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TRANSCRIPT
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1 By D.Harold Greene, CCMT
I Came Here in a Whisper: I Was Born – 1873 - Episode 1
A 19th Century Washington, D.C. Love Story
PEARL and the Buffalo Soldier
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2
Episode 1
A 19th Century Washington, D.C. Love Story
A historical and fictional biography of the life and family history of
Pearl Goodman Coleman and John Coleman, a 10th Calvary Buffalo
Soldier, in the late 19th and early 20th Century Washington, D.C.
PEARL and the Buffalo Soldier
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“Study the Past” …… “What is Past is Prologue”
“Study the Past”
On 7th Street in Washington, D.C., there is
a statue, depicting "Study the Past," that
sits on the Pennsylvania Avenue side at
the National Archives Building where our
Declaration of Independence, Constitution,
and Bill of Rights are on display, the
cornerstone documents of the United
States,
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“Study the Past” …… “What is Past is Prologue”
“Study the Past”
The quotation on the statue's base has
been attributed to a paraphrase of
Confucius that reads: “Study the Past.”
The statue emphasizes the importance of
studying history as the individualized
“Study the Past” male figure with a “closed
book” gazes down at you.
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“Study the Past” …… “What is Past is Prologue”
"What is Past is Prologue"
Also sitting on the Pennsylvania Avenue
side at the National Archives Building is
another statue in scripted with
"What is Past is Prologue"
The phrase that Shakespeare invented
came to mean that the past is a preface to
the future and that we cannot forget the
lessons of history.
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“Study the Past” …… “What is Past is Prologue”
"What is Past is Prologue"
A “prologue” was a preface to a play or
novel that “set the scene” and provided
some background information.
The statue represents that history is the
background for what will occur in the
future, as the individualized “What is Past
is Prologue” female figure ” with an
“opened book” gazes down at you.
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”Study the Past” …..”What is Past is Prologue”– …………..……………………..…………….
Prologue…………………………………..…………………………………………………… ……
Coleman Family Tree ………………………………………………………………………….…...
Being a Negro in America is Tough. But We Made It ………………………………………..…..
I Came Here in a Whisper: I Was Born – 1873……………………………………………………
The PERILS of Growing Up as a Negro Woman in 19th Century America – 1900…………….
Life in Washington, D.C. – 1909……………………………………………………………………
My Formative Years 1890 -1910……... …………………………………..……………..………..
High Society in 20th Century Washington, D.C, 1908……...………………………………........
Educating Washington D.C. Negroes – 1912……………………………………………………..
I Was a Flapper in Georgetown - 1912………………………………….…………………………
The Buffalo Soldier – 1917………………………………………………………………………….
“Top Coleman” – 1918………………………….… ………………………………………..……..
Book Information …………………………………………………………………………………….
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PEARL and the Buffalo Soldier
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Prologue
John Coleman and Pearl Goodman Coleman were my Grandparents on my mother’s family side. Her surname Goodwin was used prior to her marriage to my Grandfather; John Coleman.
She was born (B. 1897) by a mid-wife in Washington, D.C. and John was said to be born (B.1872) in Vienna, Dorchester County, Maryland. (1880 Census). Robert Coleman (B.1855), John’s father, my Great Grandfather, was the son of Hooper (B. 1820) and Mary (B. 1830) Coleman my Great, Great Grandparents, former slaves, also from Vienna, Dorchester County, Maryland.
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PEARL and the Buffalo Soldier
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This is a tribute to my father and mother, and to my aunts and uncles
who are all now deceased, the children of John and Pearl Coleman.
They left a proud family legacy and tradition that is befitting of all the
families here in the United States, despite race, religion or ethnicity.
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“Being a Negro in America is Tough, But We Made It!”
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Being a Negro in America during the lifetime of my family members was
tough (and it still is), but the times they had were also good and fruitful,
despite some of the negative things mentioned in this story about being
a Negro in America.
I do not have any regrets about being born a Negro in America.
I hope that the good in this book supersedes the negative stuff and I
encourage you to think, “Only in America!”.
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“Being a Negro in America is Tough, But We Made It!”
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I am grateful for my ancestor’s life journeys that helped help me to see who I am.
I realize now that I am an American first, a member of the Coleman family second and a Negro last.
I am also grateful for being an American and I thank GOD for leading me and my family on our walk of faith in HIS will in this great country.
D. (Dana) Harold Greene Author and the Grandson of
John and Pearl Coleman.
2018
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“Being a Negro in America is Tough, But We Made It!”
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D. (Dana) Harold Greene, CCMT, is the son of Harold W. Greene and Alma
Coleman Greene, the grandson of John and Pearl Coleman, and also the Great
Grandson of Robert Coleman and the Great Great Grandson of Hooper and
Mary Coleman.
