pots. Please refer to the colours marked * in the colour range listing.

Product code MOQ

2154.... 1

60ml Tube 120ml Tube 200ml Tube 250ml Pot 500ml Pot 1 litre Pot

Colour Colour name Series 60ml 120ml 200ml 250ml 500ml code No. Tube Tube Tube Pot Pot

060 Buff Titanium 1 2120060 2131060 2137060 2150060 075 Burgundy 1 2120075 2131075 2137075 2150075 074 Burnt Sienna * 1 2120074 2131074 2136074 2137074 2150074 076 Burnt Umber * 1 2120076 2131076 2136076 2137076 2150076 077 Burnt Sienna Opaque 1 2120077 2131077 2137077 2150077 090 Cadmium Orange Hue * 1 2120090 2131090 2136090 2137090 2150090 095 Cadmium Red Hue * 1 2120095 2136095 2136095 2137095 2150095 115 Cadmium Yellow Deep Hue * 1 2120115 2131115 2136115 2137115 2150115 120 Cadmium Yellow Medium Hue * 1 2120120 2131120 2136120 2137120 2150120 114 Cadmium Yellow Pale Hue * 1 2120114 2131114 2136114 2137114 2150114 138 Cerulean Blue Hue * 1 2120138 2131138 2136138 2137138 2150138 179 Cobalt Blue Hue * 1 2120179 2131179 2136179 2137179 2150179 214 Copper 1 2120214 2131214 2137214 2150214 203 Crimson * 1 2120203 2131203 2136203 2137203 2150203 232 Deep Turquoise 1 2120232 2131232 2137232 2150232 258 Flesh Tint 1 2120258 2131258 2137258 2150258 283 Gold 2 2120283 2131283 2136283 2137283 2150283 294 Green Gold 1 2120294 2131294 2137294 2150294 311 Hookers’ Green 1 2120311 2131311 2137311 2150311 331 Ivory Black * 1 2120331 2131331 2136331 2137331 2150331 337 Lamp Black 1 2120337 2131337 2137337 2150337 346 Lemon Yellow * 1 2120346 2131346 2136346 2137346 2150346 386 Mars Black * 1 2120386 2131386 2136386 2137386 2150386 415 Mixing White * 1 2120415 2131415 2137415 2150415 422 Naples Yellow 1 2120422 2131422 2136422 2137422 2150422 447 Olive Green 1 2120447 2131447 2137447 2150447 448 Opera Rose 1 2120448 2131448 2137448 2150448 434 Pale Lemon 1 2120434 2131434 2137434 2150434 435 Pale Olive 1 2120435 2131435 2137435 2150435 437 Pale Terracotta 1 2120437 2131437 2137437 2150437 438 Pale Umber 1 2120438 2131438 2137438 2150438 444 Pale Violet 1 2120444 2131444 2137444 2150444 465 Paynes Gray * 1 2120465 2131465 2136465 2137465 2150465 466 Permanent Alizarin Crimson 1 2120466 2131466 2137466 2150466 482 Permanent Green Deep 1 2120482 2131482 2136482 2137482 2150482 483 Permanent Green Light * 1 2120483 2131483 2136483 2137483 2150483 484 Permanent Green Middle 1 2120484 2131484 2136484 2137484 2150484 488 Permanent Magenta 1 2120488 2131488 2136488 2137488 2150488 502 Permanent Rose 1 2120502 2131502 2136502 2137502 2150502 516 Phthalo Blue 1 2120516 2131516 2137516 2150516 522 Phthalo Green 1 2120522 2131522 2136522 2137522 2150522 446 Powder Blue 1 2120446 2131446 2137446 2150446 535 Process Cyan 1 2120535 2131535 2136535 2137535 2150535 533 Process Magenta 1 2120533 2131533 2136533 2137533 2150533 537 Process Yellow 1 2120537 2131537 2136537 2137537 2150537 541 Prussian Blue Hue 1 2120541 2131541 2137541 2150541 552 Raw Sienna * 1 2120552 2131552 2136552 2137552 2150552 553 Raw Sienna Opaque 1 2120553 2131553 2137553 2150553 554 Raw Umber * 1 2120554 2131554 2136554 2137554 2150554 564 Red Ochre 1 2120564 2131564 2136564 2137564 2150564 599 Sap Green * 1 2120599 2131599 2136599 2137599 2150599 617 Silver 2 2120617 2131617 2136617 2137617 2150617 644 Titanium White * 1 2120644 2131644 2136644 2137644 21506444 653 Transparent Yellow 1 2120653 2131653 2137653 2150653 660 Ultramarine * 1 2120660 2131660 2136660 2137660 2150660 676 Vandyke Brown 1 2120676 2131676 2137676 2150676 682 Vermilion Hue * 1 2120682 2131682 2136682 2137682 2150682 706 Winsor Blue * 1 2120706 2131706 2136706 2137706 2150706 728 Winsor Violet * 1 2120728 2131728 2136728 2137728 2150728 744 Yellow Ochre * 1 2120744 2131744 2136744 2137744 2150744

* 1 litre pot

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Galeria 10 x 20ml Tube Set ◀

This set contains a selection of 10 tubes of 20ml Galeria Acrylic in popular colours.


2190525 Galeria 10 x 20ml Tube Set 1

▼ Galeria Painting SetThis large, attractively packaged gift set contains:

9 x 60ml tubes Galeria Acrylic Colour 1 x 60ml tube Acrylic Gel Medium 1 x Winsor Canvas Board 1 x Plastic Palette 2 x Galeria Brushes 1 x Leaflet.


2190518 Galeria Complete Set 1Galeria 10 x 60ml Tube Set ▲This set contains a wider selection of 10 x 60ml tubes and a leaflet.



Galeria 6 x 60ml Tube Set ▶A basic 6 colour palette set in the popular 60ml tube size, also includes a leaflet.



Galeria Primary Colour Set ▼This set contains a selection of 5 primary colours in 60ml tube size and a leaflet.


2190510 Galeria Primary Colour Set 1

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Artists’ Acrylic Gessos The highest quality acrylic gessos which dry to give an excellent level of tooth and a balanced absorbency.

Our range of gessos provide a flexible and stable ground for longer lasting paintings.

White Gesso ▲A gesso with a superior level of pigmentation giving maximum covering power. Creates an ideal surface to paint on offering excellent tooth and a balanced absorbency.


3040920 225ml 1

3050920 474ml 1

3054920 946ml 1

Clear Gesso ▲A gesso made from unpigmented clear resin which dries completely clear. Can also be used to make your own coloured gesso primers by the addition of acrylic colours. With a balanced absorbency and excellent tooth this gesso creates the perfect surface upon which to paint.


3040859 225ml 1

3050919 474ml 1

3054919 946ml 1

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Artists’ Acrylic Mediums Made using the same revolutionary resin as Artists’ Acrylic, these mediums ensure no increase in colour shift

or loss of colour depth when used with Artists’ Acrylic, whilst giving you the extra control of colour that you

desire.

Glazing Medium ▶Maintains no colour shift from wet to dry when used with Artists’ Acrylic. It is the best medium for glazing, giving maximum transparency and brilliant, flowing colour with good levelling. It dries to a completely clear flexible film with a high gloss finish.


3030934 125ml 3

3040934 250ml 1

3050934 500ml 1

Gloss Medium ▲Maintains no colour shift from wet to dry when used with Artists’ Acrylic. Increases the depth, transparency and flow of colour for blending or fine detail and provides an even gloss finish.


3040935 250ml 1

3050935 500ml 1

Matt Medium ▲Gives colour a matt finish whilst also improving transparency and flow of the colour, great for blending or fine detail.


3040936 250ml 1

3050936 500ml 1

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Artists’ Acrylic Mediums

Gloss Gel ▶Maintains no colour shift from wet to dry when used with Artists’ Acrylic. Increases transparency, depth and gloss of colour and maintains the thickness of the colour with good brush stroke retention. Dries to an even gloss finish.


3020914 60ml 3

3040914 237ml 1

3050914 474ml 1

Matt Gel ▲Gives colour a matt finish whilst also maintaining the thickness of the colour with good brush stroke retention.


3040915 237ml 1

3050915 474ml 1

Modelling Paste ▲This modelling paste is lightweight and flexible so it doesn’t shrink or crack. Increases opacity, body and structure and is ideal for carving, sanding and building extreme textures. It can be used to build up depth in layers, and either overpainted when dry or mixed with colour. Dries to an even matt finish.


3040917 237ml 1

3050917 474ml 1

Slow Drying Medium ▲Maintains no colour shift from wet to dry when used with Artists’ Acrylic. Slows drying to give more working time of colour for extended blending and manipulation.


3030932 125ml 3

3040932 250ml 1

◀ Flow ImproverMaintains no colour shift from wet to dry when used with Artists’ Acrylic. Increases the flow of colour allowing the application of areas of flat, even colour without changing colour strength. Also maintains the stability of colour and slightly slows drying.


3030937 125ml 3

3040937 250ml 1

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Artists’ Acrylic Varnishes

Gloss UV Varnish ▲Dries to an even gloss finish, and can be mixed with Artists’ Acrylic Matt Varnish to vary the final finish. Can be removed with Artists’ Acrylic Varnish Remover.


3030929 125ml 3

3040929 237ml 1

3050929 474ml 1

Varnishes are the final coatings which protect finished work from the build-up of airborne pollutants, dirt and

grease. All Artists’ Acrylic varnishes have the added benefit of offering UV protection to safeguard against

fading. They have been carefully formulated to work with Artists’ Acrylic colour to provide superior long

lasting protection.

◀ Matt UV Varnish Dries to an even matt finish, and can be mixed with Artists’ Acrylic Gloss Varnish to vary the final finish. Can be removed with Artists’ Acrylic Varnish Remover.


3030930 125ml 3

3040930 237ml 1

3050930 474ml 1

Satin UV Varnish ▲Dries to an even satin finish. Can be removed with Artists’ Acrylic Varnish Remover.


3030931 125ml 3

3040931 237ml 1

3050931 474ml 1

Varnish Remover ▲Safely removes varnish without damage to paintings. Will remove Artists’ Acrylic Gloss, Matt and Satin Varnishes so paintings can be cleaned and re-varnished.


3030933 125ml 3

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Galeria Acrylic Primers

Galeria Black Gesso Primer ▶This gesso has a matt black finish for maximum colour contrast and can be used straight from the pot. To reduce absorbency and to boost the integrity of the paint film a minimum of three coats is recommended on canvas if used with oils.


3054825 1 Litre pot 1

Galeria White Gesso Primer ▲Made from high quality acrylic resin with a good level of pigment strength, it can be used straight from the pot and has excellent “tooth” for film adhesion. To reduce absorbency and to boost the integrity of the film a minimum of two coats is required if working with oils.


3054948 1 litre pot 1

3055948 2.5 litre pot 1

Developed to help create a stable painting surface, Galeria Primers can be applied to any clean, porous

surface.

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Galeria Structure Gel ▲Add to acrylic colour to create high peak retention. Smooth and flexible. Provides a gloss finish with good clarity.


3040805 250ml pot 1

3050805 500ml pot 1

Galeria Acrylic Texture Gels

Galeria Heavy Structure Gel ▲This is the heaviest gel available in the Galeria range. Ideal for creating strong surface texture and very high peak retention. Smooth and flexible. Heavy layers are easily and quickly built. ‘Satin’ finish to prevent thick layers from looking too plastic.


3040822 250ml pot 1

3050822 500ml pot 1

Galeria Texture Gels widen the opportunity for creativity by adding extra body, structure or unique surface

textures to acrylic colour. Structure Gels give greater body to create surface texture and high peak retention

of brush marks. Modelling Pastes are the heaviest of all mediums and are suited for carving and sanding

and are ideal for building extreme textures. Texture Gels offer a range of specific textures for unusual and

unique effects.

Galeria Heavy Carvable Modelling Paste ▲This is the do-it-all version that is tough and fully “carvable”. It remains flexible on a variety of surfaces. Suitable for multiple layers. Formulated to have the least effect on colour change from wet to dry. May be over-painted. Colour may be added directly to modelling paste (note that colour will become lighter and more ‘chalky’ and the resulting paste will have reduced body).


3040814 250ml pot 1

3050814 500ml pot 1

Galeria Flexible Modelling Paste ▲A lighter-weight modeling paste for use on canvas (to minimize sagging). Finely textured with a soft sculptural consistency. Suitable for building multiple layers. Matt finish. May be over-painted. Colour may be added directly to modeling pastes (note that colour will become lighter and more ‘chalky’ and the resulting paste with have reduced body).


3040815 250ml pot 1

3050815 500ml pot 1

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Galeria Acrylic Texture Gels

▲ Galeria Black Lava Texture GelA granular paste containing fine particles of black flint allowing the artist to achieve a heavier and more pronounced effect than can be achieved with Mineral Texture Gel.


3040812 250ml pot 1

3050812 500ml pot 1

▲ Galeria Sand Texture GelA finer and more consistent texture than the pumice in Mineral Texture Gel. Whilst natural or environmental sand can be added to acrylic colour, any impurities can seriously compromise the chemistry of the paint film. Galeria Sand Texture Gel has been formulated with refined and purified sand to ensure the most interesting possible texture as well as security and durability.


3040811 250ml pot 1

3050811 500ml pot 1

▲ Galeria Large Grain GelA more pronounced textural grain effect than the Medium Grain Gel, providing more visible structure and effect to the colour.


3040809 250ml pot 1

3050809 500ml pot 1

▲ Galeria Glass Beads Texture GelThis medium is composed of small, spherical glass beads suspended in a thick, clear acrylic gel. When used with a transparent colour, the effects are arresting and jewel-like.


3040813 250ml pot 1

3050813 500ml pot 1

▲ Galeria Medium Grain GelWhen mixed with acrylic colour, Medium Grain Gel forms a moderately granular texture. It may be used alone as a clear, textured film, or with added colour. It may also be over-painted. Medium Grain Gel has been formulated to ensure that the texture is evenly distributed.


3040808 250ml pot 1

3050808 500ml pot 1

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Galeria Gloss Medium ▲High clarity and even flow. Boosts the brilliance and transparency of the colour as well as improving adhesion and durability. Ideal for glazing or applying thick, highly transparent layers of brilliant colour for depth and “stained-glass” effect.


3040820 250ml pot 1

3050820 500ml pot 1

Galeria Matt Medium ▲This medium creates a flat, even finish. It maintains brilliance of colour while boosting transparency, adhesion and durability.


3040821 250ml pot 1

3050821 500ml pot 1

Galeria Iridescent Medium ▲Suitable for a variety of surfaces and developed to provide pearlescent effects when added to colour. Most effective when used with transparent colours over dark under layers.


3040806 250ml pot 1

3050806 500ml pot 1

Galeria Acrylic Mediums

Made with the same resinous binder used to make Galeria Acrylic Colour, these mediums will improve

durability and adhesion, bring transparency and depth to the film and improve flow.

Galeria Fluid Retarder ▲For extending the drying and working time of acrylic colours. Small amounts (a few drops) will allow for extended blending and manipulation. Fluid Retarder does not contain sufficient acrylic resin to act as additional “binder” and should be used only in the amount needed to achieve the desired effect.


3040818 250ml pot 1

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Galeria Binder ▲A soft, gloss-finish gel formulated to allow the adhesion or addition of additive materials, objects or aggregates (like sand, stone, wood, tiles and more). Suitable for combined use with acrylic colour on a variety of surfaces. Provides flexibility and will not yellow over time. Ideal for collage, craft and home decoration applications.


3054823 1 litre pot 1

Galeria Flow Improver ▲This is an additive that loosens the surface tension of water within the acrylic film. It increases flow, allowing the artist to apply areas of flat colour evenly without changing the colour strength. The increased flow is also ideal for masking applications (as the colour lays more smoothly and evenly against the taped edge) and for flowing, gestured water colour techniques. Flow improver is also the best medium for “staining” applications. Flow improver should be used only in the amount needed to achieve the desired effect.


3040819 250ml pot 1

Galeria Acrylic Mediums

Galeria Screen Printing Medium ▲Galeria colours are lightfast and offered within a fine-art spectrum, making them highly attractive for printmaking. By themselves, however, acrylic colours dry too rapidly to be used for screen printing. Adding Galeria Screen Printing Medium to the colours will improve flow and slow the drying time, allowing for successful printing.


3054928 1 litre pot 1

Galeria Extender ▲A highly economical medium, Galeria Extender increases the volume of paint and maintains opacity. Colour will dry to a matt finish. A great product for those with limited budgets.


3040817 250ml pot 1

3050817 500ml pot 1

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Galeria Gloss Varnish ▶A unique removable gloss varnish for the protection of finished artwork. This product can also be mixed with Galeria Matt Varnish to vary the final finish.


3022801 75ml bottle 4

3040801 250ml bottle 1

3050801 500ml bottle 1

Galeria Varnish Remover ▶Winsor & Newton acrylic varnishes are readily removable with this product, allowing pictures to be cleaned and re-varnished in the future without fear of damage.


3022804 75ml bottle 4

◀ Galeria Matt VarnishA unique removable matt varnish which may be mixed with Galeria Gloss Varnish to vary the final finish.


3022802 75ml bottle 4

3040802 250ml bottle 1

3050802 500ml bottle 1

Galeria Satin Varnish ▶A uniquely removable satin varnish for the protection of finished acrylic paintings.


3022803 75ml bottle 4

3040803 250ml bottle 1

3050803 500ml bottle 1

Galeria Acrylic VarnishVarnishes are the final coatings which protect finished pictures from the build-up of dirt and grease. Galeria

varnishes have been carefully formulated to work with Galeria colours to provide superior long lasting

protection.

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Our range of Graphics is both

diverse and extensive, with

everything from the bold, opaque

colours of Designers Gouache to

the subtle, transparent colours

of Drawing Inks. These ranges

are perfect for use alongside our

other colours or in isolation.

Designers Gouache maintains

its pre-eminence as the most

widely used gouache throughout

the world. The colours are

manufactured from only the very

highest grade of raw materials,

thus ensuring outstanding

performance.

Poster Colour offers artists

bold opaque colour which flows

easily. Originally introduced for

painting posters and temporary

indoor signs Poster Colours have

excellent versatility.

Drawing Inks Dye based inks for

fast drying, water resistant and

transparent colours.

Calligraphy inks Pigment based

colours which are watersoluable

and permanent.

Graphics

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Designers Gouache offers a

range of brilliant opaque water

colours for designers, visualisers,

illustrators and fine artists. The

range is made by selecting

only the very best pigments

and highest grade of gums and

wetting agents to produce colours

with an even flow, exceptional

tinting strength and which give a

matt finish. These qualities make

Designers Gouache the most

superior and widely used range

throughout the world.

The range is ideal for a variety

of techniques requiring delicacy

of tone or as an opaque water

colour. The versatility of Designers

Gouache means that it can be

used with brush, airbrush and

ruling pen on paper or board.

As the colours are water soluble,

they can also be mixed with other

water colours to produce further

combinations of opacity and

transparency.

Designers Gouache

Artist: Mark Jessett

345 A S1 I

Lemon Yellow

086 A S4 I

CadmiumLemon

527 A S1 O

Primary Yellow

118 A S4 I

Cadmium YellowPale

627 A S1 II

Spectrum Yellow

055 A S3 II

Brilliant Yellow

108 A S4 I

Cadmium Yellow

508 A S1II

Permanent Yellow Deep

111 A S4 I

Cadmium YellowDeep

384 A S1

Marigold Yellow

089 A S4 I

Cadmium Orange

453 A S1 II

Orange LakeLight

452 A S1 II

Orange LakeDeep

106 A S4 I

Cadmium Scarlet

249 A S1 IFlame Red

094 A S4 I

Cadmium Red

726 A S3 SOWinsor Red

623 A S1 II

Spectrum Red

004 B S1 IV

Alizarin Crimson

466 A S3 SO PermanentAlizarinCrimson

502 A S3 I

Permanent Rose

524 B S1BL

Primary Red

440 C S2 SOOpera Pink

028 C S2 BL

Bengal Rose

733 A S3 II

Winsor Violet(Dioxazine)

625 B S1 V BL

Spectrum Violet

660 A S1 I

Ultramarine

667 A(iii) S1 I

Ultramarine (Green Shade)

178 AA S4 I

Cobalt Blue

706 A S3 I

Winsor Blue

538 A S1 I

Prussian Blue

322 A(iii) S1 I

Indigo

621 A S1 I

Sky Blue

327 A S2 I

Intense Blue

523 A S1 I

Primary Blue

137 AA S4 I

Cerulean Blue

514 A S1 I

Phthalo Blue

656 A S2 I

Turquoise Blue

191 AA S4

Cobalt TurquoiseLight

211 A S2I

Cyprus Green

599 A S2 II

Sap Green

369 A S2

Linden Green

422 AA S1 I

Naples Yellow

425 AA S1I

Naples YellowDeep

744 AA S1I

Yellow Ochre

552 AA S1II

Raw Sienna

285 A S1II

Gold Ochre

074 AA S1 I

Burnt Sienna

257 A S1

Flesh Tint

678 A S1 II

Venetian Red

507 A S3

Perylene Maroon

564 A S1I

Red Ochre

470 A S3

Perylene Violet

554 AA S1I

Raw Umber

676 AA S1I

Vandyke Brown

609 AA S1I

Sepia

512 A S1I

PermanentWhite

748 A S1 I

Zinc White

931 AA I

Process White

037 AA I

Bleedproof White

2S C 844

Opera Rose

593 C S2 BL

Rose Tyrien

380 C S2 BL

Magenta

550 A S3 II

QuinacridoneMagenta

050 B S1 BL

Brilliant Red/Violet

052 B(iii) S1 BL

Brilliant Violet

360 B S2 V BL

Light Purple

455 B S2 V BL

Brilliant Purple

692 AA S3 I

Viridian

720 A S3I

Winsor Green

482 A S2 II BL

Permanent Green Deep

484 A S2II BL

Permanent Green Middle

046 A S1I

Brilliant Green

459 A S2 I

Oxide ofChromium

483 B S2 I


447 A S2 II BL

Olive Green

076 AA S1I

Burnt Umber

505 A S3

Perylene Black

331 AA S1 I

Ivory Black

337 AA S1I

Lamp Black

335 A S1I

Jet Black

436 A S1I

Neutral Grey 3

617 A S3

Silver

283 A S3

Gold

AA Extremely PermanentA PermanentB Moderately DurableC Fugitive(iii) Bleached by acids, acidic atmosphere

ASTMI Permanent for artists’ useII Permanent for artists’ useIII, IV & V have a lower lightfastness rating and areprovided for brilliance of colourWhere no ASTM rating is listed, please refer to theWinsor & Newton permanence rating

Key to Coding

S Series NumberTransparentSemi-TransparentOpaque Semi-Opaque

BL Colour may bleed

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84 colours

Colour Chart

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Introductory Set ▲An ideal starter set with a selection of 10 x 14ml tubes.


0690173 Introductory Set 1

14ml Tube82 colours are available in the 14ml tube size.

Product code MOQ

0605.... 3

37ml TubeFive colours are available in the 37ml tube size.

Product code MOQ

0614.... 3

Designers Gouache

37ml Tube14ml Tube

Colour Colour name Series No. 14ml Tube 37ml Tube code 004 Alizarin Crimson 1 0605004 028 Bengal Rose 2 0605028 046 Brilliant Green 1 0605046 455 Brilliant Purple 2 0605455 050 Brilliant Red Violet 1 0605050 052 Brillant Violet 1 0605052 055 Brilliant Yellow 3 0605055 074 Burnt Sienna 1 0605074 076 Burnt Umber 1 0605076 086 Cadmium Lemon 4 0605086 089 Cadmium Orange 4 0605089 094 Cadmium Red 4 0605094 106 Cadmium Scarlet 4 0605106 108 Cadmium Yellow 4 0605108 111 Cadmium Yellow Deep 4 0605111 118 Cadmium Yellow Pale 4 0605118 137 Cerulean Blue 4 0605137 178 Cobalt Blue 4 0605178 191 Cobalt Turquoise Light 4 0605191 211 Cyprus Green 2 0605211 249 Flame Red 1 0605249 257 Flesh Tint 1 0605257 283 Gold 3 0605283 285 Gold Ochre 1 0605285 322 Indigo 1 0605322 327 Intense Blue 2 0605327 331 Ivory Black 1 0605331 0614331 335 Jet Black 1 0605335 0614335 337 Lamp Black 1 0605337 0614337 345 Lemon Yellow 1 0605345 360 Light Purple 2 0605360 369 Linden Green 2 0605369 380 Magenta 2 0605380 384 Marigold Yellow 1 0605384 422 Naples Yellow 1 0605422 425 Naples Yellow Deep 1 0605425 436 Neutral Grey 1 0605436 447 Olive Green 2 0605447 440 Opera Pink 2 0605440 448 Opera Rose 2 0605448 452 Orange Lake Deep 1 0605452 453 Orange Lake Light 1 0605453

Colour Colour name Series No. 14ml Tube 37ml Tube code 459 Oxide of Chromium 2 0605459 466 Permanent Aliz Crimson 3 0605466 482 Permanent Green Deep 2 0605482 483 Permanent Green Light 2 0605483 484 Permanent Green Mid 2 0605484 502 Permanent Rose 3 0605502 512 Permanent White † 1 0605512 0614512 508 Permanent Yellow Deep 1 0605508 505 Perylene Black 3 0605505 507 Perylene Maroon 3 0605507 470 Perylene Violet 2 0605470 514 Phthalo Blue 1 0605514 523 Primary Blue 1 0605523 524 Primary Red 1 0605524 527 Primary Yellow 1 0605527 538 Prussian Blue 1 0605538 550 Quinacridone Magenta 3 0605550 552 Raw Sienna 1 0605552 554 Raw Umber 1 0605554 564 Red Ochre 1 0605564 593 Rose Tyrien 2 0605593 599 Sap Green 2 0605599 609 Sepia 1 0605609 617 Silver 3 0605617 621 Sky Blue 1 0605621 623 Spectrum Red 1 0605623 625 Spectrum Violet 1 0605625 627 Spectrum Yellow 1 0605627 656 Turquoise Blue 2 0605656 660 Ultramarine 1 0605660 667 Ultramarine Green Shade 1 0605667 676 Vandyke Brown 1 0605676 678 Venetian Red 1 0605678 692 Viridian 3 0605692 706 Winsor Blue 3 0605706 720 Winsor Green 3 0605720 726 Winsor Red 3 0605726 733 Winsor Violet (Dioxazine) 3 0605733 744 Yellow Ochre 1 0605744 748 Zinc White 1 0605748 0614748 CAUTION – See notes inside front cover

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Primary Colour Set ▲This set offers a selection of 6 x 14ml tubes. The colours have been specially selected for optimum results when colour mixing to produce strong, bright mixes.


0690174 Primary Colour Set 1

CMYK Mixing Set ▲Learn how to mix colour with this set containing 5 x 14ml tubes.


0690180 CMYK Mixing Set 1

Not available in UK.

Poster Colour

Winsor & Newton Poster Colour was originally introduced for painting posters

and temporary indoor signs, but because of their bold opaque colours and

versatility, they are also popular as childrens’ paints.

The 32 colours flow easily, dry quickly and evenly, with an opaque matt finish.

They are easy to mix and most have a high degree of permanence. All colours

with the exception of Poster Black are considered to be non-hazardous.

14ml Pot ▶The full range of colours is available in the 14ml pot size

Product code MOQ

0705…. 6

Colour Colour name 14ml Pot code 036 Blue Lake 0705036 074 Burnt Sienna 0705074 076 Burnt Umber 0705076 078 Buttercup 0705078 150 Chinese White 0705150 188 Cobalt Tint 0705188 257 Flesh Tint 0705257 337 Lamp Black 0705337 354 Light Green 0705354 443 Old Gold 0705443 477 Permanent Crimson 0705477 482 Permanent Green Deep 0705482 483 Permanent Green Light 0705483 484 Permanent Green Middle 0705484 486 Permanent Lemon 0705486 493 Permanent Orange 0705493 508 Permanent Yellow Deep 0705508 509 Permanent Yellow Middle 0705509 510 Permanent Yellow Pale 0705510 530 Poster Black 0705530 532 Poster Green 0705532 534 Poster Red 0705534 536 Poster White 0705536 538 Prussian Blue 0705538 603 Scarlet Lake 0705603 617 Silver 0705617 668 Ultramarine Deep 0705668 670 Ultramarine Light 0705670 676 Vandyke Brown 0705676 686 Vermilion Tint 0705686 688 Violet 0705688 744 Yellow Ochre 0705744


14ml pot

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Drawing Inks Our Drawing Inks have been used by illustrators since their introduction

by Winsor & Newton in the 1890’s, where the main requirement

is brilliance of colour. Today they are formulated from a series of

soluble dyes in a superior shellac solution. These inks can be applied

with brush, dip pen or airbrush and are widely used by designers,

calligraphers and artists as well as illustrators.

500ml BottleBlack only is available in the 500ml size bottle.

Product code MOQ

1050030 1

250ml BottleBlack only is available in the 250ml bottle size.

Product code MOQ

1040030 1

30ml (with dropper)

Black only is available in this convenient 30ml size bottle with dropper cap for ease of dispensing.

Product code MOQ

1011030 6

▲ 30ml BottleBlacks and metallics are also available in this larger capacity 30ml bottle.

Product code MOQ

1010.... 6

▲ 14ml BottleThe full range of colours is available in 14ml bottles.

Product code MOQ

1005.... 6

◀ Drawing Ink Henry Collection An introductory selection of 8 colours in 14ml bottles. This set contains the following colours: Black (Indian Ink), Blue, Carmine, Canary Yellow, Emerald, Nut Brown, Orange and Violet.


1090093 Henry Collection Ink Pack 1

◀ Drawing Ink William Collection A different selection of 8 colours in 14ml bottles. This set contains the following colours: Black (Indian Ink), Brilliant Green, Deep Red, Peat Brown, Purple, Sunshine Yellow, Ultramarine and Vermillion.