He is also the Great Grandson of John Wesley Goodwin of Frederick, Maryland
and the Great Grandson of Susie Edith Mae Stewart of Dorchester County,
Maryland.
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I Came Here in a Whisper: I Was Born – 1873 Episode 1
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The Question Isn’t Who is Gonna Let Me,
It’s Whose Gonna Stop Me?
A Brief History of African Americans in Washington, DC
African Americans in Washington, DC: 1800-1975
by Marya Annette McQuirter, Ph.D.*
African Americans have been a significant part of Washington, DC's
civic life and identity since the city was first declared the new national
capital in 1791.
African Americans were 25 percent of the population in 1800 and the
majority of them were enslaved. By 1830, however, most were free
people. Yet slavery remained.
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The Question Isn’t Who is Gonna Let Me,
It’s Whose Gonna Stop Me?
African Americans, of course, resisted slavery and injustice by
organizing churches, private schools, aid societies, and businesses; by
amassing wealth and property; by leaving the city; and by demanding
abolition.
Escape to Freedom on the Schooner Named Pearl, 1848
In 1848, 77 free and enslaved adults and children unsuccessfully
attempted the nation's largest single escape aboard the schooner
Pearl.
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The Question Isn’t Who is Gonna Let Me,
It’s Whose Gonna Stop Me?
Congress had the authority to pass the DC Emancipation Act because
it was granted the power to "exercise exclusive legislation" over the
Federal district by the U.S. Constitution.
This Federal oversight has been a source of conflict throughout
Washington's history.
During the Civil War (1861-1865) and Reconstruction (1865-1877),
more than 25,000 African Americans moved to Washington. The fact
that it was mostly pro-Union and the nation's capital made it a popular
destination.
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The Question Isn’t Who is Gonna Let Me,
It’s Whose Gonna Stop Me?
We Could Vote Now!
Through the passage of Congress's Reconstruction Act of 1867, the
city's African American men gained the right to vote three years before
the passage of the 15th amendment gave all men the right to vote.
(Women gained the right to vote in 1920.)
The first Black municipal office holder was elected in 1868.
When Washington briefly became a Federal territory in 1871, African
American men continued to make important decisions for the city.
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The Question Isn’t Who is Gonna Let Me,
It’s Whose Gonna Stop Me?
Lewis H. Douglass introduced the 1872 law making segregation in
public accommodations illegal. But in 1874, in part because of growing
Black political power, the territorial government was replaced by three
presidentially appointed commissioners.
This system survived until the civil rights movement of the 1960s
brought a measure of self-government.
By 1900 Washington had the largest percentage of African Americans
of any city in the nation. Many came because of opportunities for
Federal jobs. Others were attracted to the myriad educational
institutions.
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The Question Isn’t Who is Gonna Let Me,
It’s Whose Gonna Stop Me?
On April 16, 1862, Congress passed the District of Columbia
Emancipation Act, making Washingtonians the first freed in the nation,
nine months before President Abraham Lincoln issued the
Emancipation Proclamation in January 1863.
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Site of Armory Square Hospital
Independence Avenue and 7th Street, SW, Washington, DC
One of the largest Civil War hospitals in the area was located on the
National Mall, where Smithsonian's National Air and Space Museum stands
today. Constructed in 1862, the medical facility was named after the Armory
of the District of Columbia was erected in 1856.
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This 1,000-bed hospital complex, with twelve pavilions and overflow tents,
spread across the Mall and included quarters for officers, service facilities,
and a chapel.
The wounded from the Civil War battlefields of Virginia were brought to the
nearby wharves in southwest Washington and taken to the Armory Square
Hospital.
After the Civil War, the Armory Building was used as storage facility, and
later housed the offices of the United States Fish Commission (after 1903,
Bureau of Fisheries).
It was demolished in January 1964
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Site of Washington Infirmary E Street, NW between 4th and 5th Streets
(Judiciary Square), Washington, DC
In 1806, the first public hospital in Washington was established in a square
between 6th and 7th Streets, and M and N Streets, NW.
Called Washington Infirmary ( later Sibley Hospital and then Gallagher
Hospital where I was born),
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It provided for "the poor, disabled, and infirm persons.
In 1842, Congress authorized the conversion of the old jail in the Judiciary
Square into a hospital for disabled seamen, soldiers and the insane.
Two years later, however, Congress decided that the building was not
suitable for that purpose and assigned it to the medical faculty of
Columbian College (later became George Washington University).
Also named Washington Infirmary, this hospital became the city's first
teaching hospital as well as the city's first general hospital (later renamed
D.C. General Hospital).