1090094 William Collection Ink Pack 1

Colour Colour name 14ml 30ml code Bottle Bottle

011 Apple Green 1005011 030 Black Indian Ink * † 1005030 1010030 032 Blue 1005032 040 Brick Red 1005040 046 Brilliant Green 1005046 074 Burnt Sienna 1005074 123 Canary Yellow 1005123 127 Carmine 1005127 176 Cobalt 1005176 203 Crimson 1005203 227 Deep Red 1005227 235 Emerald 1005235 283 Gold 1005283 1010283 754 Liquid Indian Ink 1005754 1010754 441 Nut Brown 1005441 449 Orange 1005449 469 Peat Brown 1005469 542 Purple 1005542 601 Scarlet 1005601 617 Silver 1005617 1010617 633 Sunshine Yellow 1005633 660 Ultramarine 1005660 680 Vermilion 1005680 688 Violet 1005688 692 Viridian 1005692 702 White 1005702

* 250ml bottle † 500ml bottle

CAUTION – See notes inside front cove

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Calligraphy InksCalligraphy - meaning the art of beautiful writing, has been used in

various forms since ancient times. From ancient Greece and Rome to

the Middle Ages, calligraphy was seen as both a skilled art and the main

source of written communication and expression until the invention

of the printing press. Calligraphy today is increasingly popular and is

enjoyed by professional and amateur artists from all over the world.

Drawing on our expertise in the production of fine inks since the 1890s

has allowed us to create a superior range of 18 colours which are

brilliant and lightfast.

30ml Bottles (Red caps) ▶A range of 4 colours are available. Use with Dip Pens and Brush. These colours are opaque.

Product code MOQ

1110.... 3

30ml Bottles (Blue caps) A range of 14 colours are available. Use with Dip Pens, Fountain Pens, Technical Pens and Brush.

Product code MOQ

1111.... 3

Calligraphy Ink Collection Set ▶A comprehensive set of calligraphy items. This set contains the following:

4 x Assorted 30ml calligraphy inks 1 x Dip pen holder 2 x Nibs and reservoirs 30 x Sheets of layout paper 5 x Sheets of smooth cartridge paper 1 x Calligraphy leaflet


1190191 Calligraphy Ink Collection Set 1

▼Calligraphy Ink 6 Assorted SetA selection of 6 x 30ml calligraphy inks in the following colours: Black, Crimson, Dark Blue, Green, Sepia and Gold.


1190192 Calligraphy Ink 6 Assorted Set 1

◀ Calligraphy Ink 3 Assorted Set A selection of 3 assorted 30ml calligraphy ink bottles in the following colours: Black, Sepia and Gold.


1190200 Calligraphy Ink 3 Assorted Set 1

▼ Calligraphy Wooden BoxThis beautifully finished set offers a selection of calligraphy items in an attractive wooden box, with space for storage of inks and nibs.

Contents: 8 x 14ml Drawing Inks 5 x Calligraphy nibs in a variety of widths 1 x Reservoir for nibs 1 x Wooden dip pen 1 x Instructional leaflet.


1190193 Calligraphy Wooden Box 1

◀Complete Calligraphy Set This set contains everything you need to get started in calligraphy.

3 x Drawing inks in 14ml bottles 5 x Calligraphy nibs in a variety of different widths 1 x Wooden dip pen 1 x Smooth cartridge paper pad 1 x Instructional leaflet.


1190190 Complete Calligraphy Set 1

Colour Colour name 30ml Jar code 030 Black * 1110030 030 Black † 1111030 034 Blue Black 1111034 203 Crimson † 1111203 222 Dark Blue † 1111222 283 Gold * 1110283 289 Green † 1111289 317 Indian Red † 1111317 341 Leaf Green † 1111341 345 Lemon Yellow † 1111345 350 Light Blue † 1111350 601 Scarlet † 1111601 609 Sepia † 1111609 617 Silver * 1110617 688 Violet † 1111688 702 White * 1110702 730 Winsor Yellow † 1111730 744 Yellow Ochre † 1111744

* Calligraphy Inks for Dip pen and brush (red caps) 30ml.

† Calligraphy Inks for use with Dip Pens, Fountain Pens, Technical Pens & Brush (blue caps) 30ml.

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More than any other tool, the

brush is a direct and fluid

extension of the artist’s hand, eye

and expressive vision. With this

principle in mind we have crafted

fine artists’ brushes for over 150

years, earning a reputation for

making the world’s finest brushes

from the very best raw materials.

Choosing the right brush is

important and at Winsor &

Newton, we offer a wide range of

brushes to meet the demands of

discriminating artists the world

over. The best quality artists’

brushes are still made by hand at

our specialist brush making

factory in Lowestoft, Suffolk.

Our expertise in craftsmanship

coupled with the use of the

highest grade of materials

ensures that we can make the

finest brushes in the world.

Artists’ Brushes

Brush Making Materials Most Artists’ Brushes are made with natural bristle,

natural hair, or synthetic fibres intended to simulate

the working characteristics of the first two. Bristle

and natural hair are similar in many respects but

have two major differences: Natural hair has a single,

individual point, while bristle has a number of natural

tips called “flags”. Bristle is less flexible but more

durable. These characteristics make bristle brushes

particularly suited to oil painting: they wear well

when used on the comparatively coarse grounds

commonly used for oil painting and the “flags” hold

considerable quantities of colour.

Ferrules The ferrules on an Artists’ Brush should be strong,

corrosion resistant, and seamless. Consistency is

important because the size of the brush head is

determined by the diameter of the ferrule at the point

hair emerges.

Handles The perfect brush handle is a mixture of weight,

shape, balance and comfort, all of which can vary

according to the size and function of a brush. Our

handles are designed with these requirements in

mind, and are manufactured to the highest standards

using seasoned hardwood.

Care of Brushes Good, well kept brushes will have a much longer life

and be far more pleasant to work with if the following

very simple rules are followed:

• Alwayscleanbrushesimmediatelyafteruse.

•Neverleavebrushesrestingontheirbristles

or hairs.

• Shapeupthehairsaftercleaning.

If storing brushes for any length of time, make sure

they are clean and perfectly dry before putting them

away in a box with a tight fitting lid. Mothballs or

naphthalene may be used as a moth deterrent, but

neither should be relied upon as a sure preventative.

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Series 7™ Kolinsky Sable

As with so many of our top quality products, their unsurpassed excellence can in part be attributed to the

rigorous selection of only the highest quality raw materials. This tradition of excellence began in 1866 when

Her Majesty Queen Victoria gave orders that we be commanded to produce brushes of the highest possible

quality in her favourite size; No. 7.

This legacy lives on today with our Series 7. We only use the purest Kolinsky Sable hair, this is what gives

the brush its perfect point for optimal control. Its large colour carrying capacity means colour flows evenly

and consistently from the point so stroke after stroke of colour can be laid down. The Series 7 comes with a

seamless nickel plated ferrule to prevent rusting and is finished with a polished black handle.

Each Series 7 is hand made at our brush factory in Lowestoft, Suffolk. We take great pride in our Series 7

which we believe is absolutely unrivalled amongst Sable brushes. Its long-established world-wide

reputation for excellence has only been achieved thanks to the utmost care and attention that we dedicate to

each individual brush.

Series 7 Kolinsky Sable Water Colour Brush

For fine detail, lines and glazes. A traditional round shape is ideal for use when accuracy and detail is required.


5007030 000 3

5007020 00 3

5007000 0 3

5007001 1 3

5007002 2 3

5007003 3 3

5007004 4 1

5007005 5 1

5007006 6 1

5007007 7 1

5007008 8 1

5007009 9 1

5007010 10 1

Round - Short Handle ▶

Brush heads shown to actual size.

Size: 000

Size: 00

Size: 0

Size: 1

Size: 2

Size: 3

Size: 4

Size: 5

Size: 6

Size: 7

Size: 8

Size: 9

Size: 10

88

SERIES 7 KOLIN

SKY SABLE W

ATER COLO

UR BRU

ShSERIES 7 KO

LINSKY SA

BLE WATER CO

LOU

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SERIES 7 KOLIN

SKY SABLE W

ATER COLO

UR BRU

ShSERIES 7 KO

LINSKY SA

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◀ Round - Short HandleMiniature painting and photographic retouching with extra control.


5012030 000 3

5012020 00 3

5012000 0 3

5012001 1 3

5012002 2 3

5012003 3 3

5012004 4 1

5012005 5 1

5012006 6 1

Series 7 Kolinsky Sable Miniature Painting Brush

For artists that paint in a very detailed manner we have created the

Series 7 Miniature Painting Brush. This range is made with the same

superior quality as the Series 7 the only difference is that the hair

is comparatively short so that the point of the brush can be more

accurately controlled during delicate work.

Size: 000

Size: 00

Size: 0

Size: 1

Size: 2

Size: 3

Size: 4

Size: 5

Size: 6

89

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Artists’ Water Colour Sable

The Artists’ Water Colour Sable has been created to offer artists the chance to use a brush containing the much

sought after Kolinsky Sable Hair but at a more affordable price.

To ensure longevity, and to prevent rusting, the brush comes with a seamless nickel ferrule. The sculptured

brush handle with its “double belly” design sits in the hand for extra comfort whilst painting.

The range consists of the most popular and useful brush shapes for water colour painting including Round,

One Stroke and Rigger. In addition we have also included a Pointed Round for when extra fine detail with colour

carrying is essential.

◀ Round - Short handleFor fine detail, lines and glazes. A traditional round shape is ideal for use when accuracy and detail is required.


5067020 00 3

5067000 0 3

5067001 1 3

5067002 2 3

5067003 3 3

5067004 4 3

5067005 5 3

5067006 6 3

5067007 7 3

5067008 8 1

5067010 10 1

5067012 12 1

Artists’ Water Colour Sable Brush Set ▶Contains 2 Round brushes (Sizes 0 and 4), a size 2 Rigger and a 1/4”/ 6mm One Stroke.


5090648 Artists’ Water Colour Brush Set 1

Size: 00

Size: 0

Size: 1

Size: 2

Size: 3

Size: 4

Size: 5

Size: 6

Size: 7

Size: 8

Size: 10

Size: 12


Size: 6

90

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ATER COLO

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BLE BRUSh

ESA

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LOU

R SABLE BRU

ShES

One Stroke - Short Handle ▲A short flat water colour brush for edges and shapes or applying washes.


5070103 3mm 1/8” 3

5070106 6mm 1/4” 3

5070110 10mm 3/8” 3

5070113 13mm 1/2” 3

5070119 19mm 3/4” 1

5070125 25mm 1” 1

▲ Pointed Round - Short handleAn adaptation of the round, the extra fine tapered point aids accuracy and fine detail work, whilst the belly holds colour.


5068003 3 3

5068004 4 3

5068005 5 3

5068006 6 3

5068007 7 3

5068008 8 1

Rigger - Short handle ▼Extra fine point for lines, long scroll work and detail.


5069001 1 3

5069002 2 3

5069003 3 3

5069004 4 3

5069005 5 3

5069006 6 3

Size: 25mm 1”

Size: 19mm 3/4”

Size: 13mm 1/2”

Size: 10mm 3/8”

Size: 6mm 1/4”

Size: 3mm 1/8”

Size: 1

Size: 3

Size: 2

Size: 3

Size: 4

Size: 5

Size: 6

Size: 4

Size: 5

Size: 7

Size: 8

91

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Series 140 Goat Hair Wash BrushThis soft hair wash brush is made from goat

hair and is designed for soft blending and water

washes. The brush is finished off with a seamless

nickel plated ferrule and a polished blue handle.

Series 240 Goat Hair Wash BrushThis brush is made from white goat hair, the hair

length being 11/2” (38mm) out of the ferrule.

The brush comes with a seamless black aluminium

ferrule which complements the polished white

handles with black tips.

Series 340 Pony and Goat Hair Mop BrushThis duster and water colour mop is made from a

mixture of pony and goat hair. The hair length is

2” (50mm) out of the ferrule. Seamless black

aluminium ferrules complement the white polished

handles featuring black tips.

Series 140 ▶


5240001 16mm 5/8” 3

5240002 19mm 3/4” 3

5240003 22mm 7/8” 3

◀ Series 240


5224001 1 3

5224002 2 3

5224003 3 3

Series 340 ▶


5234004 4 3

5234005 5 3

5234006 6 3

Mop and Wash Brushes

Size: 1

Size: 2

Size: 3

Size: 22mm 7/8”

Size: 19mm 3/4”

Size: 16mm 5/8”

Size: 4

Size: 5

Size: 6


92

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PURE SQ

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Pure Squirrel Pointed Wash Brushes

Winsor & Newton Pure Squirrel brushes are made from the finest quality Russian squirrel hair, which is ideal

for water colour washes. Pure Russian Blue Squirrel hairs are very fine, relatively thin and conical in shape

with thick bellies, which enables the brush to hold a large amount of colour. They come to a very fine point

giving control with washes and the naturally soft hair ensures their responsiveness. These hand-crafted

brushes use natural goose feather for the quill - more flexible and responsive than a metal ferrule. They are

also useful for gouache, silk painting and any fluid colour application.

Pure Squirrel Pointed Wash Brushes


5250330 000 3

5250320 00 3

5250300 0 3

5250301 1 3

5250302 2 3

5250303 3 1

5250304 4 1

5250305 5 1

5250306 6 1

5250308 8 1

5250310 10 1

5250312 12 1

Size: 12

Size: 10

Size: 8

Size: 6

Size: 5

Size: 4

Size: 3

Size: 1

Size: 2

Size: 0

Size: 00

Size: 000

93

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Sceptre Gold II™ Brushes

Sceptre Gold II is a range of high quality brushes made from a mix of sable and synthetic fibres making

them versatile for use with water colour, acrylic and fluid oil colour.

Artists generally recognise that pure sable brushes are the best - but costly. So consideration of price may

compel many to use a synthetic brush instead. And while today’s synthetic brushes perform excellently,

pure sable still has the edge. This is why we have developed Sceptre Gold II - a brush that’s made from a

blend of pure sable and synthetic fibres, giving you a performance that is close to sable at a price that is

close to synthetic.

The blend of hair in Sceptre Gold II also gives you added benefits. Sable hair has excellent spring whilst the

high quality synthetic filaments ensure that the brushes are soft enough to work the colour but also have a

strong snap so they return back to their original shape with ease.

The high proportion of sable in Sceptre Gold II gives the brushes considerably more ability to make larger

washes in one stroke than normal synthetic brushes and the hairs are tapered to a fine point, giving the

brush control for detailed work.

Series 101 Round - Short Handle ▶For fine detail, lines and washes.


5181731 0000 6

5181730 000 6

5181720 00 6

5181700 0 6

5181701 1 6

5181702 2 6

5181703 3 6

5181704 4 6

5181705 5 6

5181706 6 6

5181707 7 3

5181708 8 3

5181709 9 3

5181710 10 3

5181712 12 1

5181714 14 1

5181716 16 1

5181719 20 1Brush head sizes are the same for both long handle and short handle brushes.

Series 404 Round - Long Handle ▶For fine detail, lines and glazes.


5184700 0 3

5184701 1 3

5184702 2 3

5184703 3 3

5184704 4 3

5184705 5 3

5184706 6 3

5184708 8 3

5184710 10 3

5184712 12 3


Size: 20

Size: 16

Size: 14

Size: 12

Size: 10

Size: 9

Size: 8

Size: 7

Size: 6

Size: 5Size: 4

Size: 3

Size: 2

Size: 1

Size: 0

Size: 00

Size: 000

Size: 0000


94

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◀ Series 202 Designers’ - Short HandleElongated round head for precise detail and line work.


5182700 0 3

5182701 1 3

5182702 2 3

5182703 3 3

5182704 4 3

5182705 5 3

5182706 6 3

Series 303 Lettering - Short Handle ▼Extra fine point for lines, long scroll work and detail.


5183700 0 3

5183701 1 3

5183702 2 3

5183703 3 3

◀ Series 505 Short Flat/Bright - Long HandleFor blending, glazing or covering a large area.


5185700 0 3

5185701 1 3

5185702 2 3

5185703 3 3

5185704 4 3

5185705 5 3

5185706 6 3

5185708 8 3

5185710 10 3

5185712 12 3

5185714 14 1

5185716 16 1

5185718 18 1

Series 606 One Stroke - Short Handle ▼Flat wash brush. For edges and shapes or applying washes.


5186770 3mm 1/8” 6

5186771 6mm 1/4” 6

5186772 10mm 3/8” 6

5186773 13mm 1/2” 3

5186774 19mm 3/4” 3

5186775 25mm 1” 1

Size: 0

Size: 1

Size: 2

Size: 3

Size: 6

Size: 5

Size: 4

Size: 3

Size: 2

Size: 1

Size: 0

Size: 18

Size: 16

Size: 14

Size: 12

Size: 10

Size: 8

Size: 6

Size: 5

Size: 4

Size: 3

Size: 2

Size: 1

Size: 0

Size: 25mm 1”

Size: 19mm 3/4”

Size: 13mm 1/2”

Size: 10mm 3/8”

Size: 6mm 1/4”

Size: 3mm 1/8”

95

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Sceptre Gold II™ Brushes

▲ Wash Brushes - Short HandleA flat wash brush for edges and shapes or applying washes.


5187775 25mm 1” 1

5187777 50mm 2” 1

Pocket Brush ▶A convenient pocket brush with a size 2 head. Fitted in a metal body complete with protective cap (that becomes the handle), this brush is ideal for outdoor sketching.


5188002 2 12

▲ Series 808 Fan - Short HandleFor blending, softening edges and creating texture.


5179704 4 1


▲ Series 808 Fan - Long HandleFor blending, softening edges and creating texture.


5189702 2 1

5189704 4 1


◀ Sceptre Gold II Brush SetContain 3 x series 101 Water Colour Brushes (Sizes 1, 4 and 6 and a 6mm/1/4” Series 606 Flat Wash Brush.


5190603 Sceptre Gold II Brush Set 1

Size: 6

Size: 25mm 1”

Size: 50mm 2”

Size: 4

Size: 2

Size: 2


96

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A good quality versatile range, our Cotman brushes use a blend of fibres with differing thickness to

achieve the most important qualities sought after by the artist. The thicker fibres contribute strength and

spring whilst the thinner fibres improve colour carrying capacity. Together they retain a perfect point, time

after time and are ideal for water colour or acrylic.

The handles are specifically designed to provide balance and comfort when painting, the ferrules are

made from high quality nickel-plated brass which helps to prevent corrosion, clogging of hair and enables

easy cleaning.

Cotman™ Brushes


5301031 0000 6

5301030 000 6

5301020 00 6

5301000 0 6

5301001 1 6

5301002 2 6

5301003 3 6

5301004 4 6

5301005 5 6

5301006 6 6


5301007 7 6

5301008 8 6

5301009 9 3

5301010 10 3

5301012 12 3

5301014 14 3

5301016 16 3

5301019 20 1


◀ ▼ Series 111 Round - Short handleFor fine detail, lines and washes. A traditional and popular head shape for all-purpose water colour work. Can be used for broad strokes yet it will also form a sharp point.

◀ ▼ Series 444 Round - Long handleMade to the same high standards as Series 101, but with long handles. Ideal for fine detail, lines and washes.


5304000 0 3

5304001 1 3

5304002 2 3

5304003 3 3

5304004 4 3


5304005 5 3

5304006 6 3

5304008 8 3

5304010 10 3

5304012 12 3


Size: 24

Size: 20

Size: 16

Size: 14

Size: 12

Size: 10

Size: 9

Size: 8

Size: 7

Size: 6

Size: 5

Size: 3

Size: 2

Size: 1

Size: 0

Size: 00

Size: 000

Size: 0000

Size: 4

97

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COTM

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Cotman™ Brushes

▲ Series 333 Rigger - Short HandleAn extra fine point for painting lines, long scroll work and detail.


5303000 0 3

5303001 1 3

5303002 2 3

5303003 3 3

Size: 3

Size: 2

Size: 1

Size: 0


▲ Series 222 Designers’ - Short HandleElongated round head for precise detail and line work.


5302000 0 3

5302001 1 3

5302002 2 3

5302003 3 3

5302004 4 3

5302005 5 3

5302006 6 3

Series 555 Short Flat/Bright - Long Handle ▼For blending, glazing or covering a large area.


5305000 0 3

5305001 1 3

5305002 2 3

5305003 3 3

5305004 4 3

5305005 5 3

5305006 6 3

5305008 8 3

5305010 10 3

5305012 12 3

5305014 14 3

5305016 16 3

5305018 18 3

Size: 6

Size: 5

Size: 4

Size: 3

Size: 2

Size: 1

Size: 0

Size: 18

Size: 16

Size: 14

Size: 12

Size: 10

Size: 8

Size: 6

Size: 5

Size: 4

Size: 3

Size: 2

Size: 1

Size: 0

98

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Series 668 Filbert - Short Handle ▶A flat head with oval tip for creating a broad mark with a soft edge.


5368103 3mm 1/8” 6

5368106 6mm 1/4” 6

5368110 10mm 3/8” 6

5368113 13mm 1/2” 3

5368119 19mm 3/4” 3

5368125 25mm 1” 2

▲ Series 667 Angled - Short HandleThe point can be used for detailed work, or it can be pressed to create a curved or straight wedge.


5367103 3mm 1/8” 6

5367106 6mm 1/4” 6

5367110 10mm 3/8” 6

5367113 13mm 1/2” 3

Size: 13mm 1/2”

Size: 10mm 3/8”

Size: 6mm 1/4”

Size: 3mm 1/8”

Size: 3mm 1/8”

Size: 6mm 1/4”

Size: 10mm 3/8”

Size: 13mm 1/2”

Size: 19mm 3/4”

Size: 25mm 1”

Series 666 One Stroke - Long Handle ▼Flat wash brush. For edges and shapes or applying washes.


5306103 3mm 1/8” 6

5306106 6mm 1/4” 6

5306110 10mm 3/8” 6

5306113 13mm 1/2” 3

5306119 19mm 3/4” 3

5306125 25mm 1” 2

5306138 38mm 1 1/2” 2

Size: 38mm 11/2”

Size: 25mm 1”

Size: 19mm 3/4”

Size: 13mm 1/2”

Size: 10mm 3/8”

Size: 6mm 1/4”

Size: 3mm 1/8”

99

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COTM

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Cotman™ Brushes

Series 999 Synthetic Mops - Short Handle ▼A domed wash brush for wetting paper and controlling large washes.


5389116 16mm 5/8” 3

5389119 19mm 3/4” 3

▲ Series 777 One Stroke - Short Handle (Clear) For creating washes, edges or shapes. The handle has a bevelled tip for burnishing or scraping.


5307113 13mm 1/2” 3

5307119 19mm 3/4” 3

5307125 25mm 1” 2

Size: 13mm 1/2”

Size: 19mm 3/4”

Size: 16mm 5/8”

Size: 19mm 3/4”

Size: 25mm 1”


▲ Series 888 Fan - Short Handle For blending and softening edges and to create textures.


5388002 2 1

5388004 4 1


Size: 6

Size: 4

Size: 2

▲ Series 888 Fan - Long handleFor blending and softening edges and to create textures.


5308002 2 1

5308004 4 1


100

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◀ Wash BrushesAn extra wide wash brush. For covering large areas and for broad strokes.


5309125 25mm 1” 1

5309150 50mm 2” 1

Cotman Field Brush Set ▲The Cotman field brush set has been specially developed for the outdoor artist. The handy zipped wallet keeps all the contents secure whilst on the move. There are three Cotman reversible brushes included, plus a field brush, pencil, rubber and artists’ sponge - perfect for use in the field.


5390646 Cotman Field Brush Set 1

Cotman Brush Set ▼The wallet contains: 3 series 111 Water Colour Brushes (No.s 1,4 and 6) a 10mm Series 666 One Stroke Brush.

Product Name MOQ code

5390599 Cotman Brush Wallet - Short Handled Brushes 1

Size: 50mm 2”

Size: 25mm 1”

101

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University Brushes

◀ Series 233 Round - Short handleFor fine detail lines and washes. Similar to the Series 235 but with a short handle for extra control.


5423030 000 3

5423020 00 3

5423000 0 3

5423001 1 3

5423002 2 3

5423003 3 3

5423004 4 3

5423005 5 3

5423006 6 3

5423007 7 3

5423008 8 3

5423010 10 3

5423012 12 3


◀ Series 235 Round - Long HandleFor fine detail lines and washes.


5419002 2 3

5419004 4 3

5419006 6 3

5419008 8 3

5419010 10 3


University is a range of affordable general-purpose artists’ brushes made with white synthetic hair.

Manufactured to our high standards, these brushes are stiff enough to use with fluid oils and acrylics yet soft

enough to use with water colours making University a genuine all-purpose range.

The polyester filaments in University brushes give smoother brush marks compared to hog hair making them

excellent for fluid oils and acrylics with less visible brush strokes. The polyester also offers excellent spring

and head shape retention and will last a considerable length of time if properly cared for.

Size: 14

Size: 12

Size: 10

Size: 8

Size: 7

Size: 6

Size: 5

Size: 4

Size: 3

Size: 2

Size: 1

Size: 0

Size: 00

Size: 000


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Series 238 Fan - Long Handle ▼For blending, softening edges and creating textures.


5462001 1 1

5462003 3 1

5462006 6 1

University Brush Set ▶Contains 3 Round 233 brushes (Sizes 00, 2, 6) and one Bright 234 in Size 6.


5490633 University Brush Wallet - Short Handled Brushes 1

◀ Series 234 Short Flat/Bright - Short HandleA short flat head for creating sharp edges with control. Similar to the Series 237 but with a short handle for extra control.


5422002 2 3

5422004 4 3

5422005 5 3

5422006 6 3

5422008 8 3

5422010 10 3


◀ Series 237 Short Flat/Bright - Long HandleA short flat head for creating sharp edges with control.


5418002 2 3

5418004 4 3

5418006 6 3

5418008 8 3

5418010 10 3


Size: 12

Size: 1

Size: 3

Size: 6

Size: 10

Size: 8

Size: 6

Size: 5

Size: 4

Size: 2

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Artists’ Hog Brushes

Artists’ Hog is our highest quality oil brush and provides a level of performance that is unrivalled. It is made

from the finest materials with the highest level of craftsmanship, and achieves the degree of sensitivity

demanded by discerning oil painters.

By using the finest Chunking hog bristles, the hair is extremely resilient and the brush retains its working edge

and shape for far longer. The bristles are also ‘flagged’ (split at the ends) giving the brush the ability to carry

more oil colour and then to apply it evenly to the surface.

The natural curve of the bristle is utilised to produce a consistent shape. Artists’ Hog brushes give the best

performance and a lifetime of service. They are the choice of brush for oil colour professionals.

Long Flat - Long Handle ▼A long flat head for blending, glazing or covering large areas.


5868002 2 3

5868004 4 3

5868006 6 3

5868008 8 3

5868010 10 3

5868012 12 3

▲ Short Flat/Bright - Long HandleA short flat head for creating sharp edges with control.


5872002 2 3

5872004 4 3

5872006 6 3

5872008 8 3

5872010 10 3

5872012 12 3

Size: 12

Size: 10

Size: 8

Size: 6

Size: 4

Size: 2

Size: 2

Size: 4

Size: 6

Size: 8

Size: 10

Size: 12


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Short Filbert - Long Handle ▼Similar to the Artists’ Hog Filbert, these brushes have a shorter, thicker shape for extra colour control.


5871002 2 3

5871004 4 3

5871006 6 3

5871008 8 3

5871010 10 3

5871012 12 3Filbert - Long Handle ▲A flat head with an oval tip for creating a broad mark with a soft edge.


5870002 2 3

5870004 4 3

5870006 6 3

5870008 8 3

5870010 10 3

5870012 12 3

Size: 12

Size: 12

Size: 10

Size: 10

Size: 8

Size: 8

Size: 6

Size: 6

Size: 4

Size: 4

Size: 2

Size: 2

105

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Round - Long Handle ▲For fine detail, lines and glazes.


5869002 2 3

5869004 4 3

5869006 6 3

5869008 8 3

5869010 10 3

5869012 12 3

Fan - Long Handle ▼For blending, softening edges and creating textures.


5878002 2 1

5878004 4 1

5878006 6 1

◀ Artists’ Hog Brush SetContains 1 each of No.4 Long Flat, no. 6 Long Filbert, No.1 Round and No. 8 Short Flat.


5890184 Artists’ Hog Brush Set 1

Artists’ Hog Brushes

Size: 2

Size: 12

Size: 10

Size: 8

Size: 6

Size: 4

Size: 2

Size: 4

Size: 6


106

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Winton™ Hog Brushes

Winton Brushes have been specially developed for use with oil colour offering artists a high quality range at an

affordable price. The hog bristle is hand-set into seamless corrosion-resistant ferrules which prevents rusting.

The natural curve of the hog bristle produces a resilient brush which retains its ‘turned in’ shape even after

heavy use, allowing the artist more control and accuracy, whether painting with oils, alkyds or acrylics.

Long Flat - Long Handle ▼A long flat head for blending, glazing or covering large areas.


5974701 1 3

5974702 2 3

5974703 3 3

5974704 4 3

5974706 6 3

5974708 8 3

5974710 10 3

5974712 12 3

Round - Long Handle ▲For fine detail lines and washes.


5975701 1 3

5975702 2 3

5975703 3 3

5975704 4 3

5975706 6 3

5975708 8 3

5975710 10 3

5975712 12 3

Size: 12

Size: 10

Size: 8

Size: 6

Size: 4

Size: 3

Size: 2

Size: 1

Size: 12

Size: 10

Size: 8

Size: 6

Size: 4

Size: 3

Size: 2

Size: 1

Short Flat/Bright - Long Handle ▼

107

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Winton™ Hog Brushes

A short flat head for creating sharp edges with control.


5973701 1 3

5973702 2 3

5973703 3 3

5973704 4 3

5973706 6 3

5973708 8 3

5973710 10 3

5973712 12 3

5973714 14 1

5973716 16 1

5973718 18 1

5973719 20 1

Size: 20

Size: 18

Size: 6

Size: 4

Size: 3

Size: 2

Size: 1

Size: 16

Size: 14

Size: 12

Size: 10

Size: 8


Fan - Long Handle ▼For blending, softening edges and creating textures.


5977701 1 1

5977703 3 1

5977705 5 1

5977708 8 1

Winton Brush Set ▶Contains 1 each of No. 4 round, No. 6 Filbert and No. 8 Short Flat/ Bright.