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At the beginning of the Civil War, Washington Infirmary was taken over by
the military, and it received the first Civil War casualties in May 1861.
But the facility burned to the ground in November 1861 and was later
replaced by the Judiciary Square Hospital.
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I Was Born in a Whisper, 1873
Episode 1
It was 100 years after the founding of
Washington, D.C., 1873, that my story
begins.
I was born in a whisper. In a whisper meant
that the people who birthed me didn’t want
the world to know that I was born.
The questions as to why is quite evident, as
they call it illegitimate now, but then you
were born out of wedlock, or born as a
bastard.
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My father was John Wesley Goodwin, a
white man from Frederick County, Maryland,
about seventy miles from Waldorf City,
Carroll County, Maryland.
He would often come down to Waldolf,
Maryland and rural Carroll County to sell life
insurance and to do other business with
Negros in the Homestead Section of Carroll
County.
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He also came to visit relatives down there
who happened to be the ex-slave owners of
grandmother’s family and my mother Susie
Edith Mae Stewart. They said that is how he
met my mother.
Every time John Wesley came down to
Waldorf City, he’d be watching this beautiful
and young Susie as she grew into a
beautiful seventeen year old temptress.
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They said that she was “the apple” of his
eyes, and he was just waiting, all them
years, for her to be grown enough to
understand his intentions.
He began to give her nice stuff and buy her
things, acting as her benefactor and as a
wolf in sheep’s clothing.
.
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When he came to Waldorf City, he
frequently went over to my grandfather
and grandmothers shack in the Negro
Homestead section in rural Carroll
County to visit with this young vixen.
Rural Negro Farmers, c. 1890
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Back then, it was known that it didn’t
matter if she was a virgin or the wife
of a Negro man, because in the rural
south, white men had their privileges
over a Negro woman’s body and life.
Yes, they were no longer slaves, but
that didn’t matter back then.
Rural Negro Farmers, c. 1890
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They could literally do as they pleased
with any Negro woman that they
wanted and there wouldn’t be any
repercussions for their actions.
Well, Susie, my mother, was what he
wanted and it was just a matter of time
before he got what he wanted.
Rural Negro Farmers, c. 1890
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After secretly courting her for nearly
three years, he took his privilege
seriously and got what he wanted.
Rural Negro Farmers, c. 1890
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I was told that he picked a day to visit
Susie at her grandparent’s shack,
when her folks were away, and he just
took her.
I don’t know if it was her will to let him
or if she had just broke down her will
and just let him do it, but he did it to
her.
That’s why I am here.
Rural Negro Farmers, c. 1890
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Rumors spread around Hampstead
after Susie became pregnant, that she
had gone and givin’ herself to one of
the local Negro men, with her intention
being to marry that man.
But darker rumors told the real story
after I was born a light skinned Negro
baby, that my real father was a white
man.
Suspicions fell on John Wesley
Goodwin, Susie’s white suitor.
Rural Negro Farmers, c. 1890
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Everyone knew it was John Wesley,
make no doubt about it, when I was
born with white features.
I also favored John Wesley’s looks, his
nose, his mouth and even the color of
my hair was like his.
There was no doubt that I was his
baby and he was my daddy, but we
couldn’t make that claim against a
white man back then.
Rural Negro Farmers, c. 1890
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Ms. Kittler, the local mid-wife who
helped my mother thru her birthing
labor, saw this too.
That’s why she gave me the
Goodwin’s surname on the mid-wife
birth papers.
She listed on the birth form John
Wesley Goodwin as the birth father
and Susie Edith Mae Stewart as the
birth mother of this nameless light
skinned Negro baby girl.
Rural Negro Farmers, c. 1890
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Rumor has it that when I was born, my
daddy didn’t want no parts of being
blamed as the father of this Negro
baby girl.
My official birth certificate with this
information was never registered with
the Charles County Courthouse.
I officially became a “whisper” baby on
that day. (c. 1890) Center Market - Washington, D.C
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Back then, he could do what he
wanted with a Negro woman and no
one in the white or the Negro
community could say different and
hold him responsible for me.
They just moved on with their lives
and nobody cared.
(c. 1890) Center Market - Washington, D.C
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More rumors came out that John
Wesley sired two other “whisper”
babies, Nellie and John (Jocko) by
another Negro woman in the
community as well.
They didn’t know who the Negro
woman was, but they suspected that
it was Susie who was the mother, as
my grandparents also took in these two babies and growed them up.
A Rural Negro Family- Carroll County, MD (c. 1876)
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40
But no one, including John Wesley,
came forward to admit that this
happened too.
The surname of my mother’s sister
and brother was also Goodwin.
Who’d a thought?