5990602 Winton Brush Set 1

108

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Filbert - Long Handle ▲A flat head with an oval tip for creating a broad mark with a soft edge.


5976701 1 3

5976702 2 3

5976703 3 3

5976704 4 3

5976706 6 3

5976708 8 3

5976710 10 3

5976712 12 3

Size: 12

Size: 10

Size: 8

Size: 6

Size: 4

Size: 3

Size: 2

Size: 1

Size: 1

Size: 3

Size: 5

Size: 8

Brushes shown to actual size.

109

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Azanta Black Brushes

Filbert - Long Handle ▼A flat head with an oval tip for creating a broad mark with a soft edge.


5633002 2 6

5633004 4 6

5633006 6 6

5633008 8 6

5633010 10 6

5633012 12 6

Flat - Long Handle ▲A longer flat head for blending, glazing or covering large areas.


5631002 2 6

5631004 4 6

5631006 6 6

5631008 8 6

5631010 10 6

5631012 12 6

Azanta Black is aimed at artists who require an inexpensive and versatile oil brush. The brush has good

quality hog bristle with an excellent degree of stiffness making it ideal for thick bodied oil or acrylic colour. To

help withstand frequent cleaning it has a high quality corrosion resistant nickel ferrule so that the brush will

last longer. Finally, to add a contemporary touch, the brush is finished with a stylish matt black handle.

Size: 12

Size: 10

Size: 8

Size: 6

Size: 2

Size: 4

Size: 6

Size: 8

Size: 10

Size: 12

Size: 4

Size: 2


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5630002 2 6

5630004 4 6

5630006 6 6

5630008 8 6

5630010 10 6


▲ Short Flat/Bright - Short HandleA short flat head for creating sharp edges with control. This short handle version is ideal for close up work.


5634002 2 6

5634004 4 6

5634006 6 6

5634008 8 6

5634010 10 6


Round - Short Handle ▲For fine detail, lines and glazes. This version comes with a short handle ideal for close up work.


5635002 2 6

5635004 4 6

5635006 6 6

5635008 8 6

5635010 10 6




5632002 2 6

5632004 4 6

5632006 6 6

5632008 8 6

5632010 10 6


Azanta Black Short Handle Set ▶Contains 3 Rounds (sizes 2, 6 and 8) and a Short Flat size 6.


5698589 Azanta Black Short Handle Set 1

◀ Azanta Black Long Handle SetContains 2 Short Flat/ Brights (sizes 2 and 8), a size 4 Flat and Filbert plus a size 6 Round.


5698544 Azanta Black Long Handle Set 1

Azanta Black Large Brush Set ▶Contains a Round size 12, Filbert size 12 and Flat size 12.


5690658 Azanta Black Large Brush Set 1

Size: 12

Size: 10

Size: 8

Size: 6

Size: 4

Size: 2

Size: 2

Size: 4

Size: 6

Size: 8

Size: 10

Size: 12

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Artisan™ Brushes

Artisan Brushes have been specifically designed to have the performance characteristics of

hog bristle yet maintain their spring and shape when in contact with water so they will perform with

Artisan Water Mixable Oil Colour.

Natural hog bristle is less suitable for water mixable oil colour because when soaked in water, the bristle

loses shape and the spring becomes weak, control of the paint then becomes difficult. Artisan Brushes

were developed with a unique blend of high quality polyester fibres, offering excellent spring, durability

and strength, whilst maintaining a good shape. The brushes also feature seamless nickel ferrules with

polished silver handles.

Short Flat/Bright - Long Handle ▼A short flat head for creating sharp edges with control.


5524002 2 3

5524004 4 3

5524006 6 3

5524008 8 3

5524012 12 3

5524014 14 3

5524018 18 3


Short Flat/Bright - Short Handle ▼A short flat head for creating sharp edges with control. This short handle version is ideal for close up work.


5526004 4 3

5526008 8 3


Fan - Long Handle ▲For blending, softening edges and creating textures.


5528001 1 1

5528003 3 1

Size: 1

Size: 3

Size: 22

Size: 18

Size: 14

Size: 12

Size: 8

Size: 6

Size: 4

Size: 2


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Long Flat - Long Handle ▶A long flat head for blending, glazing or covering large areas.


5525002 2 3

5525004 4 3

5525006 6 3

5525008 8 3

5525012 12 3

5525014 14 3

5525018 18 3



5523002 2 3

5523004 4 3

5523006 6 3

5523008 8 3

5523012 12 3

5523014 14 3



5522002 2 3

5522004 4 3

5522006 6 3

5522008 8 3

5522012 12 3

5522016 16 3


Round - Short Handle ▲For fine detail, lines and glazes. This version comes with a short handle ideal for close up work.


5527004 4 3

5527008 8 3


Size: 20

Size: 16

Size: 12

Size: 8

Size: 6

Size: 4

Size: 2

Size: 2

Size: 4

Size: 6

Size: 8

Size: 12

Size: 14

Size: 2

Size: 4

Size: 6

Size: 8

Size: 12

Size: 14

Size: 18

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Monarch™ Brushes

Monarch is a professional synthetic hair brush that mimics the look and feel of natural Mongoose hair (now an

endangered species). Just like Mongoose hair, the polyester filaments in Monarch provide a stiffer alternative

to sable hair, but are softer than hog bristle which means this brush is excellent for subtle blending, glazing

and fine detail work.

In addition, because Monarch is synthetic it is more durable than natural hair and has more spring making it

better for moving heavy bodied oil colour. It has a distinct appearance with hair that is variegated in shades of

ivory, gold, brown and each brush has a gold ferrule attached to a long dark brown lacquered handle.

Long Flat - Long Handle ▲A long flat head for blending, glazing or covering large areas.


5502000 0 3

5502002 2 3

5502004 4 3

5502006 6 3

5502008 8 2

5502010 10 2

5502012 12 1

5502014 14 1

Short Flat/Bright - Long Handle ▼A short flat head for creating sharp edges with control.


5501000 0 3

5501002 2 3

5501004 4 3

5501006 6 3

5501008 8 2

5501010 10 2

5501012 12 1

5501014 14 1

Glazing Brush ▶A wide flat brush with square edges for covering large areas, glazing or varnishing.


5507125 1” 1

Size: 14

Size: 12

Size: 10

Size: 8

Size: 6

Size: 4

Size: 2

Size: 14

Size: 1”

Size: 12

Size: 10

Size: 8

Size: 6

Size: 4

Size: 2

Size: 0

Size: 0


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Fan - Long Handle ▲For blending, softening edges and creating textures.


5506001 1 1

5506002 2 1

5506004 4 1

5506006 6 1

◀ Round - Long HandleFor fine detail, lines and glazes.


5503020 00 3

5503000 0 3

5503002 2 3

5503004 4 3

5503006 6 3

5503008 8 3

5503010 10 2

5503012 12 1

5503014 14 1



5504000 0 3

5504002 2 3

5504004 4 3

5504006 6 3

5504008 8 3

5504010 10 3

5504012 12 3

5504014 14 1

Short Filbert - Long Handle ▶Similar to the standard Filbert, these brushes have a shorter, thicker shape for extra colour control.


5505002 2 3

5505004 4 2

5505006 6 2

5505008 8 2

Size: 14

Size: 12

Size: 10

Size: 8

Size: 6

Size: 4

Size: 2

Size: 0

Size: 14

Size: 12

Size: 10

Size: 8

Size: 6

Size: 4

Size: 2

Size: 0

Size: 00

Size: 8

Size: 6

Size: 4

Size: 2

Size: 6

Size: 4

Size: 2

Size: 1

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Galeria™ Brushes

Galeria Brushes have been specifically developed for use with acrylic colour. The versatility of acrylic colour

places heavy demands on the brush and so we’ve developed Galeria brushes to be strong and resilient

whilst offering flexibility and sensitivity.

The unique mix of polyester filaments provides perfect control and responsiveness, rinses out easily and

has excellent shape retention. The specially tapered heads of the flat brushes prevent splaying and ensure a

perfectly controlled width of mark.

The distinctive appearance of Galeria brushes features seamless, corrosion resistant ferrules and dark

burgundy stained handles.

▲ One Stroke/Wash - Short HandleFlat wash brush. For edges and shapes or applying washes.


5733103 3mm 1/8” 3

5733106 6mm 1/4” 3

5733110 10mm 3/8” 3

5733112 12mm 1/2” 3

5733119 19mm 3/4” 1

5733125 25mm 1” 1



5732002 2 3

5732004 4 3

5732008 8 3

5732012 12 3

5732014 14 1

5732018 18 1

5732022 22 1

Size: 2

Size: 22

Size: 18

Size: 14

Size: 12

Size: 8

Size: 4

Size: 3mm 1/8”

Size: 6mm 1/4”

Size: 10mm 3/8”

Size: 12mm 1/2”

Size: 19mm 3/4”

Size: 25mm 1”


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◀ Round - Short HandleFor fine detail, lines and glazes. This version comes with a short handle ideal for close up work.


5734020 00 3

5734000 0 3

5734001 1 3

5734002 2 3

5734003 3 3

5734004 4 3

5734005 5 3

5734006 6 3

5734008 8 1

5734010 10 1

5734012 12 1

5734014 14 1


◀ Round - Long Handle For fine detail lines and washes.


5730001 1 3

5730002 2 3

5730004 4 3

5730006 6 3

5730008 8 3

5730012 12 3

5730016 16 1

5730019 20 1

5730024 24 1


Size: 00

Size: 0

Size: 1

Size: 2

Size: 3

Size: 4

Size: 5

Size: 6

Size: 8

Size: 10

Size: 12

Size: 14

Size: 16

Size: 20

Size: 24

Size: 28



5731002 2 3

5731004 4 3

5731008 8 3

5731012 12 3

5731014 14 1

5731018 18 1

5731022 22 1

5731028 28 1

Galeria Long Handled Brush Wallet ▼Contains 2 Round brushes (Sizes 6 and 8) and a Size 12 Filbert.


5790601 Galeria Long Handled Brush Wallet 1

Galeria Short Handled Brush Wallet ▶Contains 3 Round brushes (Sizes 0, 3 and 8) and a 12mm/1/2” One Stroke brush.


5790600 Galeria Short Handled Brush Wallet 1

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Galeria™ Brushes

Size: 28

Size: 22

Size: 18

Size: 14

Size: 12

Size: 8

Size: 4

Size: 2


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Our Special Value range offers artists a wide choice of brushes at an affordable

price. The brushes are packed in bags offering a variety of brush head shapes

and sizes.

Available in four hair types: red sable, hog bristle, white synthetic and golden

synthetic each pack is labeled with the media it is best suited for whether it be

oil, acrylic or water colour.

Special Value Brush Packs

Red Sable ▲Good quality sable primarily for use with water colour and gouache.

Product code No. of brushes MOQ

5296701 3 6

5296709 3 6

5296710 4 6

5296725 4 3

5296739 5 3

◀ Series S4 Stencilling BrushShort, stubby brushes used specifically for stencilling. Made of hardwearing bristle with seamless nickel-plated ferrules and natural wood handles.


5480002 2 6

5480004 4 6

5480006 6 6

Miscellaneous Brushes

White Synthetic ▲Available in short handles, these versatile brushes are suitable for water colour, acrylic and gouache and long handles for acrylics and oils.


5298704 3 6

5298712 4 6

5298720 4 6

5298728 5 3

5298734 6 3

5298743 6 3

5298744 6 3

Hog ▲Good quality hog bristle brushes suitable for use with oils and acrylics.


5297717 5 6

5297721 4 6

5297726 3 3

5297729 5 3

5297730 5 3

5297735 6 3

5297736 8 3

5297740 5 3

Golden Synthetic ▲Ideal as a general all-purpose artists’ brush. They can be used for oils, acrylics, Griffin Alkyd Fast Drying Oil Colour, Artisan Water Mixable Oils and water colour.


5298702 4 6

5298703 3 6

5298711 4 6

5298718 5 6

5298719 4 6

5298727 5 3

5298733 3 6

5298741 7 3

5298742 7 3

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In support of our colour and

brush ranges, we offer a

comprehensive range of

artists' accessories.

Our selection of top quality easels

offer a solution to any painting

environment whether it be at

home, in school, at the studio

or outdoors.

Choosing the right canvas is

a crucial part of the painting

process and our range of

canvases offer a choice of

reliable and durable surfaces on

which to paint. All our canvases

are carefully prepared using

specially selected cloth and our

highly pigmented primer for

excellent performance and long

lasting paintings.

We also take great care in

sourcing the finest art papers to

ensure outstanding quality where

longevity is of importance. From

delicately textured water colour

sheets to heavy weight hard

back sketch books our range of

paper is extensive and diverse.

Finally, to complete our

offering, there is a wide

selection of painting and

drawing accessories

from palette knives to

painting guides.

Easels, Grounds and Accessories

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Brent Table Easel ▶Handcrafted from seasoned Beechwood, this easel has an ‘H’ frame construction which is compact and sturdy. It is a two-piece easel which is quick and easy to assemble and comes with its own mini screwdriver.

Height: 45.2cm Width: 16cm Depth: 13.5cm Weight: 0.4kg Maximum canvas height 30cm


7006233 Brent Table Easel 1

Tay Table Easel ▶A sturdy, Beechwood easel with rubber feet for table use. The painting angle can be set at four different angles of recline and folds flat when not in use. Paintings can be clamped to the easel for protection during transportation. The easel folds down to a box shape for ease of transport.

Maximum extended height: 58cm Width: 36cm Depth: 36cm Weight: 1.5 kg Maximum canvas height: 48.5cm


7006123 Tay Table Easel 1

Ribble Table Easel ▶This tripod format table easel, manufactured from seasoned Beechwood, is both light and portable. Its legs fold for ease of carrying and storage and feature rubber tipped feet.

Maximum extended height: 82cm Width: 39cm Depth: 30cm Folded dimensions: 47 x 7 x 7cm Weight: 0.5kg Maximum canvas height: 66cm


7006121 Ribble Table Easel 1

Aire Table Easel ▲Made from anodised aluminium, this portable tripod easel is designed for table top use. Its legs have rubber tipped feet which fold for ease of carrying and storage. The telescopic back leg allows adjustment to the canvas angle.

Height: 50cm Width: 44cm Depth: 25cm Weight: 0.28kg


7006122 Aire Table Easel 1

Table Easels

Eden Table Easel ▲This strongly built Beechwood easel is of ‘H’ frame construction and features a tilting facility to create the ideal working angle.

Maximum extended height: 83cm Width: 28m Depth: 33cm Weight: 1.1kg Maximum canvas height: 57cm


7006120 Eden Table Easel 1

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Arun Table Easel ▶This innovative box easel is handcrafted from seasoned Beechwood and comes fully assembled. Designed with ease of transport in mind, it folds down to a box shape and includes a carry handle. The side storage tray is ideal for storing colour, brushes and other painting accessories

Width: 40cm Depth: 35cm Weight: 3.5kg Maximum canvas height: 86cm


7006201 Arun Table Easel 1

Bamboo Arun Table Easel ▶Similar to the standard Arun Table Easel but handcrafted from Bamboo for a beautifully smooth satin touch finish, this is one of our premium easels. A great choice environmentally because Bamboo is fast growing which means forests can be quickly replanted.

Width of easel: 40cm Depth of easel: 35cm Weight: 3.5kg Maximum canvas height: 86cm


7006246 Bamboo Arun Table Easel 1

Kent Table Easel ▶Made from Basswood the Kent Table Easel offers good stability, but is also light and easily portable. The non-skid rubber feet ensure that its stays firmly in its required position.

Height: 91cm Width: 44cm Weight: 1.23kg Maximum canvas height: 91cm.


7006226 Kent Table Easel 1

Medway Table Box Easel ▲This easel is ideal for table and field use, made from Elmwood it provides a spacious storage area for materials and requires minimal assembly. It has an adjustable canvas height and an adjustable angle so you can select your preferred working position. In addition it comes with a carrying handle and folds to a box shape for easy transportation.

Maximum extended height: 72cm Width: 27cm Depth: 37.8cm Weight: 1.44kg Maximum canvas height: 62.2cm


7006225 Medway Table Box Easel 1

Tamar Table Box Easel ▲Constructed from Elmwood the Tamar is suitable for studio, table and field use. It has a sliding draw compartment perfect for storage and a carrying handle so it’s easy to transport your materials around. The angle of the easel is also adjustable to help achieve your preferred working position.

Maximum extended height: 28cm Width: 37cm Depth: 29cm Weight: 1.4kg


7006244 Tamar Table Box Easel 1

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Windrush Sketch Box Easel ▶Handcrafted from seasoned Beechwood, this is an ideal easel for both studio work and painting on location. The easel has been designed to fold down to a box shape and has a carry handle and shoulder strap for ease of transporting. The telescopic legs can be easily adjusted to achieve the perfect working height. The easel also comes with an integrated metal lined storage tray which contains a wooden palette.

Maximum extended height: 180cm Width: 77cm Depth: 94cm Weight: 6.9 kg Maximum canvas height: 73cm


7006203 Windrush Sketch Box Easel 1

Dart Sketching Easel ▼A versatile lightweight Beechwood easel for water colour or oil sketching. Canvases or boards can be secured upright or tilted to any required angle, including horizontal for water colour sketching. The telescopic legs can be adjusted for best working position.



7006124 Dart Sketching Easel 1



7006245 Bamboo Windrush Sketch Box Easel 1

Bamboo Windrush Sketch Box Easel ▼Similar to the standard Windrush but handcrafted from Bamboo for a beautifully smooth satin touch finish this easel is ideal for both studio work and painting on location. A great choice environmentally because Bamboo is fast growing which means forests can be quickly replanted.

Maximum extended height: 184cm Width: 68cm Depth: 96cm Weight: 5.1kg Maximum canvas height: 82cm


7006204 Tweed Sketch Box Easel 1

Tweed Sketch Box Easel ▼Designed to fold down to a box shape with adjustable shoulder straps, the Tweed is ideal for backpacking when travelling to outdoor painting locations. The easel has telescopic legs to adjust it to the perfect working height, it also comes with a practical metal lined storage tray and folding wooden palette.

Sketch Box and Sketching Easels

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Severn Sketching Easel ▶This easel offers a more substantial version of a traditional Beechwood sketching easel, whilst remaining compact and portable. The Dart features a tilting facility for adjustable working angles.

Maximum extended height: 170cm Height: 200cm Width: 86cm Weight: 2.5kg Maximum canvas height: 79cm


7006125 Severn Sketching Easel 1

Trent Metal Sketching Easel ▶A sturdy metal folding sketching easel which offers added stability for outdoor sketching. The telescopic legs and adjustable canvas grip allow for a varied range of working positions and heights.

Maximum extended height: 240cm Width: 83cm Depth: 67cm Weight: 2.5kg Maximum canvas height: 75cm


7006126 Trent Metal Sketching Easel 1

Tyne Aluminium Sketching Easel ▶This lightweight folding aluminium easel features telescopic adjustable legs and has great stability when working outdoors. The adjustable canvas support can be positioned for either water colour or oil colour painting. A unique feature of this easel is its camera mount fixing on the canvas support, which when removed offers the facility to be used as a photographic tripod with standard camera mount fitting.

Maximum extended height: 188cm Width: 82cm Weight: 1.8 kg Maximum canvas height: 80cm


7006127 Tyne Aluminium Sketching Easel 1

Bristol Aluminium Sketching Easel ▶This lightweight aluminium easel is great for indoor, outdoor or tabletop use. It has one touch control for quick telescopic leg adjustment and comes with a hard shell carrying case with handle and shoulder strap. The easel also has a useful utility hook on the painting tray.

Maximum extended height: 177cm Width: 135cm Weight: 0.95 kg Maximum canvas height: 137cm


7006210 Bristol Aluminium Sketching Easel 1

▲ Bristol Water Colour EaselSimilar in design to the Bristol Aluminium Sketching Easel however its key difference is that it can tilt to a flat position allowing the artist to paint with water colour. Great for indoor or outdoor painting.

Maximum extended height: 203cm Width: 150cm Weight: 1.8kg Maximum canvas size: 84cm


7006119 Bristol Water Colour Easel 1

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Clyde Platform Easel ▲This combined bench and easel offers two heights and four angle adjustments for the canvas or drawing board, together with a spacious well for materials. The lid of the well lifts to form the canvas rest. Strongly constructed from seasoned Beechwood, this model is recommended for college use.

Height: 79cm Width: 102cm Depth: 29cm Weight: 8.7kgs


7006133 Clyde Platform Easel 1

◀ Thames Radial EaselA rigid, adjustable easel, constructed from seasoned Beechwood which is recommended for studio and college use. The easel can also be easily tilted to achieve the ideal working position. The canvas rests on a shelf with space for brushes whilst a sliding top block locks the upper edge. When not in use the easel folds for ease of storage.

Maximum extended height: 268cm Width: 77cm Depth: 73 cm Weight: 6.7kgs Maximum canvas height: 182cm


7006131 Thames Radial Easel 1

Avon Tilting Radial Easel ▲Made to the same high specification as the Thames Radial Easel, this model features a central joint allowing the canvas to be positioned securely in any position between the vertical and horizontal, thus making this model suitable for use with all forms of media, including water colour.

Maximum extended height: 268cm Width: 77cm Depth: 73 cm Weight: 7.5kgs Maximum canvas height: 182cm


7006132 Avon Tilting Radial Easel 1

Mersey ‘A’ Frame Studio Easel ▶This robust Beechwood studio easel offers both stability and flexibility of adjustment for a variety of canvas sizes. The lower support features a metal ratchet for adjustment of the working height.

Maximum extended height: 220cm Width: 56cm Weight: 5.6kg Maximum canvas height: 124cm


7006128 Mersey ‘A’ Frame Studio Easel 1

Studio Easels

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Tavy Studio Easel ▶Handcrafted in seasoned Beechwood providing hardness and durability, this easel requires minimum assembly and offers the capability to be to be folded flat for storage. The Tavy easel promotes stability from the ‘T’ frame design and can hold many sizes of canvas and board.

Height: 182cm Width: 79cm Weight: 5kg Maximum canvas height: 138cm


7006227 Tavy Studio Easel 1

Double Sided Devon Studio Easel ▶This studio easel features a double-sided design which allows the accommodation of two canvases along with a bottom painting tray that moves easily to allow height adjustability. Built on a sturdy ‘H’ Frame it is handcrafted from fine quality Beechwood with a natural oil finish. It can be assembled in minutes without the need for tools and has locking casters for effortless studio positioning. As a space efficient easel, it is excellent for schools.

Height: 166cm Width: 66cm Depth: 62cm Weight: 23kg Maximum canvas height: 130cm


7006135 Double Sided Devon Studio Easel 1

Shannon Studio Easel ▶A solidly built, robust easel designed for studio and college use. The painting ground rests on an adjustable lower shelf which allows simple adjustment of the working height. The easel has an adjustable angle for preferred working position. This model also features a folding base stand for ease of storage. Supplied in kit form for simple self-assembly.

Maximum extended height: 264cm Width: 52cm Depth: 57cm Weight: 9.3kgs Maximum canvas height: 134


7006130 Shannon Studio Easel 1

▼ Welland Studio EaselA sturdy ‘H’ frame construction made from seasoned Beechwood and built for years of use. The easel is fitted with casters for ease of movement and folds flat for easy storage. The easel also has an adjustable angle for preferred working position. This model features a large front brush tray below the canvas support.

Maximum extended height: 267cm Width: 60cm Depth: 60cm Weight: 12.5kgs Maximum canvas height: 129cm


7006219 Welland Studio Easel 1

Hamilton Studio Easel ▶Handcrafted from seasoned Beechwood this easel is highly adjustable, it can tilt forward for glare reduction or tilt backward to a horizontal position when painting with water colour. The easel has a fully adjustable painting tray and folds flat for easy storage.

Maximum extended height: 222cm Width: 62cm Depth: 70cm Weight: 8kgs Maximum canvas height: 138 cm


7006205 Hamilton Studio Easel 1

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100% Linen ▼Linen is traditionally the preferred surface for professional artists. Our 100% Linen range is ideal for all techniques including heavier application of colour. The primed weight of the canvas is 13oz/375gsm having been triple coated using acid free sizing plus two coats of highly pigmented primer. This allows excellent adhesion of colour and a balanced absorbency preventing any sinkage of oil colour. The linen canvas is stapled on the reverse to allow painting on all sides and has professional stretcher bars giving greater strength and stability.

100% Linen Deep Edge ▲Made with the same canvas as the 100% Linen range from the carefully sourced cloth to the priming method, the only difference with this range are the thicker stretchers. These “deep edge” stretchers help give paintings extra impact so that they can be hung without a frame.

◀ Fine Detail Cotton Canvas This finely woven cotton canvas is ideal for artists who require a smooth surface to produce fine detail paintings such as portraits, still life, botanic studies and other detailed work. Carefully prepared using one coat of acid free sizing and two coats of highly pigmented primer, the canvas offers excellent tooth and well balanced absorbency to prevent sinking of oil colour and improved adhesion. The 10oz / 280gsm primed canvas is suitable for use with oil, acrylic and alkyd colour. It’s also possible to adjust the smoothness of the canvas by lightly sanding it with a fine grade sandpaper and applying a coat of primer so you can create the perfect surface for your needs.

Product Imperial Sizes MOQ code

6032110 12" x 10" 8

6032112 14" x 10" 8

6032114 16" x 12" 8

6032116 18" x 14" 8

6032120 20" x 16" 8

6032122 22" x 16" 4

6032128 24" x 18" 4


6032130 24" x 20" 3

6032134 30" x 20" 3

6032136 30" x 24" 3

6032137 30" x 48" 3

6032138 36" x 24" 3

6032140 36" x 28" 3

6032144 40" x 30" 2

Product Metric Sizes MOQ code

6042004 20 x 50cm 8

6042016 24 x 30cm 8

6042024 30 x 40cm 8

6042025 30 x 60cm 8

6042029 30 x 80cm 4

6042030 40 x 50cm 8

6042046 50 x 70cm 4

6042049 50 x 100cm 4

6042052 60 x 70cm 4

6042060 60 x 90cm 4

6042070 70 x 100cm 4

Product Square Metric MOQ code Sizes

6042013 20 x 20cm 8

6042020 30 x 30cm 8

6042026 40 x 40cm 8

6042038 50 x 50cm 8

6042050 60 x 60cm 4

6042079 90 x 90cm 2

6042084 100 x 100cm 2


6040110 12" x 10" 8

6040112 14" x 10" 8

6040114 16" x 12" 8

6040116 18" x 14" 8

6040120 20" x 16" 8

6040122 22" x 16" 8

6040128 24" x 18" 8

6040130 24" x 20" 6

6040134 30" x 20" 6


6040136 30" x 24" 6

6040137 30" x 48" 2

6040138 36" x 24" 6

6040140 36" x 28" 3

6040144 40" x 30" 4

6040146 36" x 48" 2

6040151 40" x 60" 2

6040152 44" x 56" 2

Surfaces for Oils and Acrylics

All Winsor & Newton canvases are supplied with wedges. Wedges are used to expand the stretcher if the canvas slackens in adverse weather conditions. Wedges should be placed in the corners and tapped in with a pin hammer. The use of wedges is not a common requirement. Other sizes are available for certain countries please contact us for more details.

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The Artists’ Canvas range consists of carefully selected and prepared medium grain 100% cotton canvas. The primed canvas weighs 13oz/375gsm having been triple coated with one coat of acid free sizing and two coats of highly pigmented primer. The result is a canvas that offers tooth and balanced absorbency to allow adhesion of the paint film with no sinking of oil colour. All Artists’ Canvases are stapled on the reverse resulting in clean edges, to ensure that you can paint on all four sides. Professional stretcher bars offer great strength and stability. Artists’ Canvas is available in three popular formats; rectangular, square and maritime.

Artists’ Canvas ▼Product Imperial MOQ code Sizes

6005110 12” x 10” 8

6005112 14” x 10” 8

6005114 16” x 12” 8

6005116 18” x 14” 8

6005120 20” x 16” 8

6005122 22” x 16” 8

6005128 24” x 18” 8

6005130 24” x 20” 6

6005134 30” x 20” 6

6005135 30” x 48” 2

6005136 30” x 24” 6

6005138 36” x 24” 6

6005140 36” x 28” 3

6005144 40” x 30” 2

6005146 36” x 48” 2

6005151 40” x 60” 2

6005152 44” x 56” 2

Square Metric Sizes

6005013 20 x 20cm 8

6005020 30 x 30cm 8

6005026 40 x 40cm 8

6005038 50 x 50cm 8

6005050 60 x 60cm 6

6005064 70 x 70cm 3

6005072 80 x 80cm 4

6005079 90 x 90cm 2

6005080 100 x 100cm 2

Martime/Landscape Metric Sizes

6005029 30 x 80cm 6

6005031 30 x 100cm 6

6005033 30 x 120cm 6

6005039 40 x 100cm 4

6005041 40 x 120cm 4

6005051 50 x 120cm 4

Artists’ Canvas Deep Edge ▶Using the same carefully selected and primed cotton canvas as the standard Artists’ Canvas, this Deep Edge range has thicker stretchers so paintings can be hung without the need for framing.

Product Metric Sizes MOQ code

6041004 20 x 50cm 8

6041016 24 x 30cm 8

6041024 30 x 40cm 8

6041025 30 x 60cm 8

6041029 30 x 80cm 4

6041030 40 x 50cm 8

6041046 50 x 70cm 4

6041049 50 x 100cm 4

6041052 60 x 70cm 4

6041060 60 x 90cm 4

6041070 70 x 100cm 4

Product Square MOQ code Metric Sizes

6041013 20 x 20cm 8

6041020 30 x 30cm 8

6041026 40 x 40cm 8

6041038 50 x 50cm 8

6041050 60 x 60cm 4

6041079 90 x 90cm 2

6041084 100 x 100cm 2

▲ Artists’ Canvas RollsArtists’ Canvas Rolls consist of the same carefully selected medium grain cotton canvas as used in the stretched Artists’ Canvas range. There are four different sizes of Artists’ Canvas Roll available; these are 1.6m x 5m, 2.1m x 5m, 1.6m x 10m and 2.1m x 10m. Each roll of canvas cloth can be cut to individual requirements and is packaged in a re-usable bag for added protection during storage.