A Rural Negro Family- Carroll County, MD (c. 1876)
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41
We just accepted the fact that we
was born and we didn’t know who
the daddy was.
Having a lot of “whisper” babies in
the Negro community was quite
common and no one paid it much
attention.
A Rural Negro Family- Carroll County, MD (c. 1876)
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42
A “Whisper Baby”
There were a lot of “whisper” babies
in Carroll County in those days.
It was common and not unusual
back then because it was not held
against me, my sister or my brother.
A Rural Negro Family- Carroll County, MD (c. 1876)
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43
There were Negro babies of all
different colors, with freckles, blond
hair, blue eyes and with Negro
features all over Carroll County.
It was just accepted that white men
and Negro women were doing it and
having half white Negro babies.
A Rural Negro Family- Carroll County, MD (c. 1876)
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44
You could tell this by looking at the
outcome of their messing around
with each other.
It didn’t make no difference in those
days.
A Rural Negro Family- Carroll County, MD (c. 1876)
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45
I was still raised, nurtured and loved
as part of our family by my mother,
grandfather and grandmother as one
of their children.
It didn’t matter where you came
from.
All that mattered was that we were
here now, so we just moved on with
It. A Rural Negro Family- Carroll County, MD (c. 1876)
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46
Being born without a true daddy was
not a big deal, as when we were
slaves, quite often, our daddy could
be sold to another plantation or even
killed by white folk.
So it didn’t matter as long as my
mother and the rest of my family was
still here.
A Rural Negro Family- Carroll County, MD (c. 1876)
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47
As I got older, I was determined that
being born as a “whisper” baby was
not going to stop me from having a
great childhood and from doing great
things with my life.
A Rural Negro Family- Carroll County, MD (c. 1876)
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48
Eventually, John Wesley Goodwin,
my daddy, never came back to
Carroll County to see me and my
siblings that we knew that he had
also fathered.
He just stopped coming down here.
I heard rumors that he was being
pressured by his family to abandon
us and plead no acknowledgement
of his “whisper” babies in Carroll
County. A Rural Negro Family- Carroll County, MD (c. 1876)
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49
He is Still My Daddy
That is what stopped him from coming
down there to see us grow up.
He got what he wanted from my
mother Susie, but he wasn’t prepared
to deal with the consequences and
responsibilities that followed his time
with her.
African Americans posed outside of church ( c. 1870)
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50
It ain’t just white men who did this.
There were a lot of Negro men who did
the same thing, and many of them still
lived in the community.
There were Negro and white men who
did it to their daughters and cousins
against what the Bible preached.
African Americans posed outside of church ( c. 1870)
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51
There were babies running around
who looked like everything that you
could imagine because these things
were happening.
They got what they wanted and then
they got what they deserve, so it was
no sense in John Wesley coming back
to see us.
African Americans posed outside of church ( c. 1870)
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52
Few of them had a true family last
name or they often took the last name
of their former slave master.
I had a true family name and the name
was of my birth father that I could use
and share with the world.
African Americans posed outside of church ( c. 1870)
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53
Thank you daddy, John Wesley
Goodwin and mother, Susie Edith Mae
Stewart, for bringing me into this world.
I love you both, and the generations of
my family after me will one-day know
the real story and the history of this
“whisper baby”, as I tell it to you now.
African Americans posed outside of church ( c. 1870)
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54
Next Episode
The Perils of Growing Up as a Negro Woman in Turn of the
Century Washington, D.C. – 1900 – Episode 2
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55
Growing Up As a Strong Negro
Woman
Growing up in the 1890’s in rural
Carroll County, Maryland was not bad,
but it was not good either.
It was only a matter of time that I had
to get out of there. I was not going to
be no damn farmer’s or share
cropper’s wife.
I ain’t!
African Americans Woman ( c. 1880)
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56
There wasn’t much to do there except
maybe go to Waldorf City, the county
seat.
You could shop in the stores where
Negros were allow to shop in, if you
had money; if you had a way to get
there; and if it was the light of day.
Negros weren’t allowed to go out at
night. You could be arrested and shot
for doing so.
.
African Americans Woman ( c. 1800)
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57
I was determined to go to Washington,
D.C. and to get out of the backwards
ways of rural Carroll County, Maryland,
and I did.
I went to Washington, D.C. in 1900, to
start my new life and career.
I thank GOD that he gave me those
Proctor girls as my guides and they
kept me straight until I met my Buffalo
Soldier, John Coleman.
African Americans Woman( c. 1800)
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58
PEARL and the Buffalo Soldier
Purchase the “Pearl and the Buffalo Soldier” Video eBook at our website: http://www.19thcenturynegrolife.homesteadcloud.com/