Product code Sizes MOQ

6105350 1.6m x 5m 1

6105352 2.1m x 5m 1

6105355 1.6m x 10m 1

6105357 2.1m x 10m 1


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Surfaces for Oils and Acrylics

Winsor Deep Edge Canvas offer artists a thicker canvas ideal for hanging unframed. This medium grain canvas has a primed weight of 12oz/350gsm and has a double coat of primer to preventing the sinking of oil colour and aid adhesion. Made from 100% cotton and stapled on the reverse leaving the sides clear to be painted means that there is no need for framing. Deep Edge is available in rectangular, square and maritime formats.

Winsor Deep Edge Canvas ▼

Product Imperial MOQ code Sizes

6012096 4” x 5” 12

6012100 4” x 6” 12

6012097 5” x 5” 12

6012101 6” x 6” 12

6012099 6” x 12” 12

6012108 8” x 10” 12

6012098 10” x 10” 12

6012111 11” x 14” 12

6012116 14” x 18” 6

6012128 18” x 24” 6

6012136 24” x 30” 4

6012145 24” x 48” 6

6012131 30” x 30” 4

6012135 30” x 36” 6

6012150 30” x 40” 6

6012137 30” x 48” 4

6012146 36” x 48” 4

6012147 36” x 60” 2

6012156 48” x 60” 2

Product Rectangular MOQ code Metric Sizes

6012011 20 x 50cm 8

6012016 24 x 30cm 8

6012024 30 x 40cm 8

6012025 30 x 60cm 8

6012029 30 x 80cm 4

6012030 40 x 50cm 8

6012046 50 x 70cm 4

6012049 50 x 100cm 4

6012052 60 x 70cm 4

6012060 60 x 90cm 4

6012070 70 x 100cm 4 Square Metric Sizes

6012013 20 x 20cm 8

6012020 30 x 30cm 8

6012026 40 x 40cm 8

6012038 50 x 50cm 8

6012050 60 x 60cm 4

6012079 90 x 90cm 2

6012084 100 x 100cm 2

Originally a sketcher’s product these superior quality canvas boards feature canvas laminated onto high quality boards of excellent stability. They are stretched by hand for correct tension with tailored corners and are triple coated with one coat of acid free sizing and two coats of highly pigmented primer. This helps to give the boards a balanced absorbency and tooth which prevents sinking of oil colours and improves adhesion. The medium grain surface is ideal for all techniques including heavier applications of colour.

Artists’ Canvas Boards ▼Product Imperial Sizes MOQ code

6224102 7” x 5” 3

6224108 10” x 8” 3

6224110 12” x 10” 3

6224112 14” x 10” 3

6224114 16” x 12” 3

6224116 18” x 14” 3

6224120 20” x 16” 3

6224124 22 x 18” 3

6224128 24” x 18” 3

6224130 24” x 20” 3

6224131 26” x 18” 3

6224134 30" x 20” 3

Square Metric Sizes

6224013 20 x 20cm 3

6224020 30 x 30cm 3

6224026 40 x 40cm 3

6224038 50 x 50cm 3

6224050 60 x 60cm 3


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Winton Oil Colour Pads are produced exclusively for Winsor & Newton using a fine quality, neutral sized paper to provide maximum stability and resistance to ageing. Winton Paper is made form TCF (Totally Chlorine Free) pulp produced from sustainable forests. The paper is specially formulated with reduced absorbency to ensure the perfect holdout for oils and acrylics. The paper is 230gsm/108lb and has been embossed with a unique canvas texture which provides an attractive surface for the application of oils and acrylics. Each gummed pad contains 10 sheets.

◀ Winton Oil Colour Paper

Winsor Universal Canvas (Twinpacks) ▶Our Winsor Universal range offers the artist a good quality, 100% cotton canvas. The primed weight is 12oz/350gsm with a double coat of primer to preventing the sinking of oil colour and aid adhesion. This range consists of canvases in twin packs.

Product code Imperial Sizes MOQ

6010110 12" x 10" 6

6010112 14" x 10" 6

6010114 16" x 12" 6

6010116 18" x 14" 3

6010120 20" x 16" 3

6010122 22" x 16" 3

6010128 24" x 18" 3

6010130 24" x 20" 3

6010134 30" x 20" 3

6010136 30" x 24" 3

6010137 30" x 48" 3

6010138 36" x 24" 3

6010140 36" x 28" 3

6010144 40" x 30" 3

Galeria Acrylic Paper ▶The Winsor & Newton range of Galeria Acrylic Paper has been specifically designed for use with all acrylic colours and mediums. Galeria Acrylic Pads are made from 100% acid free, mould-made paper for stability and resistance to ageing. It is both internally and externally sized to provide maximum colour brilliance. The paper is 300gsm/140lb and has been embossed to produce a ‘canvas-like’ texture. Each gummed pad contains 15 sheets.

Product code Loose Sheets MOQ

6229250 31" x 21" 10

Gummed Pads

6530568 10" x 7" 6

6530570 12" x 9" 6

6530572 14" x 10" 3

6530574 16" x 12" 3

6530233 A4 3

6530232 A3 3


6433320 30" x 22" 25

Gummed Pads

6687566 7" x 5" 3

6687568 10" x 7" 3

6687572 14" x 10" 3

6687574 16" x 12" 3

6687577 20" x 16" 3

6687233 A4 3

6687232 A3 3


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Both inexpensive and versatile, Cotman Water Colour Paper is ideal for artists who use large quantities of paper. Cotman is available in the most popular Cold Pressed/NOT surface, in three different weights: 190gsm/90lb, 300gsm/140lb and 425gsm/200lb. A firm favourite amongst water colour artists, Cotman Water Colour paper is a good quality mould-made, wood-free paper that is internally and externally sized. Cotman paper is acid free for extensive life without deterioration.

Cotman Water Colour Paper ▼

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Artists’ Water Colour Paper – singular loose sheets ▼

Artists Water Colour Paper has been developed for artists seeking the finest in water colour paper. Made on a cylinder mould from 100% cotton, Artists’ Water Colour paper is an extremely strong and stable paper and is guaranteed 100% acid free for archival permanence. It is internally and externally sized and has a clean white surface which helps maintain the brilliance and transparency of the colours applied. Each sheet measures 30 x 22” (762 x 558mm)


6448370 190gsm/90lb Hot Pressed Surface 5

6448372 300gsm/140lb Hot Pressed Surface 5

6448374 190gsm/90lb Cold Pressed/NOT Surface 5

6448376 300gsm/140lb Cold Pressed/NOT Surface 5

6448378 300lb Cold Pressed/NOT Surface 5


6448380 190gsm/90lb Rough Surface 5



Surfaces for Water Colour and Gouache

▲ Artists’ Water Colour Paper - PadsArtists' Water Colour Paper offers an excellent surface designed for professional watercolourists. Both stable and durable the mould-made paper has a superior Cold Pressed/NOT surface. The wood-free fibres used in manufacture ensure the paper is 100% acid free, increasing the longevity of your paintings. The paper is both internally and externally sized to give brilliance of colour and to facilitate erasing and sponging without damaging the surface. The range consists of spiral and gummed pads, each pad contains 12 sheets of 300gsm/140lb paper.

Product code Gummed Pads MOQ

6663234 A5 5

6663233 A4 3

6663232 A3 3

6663231 A2 3

Product code Wire-O Pads MOQ

6662566 5" x 7" 5

6662568 7" x 10" 5

6662570 9" x 12" 5

6662572 10" x 14" 3

6662574 12" x 16" 3

6662575 14" x 18" 3

6662577 16" x 20" 3

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Product Loose sheets MOQ Code

6438284 30" x 22" - 190gsm/ 90lb 25

6438287 30" x 22" - 300gsm/ 140lb 25

6438290 30" x 22" - 425gsm/ 200lb 10

Product Gummed Pads MOQ code (190gsm/90lb) 20 sheets

6655567 5" x 8" 5

6655568 7" x 10" 5

6655570 9" x 12" 5

6655572 10" x 14" 3

6655574 12" x 16" 3

6655577 16" x 20" 3


6654567 5" x 8" 5

6654568 7" x 10" 5

6654570 9" x 12" 5

6654572 10" x 14" 3

6654574 12" x 16" 3

Product Blocks (300gsm/140lb, MOQ code 4 sides glued) 20 sheets

6666568 7" x 10" 3

6666570 9" x 12" 3

6666572 10" x 14" 3

6666574 12" x 16" 3

Product Wire-O Pads MOQ code (300gsm/140lb) 12 sheets

6657567 5" x 8" 6

6657568 7" x 10" 6

6657570 9" x 12" 6

6657572 10" x 14" 3

6657574 12" x 16" 3

6657577 16" x 20" 3


6656567 5" x 8" 5

6656568 7" x 10" 5

6656570 9" x 12" 5

6656572 10" x 14" 3

6656574 12" x 16" 3

6656577 16” x 20” 3

Product Postcards (300gsm/140lb) MOQ code 15 sheets

6917091 4" x 6" 6

Tints Pastel Paper Pad ▶

The Winsor & Newton Tints Pastel Paper Pad contains high quality coloured papers suitable for use with pastel, pencil, charcoal and other craft applications. Each pad contains 6 assorted colours featuring the most popular pastel shades as well as brighter colours for craft, collage, mounting etc. Winsor & Newton Tints is 100% acid free, light resistant and features an attractive grained surface on one side and a slightly smoother surface on the other, offering the artist a choice of effects. There are two pads available which contain a different assortment of colours.

Product code Pads (24 sheets) MOQ

6660762 42 x 30cm Assorted Pad 3

6660763 30 x 21cm Assorted Pad 6

Artists’ Fixative (aerosol) ▲A colourless medium which provides protection of charcoal, pencil, pastel and chalk drawings. Specially formulated to reduce smudging and dusting. Dries rapidly. Supplied in easy application aerosol can.


3033913 150ml 6

3042913 400ml Version 1* English, French, Dutch, German, Italian, Greek 6

3048913 400ml Version 2* English, Portuguese, Danish, Swedish, Finish, Spanish 6

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▲ Smooth surface Drawing Pads (Gummed 130gsm/60lb)These gummed cartridge pads, each containing 30 sheets are available in a range of 4 popular sizes.

Product Gummed Pads MOQ code (130gsm/60lb)

6689615 A5 6

6689614 A4 6

6689613 A3 6

6689612 A2 3

▲ Smooth surface Drawing Pads (Wire-O 150gsm/70lb)These wire-o cartridge pads contain 25 sheets and are available in a range of 5 popular sizes.

Product code Wire-O Pads MOQ

6689626 A6 6

6689625 A5 6

6689624 A4 6

6689623 A3 6

6689622 A2 3

▲ Smooth surface Heavyweight Drawing Pads (Gummed 220gsm/100lb)This range contains a heavy weight cartridge paper which can be used with a variety of sketching and drawing media as well as light water colour washes. Each pad contains 25 sheets and is available in 4 popular sizes.


6689635 A5 6

6689634 A4 6

6689633 A3 3

6689632 A2 3

Surfaces for Drawing and Sketching

Winsor & Newton

provide a selection

of smooth surface

gummed and

spiral pads that are

suitable for a variety

of drawing and

sketching applications

such as calligraphy,

technical pen and

coloured pencil

techniques.

Smooth Surface Sketching and Drawing Pads

▲ Medium Surface Field Sketch Pads (Wire-O bound 96gsm/45lb) These wire-o, landscape format pads contain a lightweight field sketch grade paper. The pads each contain 50 sheets and are available in a range of “A” sizes.

Product Wire-O Pads MOQ code (96gsm/45lb)

6689706 A6 6

6689705 A5 6

6689704 A4 6

6689703 A3 6

▲ Medium Surface Heavy Weight Drawing Pads (Gummed 220gsm/100lb)This range contains a heavy weight cartridge paper which can be used with a variety of sketching and drawing media as well as light water colour washes. Each pad contains 25 sheets and is available in 4 popular sizes.


6689735 A5 6

6689734 A4 6

6689733 A3 3

6689732 A2 3

▲ Medium Surface Drawing Pads (Wire-O 150gsm/70lb)This range of wire-o cartridge pads contain 25 sheets and are available in popular “A” sizes.

Product Wire-O Pads MOQ code (150gsm/70lb)

6689726 A6 6

6689725 A5 6

6689724 A4 6

6689723 A3 6

6689722 A2 3

▲ Medium Surface Drawing Pads (Gummed 130gsm/60lb)These medium weight gummed cartridge pads contain 30 sheets and are available in a range of 4 sizes.


6689715 A5 6

6689714 A4 6

6689713 A3 6

6689712 A2 3

Medium Surface Sketching and Drawing Pads

Winsor & Newton provide a selection of medium surface gummed and wire-o pads

that are suitable for a variety of drawing and sketching applications with various

media including pencil, coloured pencil, pastel, oil pastel and charcoal.

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Extra Smooth Bristol Boards ▼The Bristol Board range is 250gsm/115lb in weight and has an extra smooth, bright white surface making it ideal for fine detail drawings and illustrations with pencil, technical pen, pen and ink and airbrush.100% acid free and 100% woodfree to ensure long term stability, this Bristol Board has a strong surface for repeated working and erasing and is also suitable for light washes without risk of cockling.


6661541 A5 3

6661542 A4 3

6661543 A3 3

These high quality black hard back sketch books are available in either case bound or wire-o varieties. Each book contains acid-free paper to ensure longevity. To allow for easy removal the sheets are perforated along the edge. Suitable for use with pencil, pen and ink and light water colour washes. Available with light weight 110gsm/50lb paper or heavier weight 170gsm/80lb paper

Product code Light weight 110gsm/50lb MOQ

Bound Pads (80 sheets)

6676235 A6 6

6676234 A5 6

6676233 A4 6

6676232 A3 3

Wire-O Pads (80 sheets)

6678235 A6 6

6678234 A5 6

6678233 A4 6

6678232 A3 3

Black Paper Hard Back Sketch Books ▶These black paper sketchbooks are practical and versatile to cover artists’ and crafters’ every need. The sketchbooks have the added benefit of a large wire-o binding so when you add clippings and images the sketchbook will expand as you go. Available in a range of 7 sizes including square, landscape and ‘A’ sizes, these sketchbooks are ideal for a wide variety of media. Use them with soft pastels, oil pastels, coloured pencils, glitter glues, acrylic colour, for scrap booking or simply use them as a photo album. The books consist of medium weight 80lb/180gsm paper made from acid free pulp for extra durability.

Cartridge Paper and Pads ▼

Product code Heavy weight 170gsm/80lb MOQ

Bound (48 sheets)

6677235 A6 6

6677234 A5 6

6677233 A4 6

6677232 A3 3

6659595 6" x 6" 4

6659596 12" x 12" 3

6659597 265 x 210mm 3

6659598 380 x 297mm 2

Wire-O (50 sheets)

6679235 A6 6

6679234 A5 6

6679233 A4 6

6679232 A3 3

6658595 6" x 6" 4

6658596 12" x 12" 3

6658597 265 x 210mm 3

6658598 380 x 297mm 2

Hard Back Sketch Books ▶

This range of white cartridge paper is 110gsm/50lb in weight. Its strong, machine-made quality enables easy erasure without destroying the surface. Available in 12m rolls in two different widths of 0.76m and 1.5m, these are ideal for artists who want to work on a larger scale. Also available in economical spiral bound sketch pads, each sheet is perforated along the spine for ease of removal. The range offers a choice of either 25 or 50 sheet pads in a selection of popular “A” sizes.

Product code Spiral Pads (25 sheets) MOQ

6670234 A5 10

6670233 A4 10

6670232 A3 5

6670231 A2 5

Spiral Pads (50 sheets)

6671234 A5 10

6671233 A4 10

6671232 A3 5

6671231 A2 3

Rolls

6447314 0.76 x 12m roll 1

6447316 1.5 x 12m roll 1

Product code Wire-O (40 sheets) MOQ

6668234 A5 4

6668233 A4 3

6668232 A3 2

6668595 6" x 6" 4

Product code Wire-O (40 sheets) MOQ

6668596 12" x 12" 3

6668597 265 x 210mm 3

6668598 380 x 297mm 2

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Palettes

Compact Acrylic Palette ▼This economical palette measures 360 x 245 x 15mm. It is of a traditional palette shape with thumb hole and has a removable lid. In addition to the main palette area there are 4 additional integral mixing wells. The palette contains 3 sheets of absorbent reservoir paper and 12 sheets of membrane paper.


7028363 Compact Acrylic Palette 1

▲ Compact Acrylic Palette RefillThis refill pack for the Compact Acrylic Palette contains 3 sheets of absorbent reservoir paper and 12 sheets of membrane paper.


7028364 Compact Acrylic Palette Refill 1

▲ Plastic Palette 228 x 152mmAn oblong plastic palette of convenient size and easy cleaning.


7002031 Plastic Palette 228 x 152mm 1

▲ Tear-Off Palette 287 x 205mmA tear-off pad of 50 disposable vegetable parchment palettes, impervious to oil, acrylic or alkyd colour.


7002018 Tear-Off Palette 287 x 205mm 6

▲ Tear-Off Palette 370 x 240mmA tear-off pad of 50 disposable vegetable parchment palettes, impervious to oil, acrylic or alkyd colour.


7002019 Tear-Off Palette 370 x 240 6

▲ Birch Palette 349 x 247mmAn oblong palette, manufactured from top quality birch plywood.


7002020 Birch Palette 349 x 247mm 1

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▲ Stanmore PaletteA six-well white plastic palette. The wells are 19mm deep. Overall size: 318 x 87mm.


7001015 Stanmore Palette 6

▲ Divided Slant Tile No 16White porcelain tile with six divisions. Size : 190 x 76mm.


7001001 Divided Slant Tile No 16 3

▲ Tinting Saucer No 30aA four-division saucer in white porcelain. Size: 89mm diameter.


7001003 Tinting Saucer No 30a 6

▲ Slant Well Tile No 33White porcelain tile with five circular wells and slants. Size: 190 x 100mm.


7001002 Slant Well Tile No 33 3

▲ Plastic Divided Slant Tile No 16This white plastic slant tile features 6 mixing wells. Size: 195 x 70mm.


7001006 Plastic Divided Slant Tile No 16 1

▲ PNA PaletteA four-well palette in white, high impact polystyrene. Size 290 x 90mm.


7001017 PNA Palette 6

▲ Artists’ Water Colour Large Pan Wooden PaletteMade from rich cherry-coloured wood, and fully varnished, this 5 pan tray is a lovely way to house Large Pans in place together while you work. Its non-slip rubber feet ensure that the pans are held secure as you paint. For added convenience, a brush rest is included which is suitable for larger size brushes.


0190550 Artists’ Water Colour Large Pan Wooden Palette 1

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Palette Knife Plastic ▲An economical moulded plastic knife, suitable for use with oil, acrylic and alkyd colour.


7003047 Palette Knife Plastic 6

Palette Knife No 1 ▲76mm straight blade.


7003140 Palette Knife No 1 3

Palette Knife No 4 ▲76mm flat blade with a cranked shank.



Painting Knife No 21 ▲56mm length & triangular shape.


7003146 Painting Knife No 21 3

Painting Knife No 24 ▲30m length & triangular shape.









Palette Knife No 5 ▲102mm flat blade with a cranked shank.
























Painting Knife No 29 ▲62mm length & rectangular shape.



Palette Knives

All palette and painting knives come with high

flexible steel blades and wooden handles

Painting Knife No 30 ▲62mm length & square edged, rectangular shape.



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Sketching and Painting Accessories

Charcoal ▶Specially prepared for artists’ use, the wood used for our willow charcoal is correctly baked to produce an even line of consistent intensity. Our charcoal is available in a variety of sizes and packs.


7005169 Thin 3 Sticks 6



7005170 Medium 3 Sticks 6



7005171 Thick 3 Sticks 6

7005174 Thick 12 Sticks 3

7005175 Assorted Thin, Medium, Thick sticks 3

Artists Sponge ▲High quality natural sponges for removing unwanted washes and creating special effects in water colours.


7030577 Artists Sponge 1

▲ Griffin EraserFinest quality soft, non-smear eraser.


7030575 Griffin Eraser 24

▲ Medium Kneaded RubberA medium size ‘plastic’ or ‘putty’ rubber which may be moulded to a fine point for minute erasures. Useful for picking out highlights and erasing pencil, chalk or charcoal without smearing.


7030576 Medium Kneaded Rubber 36

▲ Large Kneaded RubberA large size ‘plastic’ or ‘putty’ rubber which may be moulded to a fine point for minute erasures. Useful for picking out highlights and erasing pencil, chalk or charcoal without smearing.


7030618 Large Kneaded Rubber 12

Metal Double Dipper No. 14

Metal Double Dipper No. 12

Metal Double Dipper ▲Specially designed to minimize the risk of spillage, these metal containers clip onto the palette to hold oils and solvents during painting. Available in two sizes No.12 and No.14.


7004054 Metal Double Dipper No 14 3

7004052 Metal Double Dipper No 12 3

◀ Plastic Dipper No 18A single plastic dipper, 50mm in diameter with a 35mm wide mouth and screw top cap.


7004055 Plastic Dipper No 18 3

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Calligraphy, Drawing Accessories

▲ Rolinx Mapping PensMapping pen complete with pen holder.


7013237 Rolinx Mapping Pens 10

William Mitchell Italic Pens ▼A pack containing 10 assorted square cut nibs complete with a pen holder. (Right hand use only).


7013234 William Mitchell Italic Pens 6

▲ Gillott Mapping PensThis pack contains 6 nibs, 2 each of 3 points plus a pen holder.


7013238 Gillott Mapping Pens 6

◀ William Mitchell Italic PensA pack containing 5 assorted italic nibs and a pen holder. (Right hand use only).


7013235 William Mitchell Italic Pens 6

Gillott Drawing Pens ▶Pack of 8 assorted drawing nibs and pen holder.


7013239 Gillott Drawing Pens 6

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Winsor & Newton Artists' Materials do not present any major hazard when used with care and common sense. It should, however, be emphasised that as with other chemical products, high standards of general hygiene should be adhered to, both during and after use of these products and warnings given on individual products should be observed. Prolonged contact with the skin and ingestion (or swallowing) of the product should be avoided. This includes avoiding practices such as applying colour with the fingers or pointing brushes in the mouth.

Below you will find more information about health labeling and legislation. For more extensive information including Health & Safety data sheets, visit www.winsornewton.com. The health & safety data sheets include all the relevant health and safety information and indicate that our products have been tested to the appropriate standard.

Hazardous Materials - EU Legislation

These regulations were introduced in the 1960's. They cover all products available to industry or the general public in the EU. The basis of the system is the classification of dangerous substances into one of the following classifications: TOXIC, HARMFUL, CORROSIVE, IRRITANT, OXIDISING, EXPLOSIVE, FLAMMABLE or DANGEROUS FOR THE ENVIRONMENT.

There can be various levels within a classification, for example, Very Toxic or Extremely Flammable. Most levels of classification have accompanying symbols, for example, skull & cross bones for Toxic. In addition, these classifications can be accompanied by "Risk Phrases" and/or "Safety Phrases". Any artists' material, which falls into one of the above classifications, must be labelled accordingly.

The three most common classifications in artists' materials are Harmful, Flammable, and Dangerous for the Environment, as follows:

Listed below are the Winsor & Newton substances in the EU with Hazard Warnings:

▶ Turpentine – classified as harmful and dangerous to the environment

▶ Artist’s White Spirit – classified as harmful and dangerous to the environment

▶ Sansador – classified as harmful

Health Labelling for the USA

Here is a brief outline of the labelling information that you can expect to find on artists' colours in the USA:

The US system labels all products whether a health warning is needed or not. The most common US labels are:

"AP", indicating that the product has been tested by an independent toxicologist and is considered to be non-toxic.

In the US, if a potential risk exists with a product, the label will say so. The "CL" seal (replaced the "HL" seal in 2000) is used for products which are potentially hazardous, with appropriate phrases. For example, some cobalt colours may be labelled with this warning:

"Warning: May produce allergic reaction by skin contact. Contains cobalt. Avoid skin contact. Wash hands after use. Keep out of reach of children."

The labelling system came about through the combined efforts of a number of associations and groups. The American Society for Testing and Materials (ASTM) has prepared standards for the safe use of artists' materials. These have been published in a booklet entitled, "ASTM Standards for the Performance, Quality, and Health Labelling of Artists' Paints and Related Materials" (ISBN 0-8031-1838-4).

The labelling standard for Chronic Health Hazards in Art materials (ASTM D-4236) was codified into US law as part of the Federal Hazardous Substances Act. The Art & Creative Materials Institute (ACMI) provides labelling certification, and works to promote the safe and informed use of art materials in North America.

From 2000, many art materials sold in the United States have included additional labelling for products containing cadmium and lead as a result of action surrounding California's Safe Drinking Water and Toxic Enforcement Act of 1986 (commonly known as Proposition 65). The new labels will reflect requirements resulting from Proposition 65, independent of labelling required by the Federal Hazardous Substances Act.

For example, the labels for cadmium-containing products will read:

"DO NOT SPRAY APPLY. This product contains cadmium, a chemical known to the State of California to cause cancer by means of inhalation."

NOTE: There is no direct relationship between the EU and USA systems of health labelling as the categories used have different levels and limits, e.g., Flammable in the USA is not automatically considered as Flammable in the EU.

Health & Safety Information

Harmful Symbol Highly Flammable Symbol

Dangerous for the Environment Symbol

140

IND

EXIN

DEX

Index

100% Linen (canvas) 127

A

Acrylic Colour 57-66

Acrylic Mediums 67-76

Acrylics Palettes 135

Acrylic Primers 67, 71

Acrylic Varnishes 70, 76

Aerosol Varnishes 33-34

Alkyd Colour 23-25

Aquapasto 56

Art Masking Fluid 64

Artgel 55

Artguard 31

Artisan Brushes 111-112

Artisan Water Mixable Oil Colour 35-38

Artisan Water Mixable Oil Colour Mediums 39-40

Artisan Water Mixable Oil Colour Sets 38

Artists’ Acrylic Colour 59-62

Artists’ Acrylic Mediums 67-70

Artists’ Acrylic Sets 62

Artists’ Canvas 128

Artists’ Canvas Boards 129

Artists’ Hog Brushes 103-105

Artists’ Oil Colour 12-15

Artists’ Oil Colour Sets 15

Artists’ Oilbar 16-18

Artists’ Oilbar Sets 18

Artists’ Painting Medium 37

Artists’ Picture Cleaner 31

Professional Water Colour 4-48

Artists’ Water Colour Paper 131

Artists’ Water Colour Sable Brushes 89-90

Professional Water Colour Sets 47-48

Azanta Black Brushes 109-110

B

Brushes 85-118

C

Calligraphy Ink 84

Calligraphy Ink Sets 85

Canvas & Canvas Board 127-130

Cartridge Paper, Pads & Sketch Books 133-134

Charcoal 137

Cotman Brushes 96-100

Cotman Water Colour 49-54

Cotman Water Colour Paper 131-132

Cotman Water Colour Sets 53-54

D

Designers Gouache Colour 79-81

Designer Gouache Sets 81

Dippers 137

Distilled Turpentine 30

Drawing Ink 85

Drawing Ink Sets 85

Drawing Pens 138

Oils 26-27

E

Easels 119-126

Erasers 137

F

Fine Detail Cotton Canvas 127

Fixative 132

G

Galeria Brushes 115-117

Galeria Acrylic Colour 63-66

Galeria Acrylic Sets 66

Galeria Mediums 71-76

Galeria Paper & Pads 130

Gesso Primers 67, 71

Graphics 77-84

Griffin Alkyd Fast Drying Oil Colour 23-25

Griffin Alkyd Fast Drying Oil Colour Sets 25

Gum Arabic 55

H

Hard Back Sketch Books 134

Hog Brushes 103-110

I

Inks 83-84

Italic Pens 138

J

Japan Gold Size 32

K

Kneaded Rubbers 137

Knives, Painting & Palette 136

L

Linen Canvas 127

Linseed Oil 26

Liquin 28-29

M

Mapping Pens 138

Mediums, Acrylic Colour 68-69, 74-75

Mediums, Oil Colour 28-29

Mediums, Water Colour 55-56

Monarch Brushes 113-114

O

Oilbar, Artists’ 16-18

Oil Colours 10-25, 35-38

Oil Painting Primer 14

Oleopasto 28

Ox Gall liquid 56

P

Painting Knives 136

Palette Knives 136

Palettes 135-136

Paper 130-134

Pastel Paper 132

Pocket Brush 95

Poppy Oil 26

Poster Colours 82

Primer, Oil 14

Primer, Acrylic 67, 71

Pure Squirrel Brushes 92

R

Rubbers 137

S

Sable Brushes, Water Colour 89-90

Sansodor (low odour solvent) 30

Sceptre Gold II Brush 93-95

Series 4 Stencilling Brushes 118

Series 7 Kolinsky Sable Brushes 87-88

Series 140 Goat Hair Wash Brushes 91

Series 240 Goat Hair Wash Brushes 91

Series 340 Mop Brushes 92

Sketch Books 134

Sketch Box Easels 123

Sketching & Drawing Paper 133-134

Sketching Easels 123

Slant Tiles 136

Solvents 30-31

Special Value Brush Packs 118

Sponge 137

Squirrel Brushes 92

Stencil Brushes 118

Studio Easels 125-126

T

Table Easels 132-133

Tear-Off Palettes 136

Texture Gels, Acrylic 72-73

Tinting Saucer 136

Tints Pastel Paper 132

Turpentine 30

U

University Brush 101-102

V

Varnishes, Acrylic 70, 76

Varnishes, Aerosol 33-34

Varnishes, Oil 32-34, 40

W

Water Colour 41-54

Water Colour Mediums 55-56

Water Colour Papers & Pads 131-132

Water Mixable Oil Colour 35-38

Water Mixable Oil Colour Mediums 39-40

Water Mixable Oil Colour Sets 38

White Spirit 31

Willow Charcoal 137

Winsor Universal Canvas 130

Winton Hog Brushes 106-108

Winton Oil Colour 19-22

Winton Oil Colour Sets 22

Winton Paper & Pads (Oil) 130

141

NO

TES

NO

TES

Notes

142

NO

TESN

OTES

winsor & newton catalogue 2013 updated

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