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Current Issues in Film COM 221

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Page 1: Current Issues in Film COM 221. 1. What is film? Acquisition Editing Delivery Systems For all: Analog vs. Digital

Current Issues in Film

COM 221

Page 2: Current Issues in Film COM 221. 1. What is film? Acquisition Editing Delivery Systems For all: Analog vs. Digital

1. What is “film”?

AcquisitionEditingDelivery Systems

For all: Analog vs. Digital

Page 3: Current Issues in Film COM 221. 1. What is film? Acquisition Editing Delivery Systems For all: Analog vs. Digital

Media: Film

Page 4: Current Issues in Film COM 221. 1. What is film? Acquisition Editing Delivery Systems For all: Analog vs. Digital

Media: Film Tape—2”, ¾”, ½” (Betamax, VHS), DV

Page 5: Current Issues in Film COM 221. 1. What is film? Acquisition Editing Delivery Systems For all: Analog vs. Digital

Media: Film Tape—2”, ¾”, ½” (Betamax, VHS), DV Disc—Laser, DVD, BluRay

Page 6: Current Issues in Film COM 221. 1. What is film? Acquisition Editing Delivery Systems For all: Analog vs. Digital

Media: Film Tape—2”, ¾”, ½” (Betamax, VHS), DV Disc—Laser, DVD, BluRay Computer/Hard-drive

Page 7: Current Issues in Film COM 221. 1. What is film? Acquisition Editing Delivery Systems For all: Analog vs. Digital

Media: Film Tape—2”, ¾”, ½” (Betamax, VHS), DV Disc—Laser, DVD, BluRay Computer/Hard-drive Streaming

Page 8: Current Issues in Film COM 221. 1. What is film? Acquisition Editing Delivery Systems For all: Analog vs. Digital

Media: Film Tape—2”, ¾”, ½” (Betamax, VHS), DV Disc—Laser, DVD, BluRay Computer/Hard-drive Streaming Micro-cinema

Page 9: Current Issues in Film COM 221. 1. What is film? Acquisition Editing Delivery Systems For all: Analog vs. Digital

Nonlinear editing (old AND new)

Page 10: Current Issues in Film COM 221. 1. What is film? Acquisition Editing Delivery Systems For all: Analog vs. Digital

Nonlinear editing (old AND new)Aspect ratio (1.33:1, 1.85:1, 2.35:1)

Page 11: Current Issues in Film COM 221. 1. What is film? Acquisition Editing Delivery Systems For all: Analog vs. Digital

Nonlinear editing (old AND new)Aspect ratio (1.33:1, 1.85:1, 2.35:1)“Digital Cinema”—Convergence of digital

technologies with film Film vs. HD video

Page 12: Current Issues in Film COM 221. 1. What is film? Acquisition Editing Delivery Systems For all: Analog vs. Digital

Nonlinear editing (old AND new)Aspect ratio (1.33:1, 1.85:1, 2.35:1)“Digital Cinema”—Convergence of digital

technologies with film Film vs. HD video

Mitchell S35R Mark II 35mm reflex film camera Panasonic AJ-HPX3000G HD video camera

Page 13: Current Issues in Film COM 221. 1. What is film? Acquisition Editing Delivery Systems For all: Analog vs. Digital

Nonlinear editing (old AND new)Aspect ratio (1.33:1, 1.85:1, 2.35:1)“Digital Cinema”—Convergence of digital

technologies with film“Film Purists”

The strange case of Dogme 95 started in 1995 by the Danish directors Lars von Trier

and Thomas Vinterberg

Page 14: Current Issues in Film COM 221. 1. What is film? Acquisition Editing Delivery Systems For all: Analog vs. Digital

Dogme 95’s “Vow of Chastity”:

1. Filming must be done on location. Props and sets must not be brought in. If a particular prop is necessary for the story, a location must be chosen where this prop is to be found.

2. The sound must never be produced apart from the images or vice versa. Music must not be used unless it occurs within the scene being filmed, i.e., diegetic.

3. The camera must be a hand-held camera. Any movement or immobility attainable in the hand is permitted. The film must not take place where the camera is standing; filming must take place where the action takes place.

4. The film must be in colour. Special lighting is not acceptable (if there is too little light for exposure the scene must be cut or a single lamp be attached to the camera).

5. Optical work and filters are forbidden. 6. The film must not contain superficial action (murders, weapons, etc. must not occur.) 7. Temporal and geographical alienation are forbidden (that is to say that the film takes place

here and now). 8. Genre movies are not acceptable. 9. The final picture must be transferred to the Academy 35mm film, with an aspect ratio of 4:3,

that is, not widescreen. Originally, the requirement was that the film had to be filmed on Academy 35mm film, but the rule was relaxed to allow low-budget productions.

10. The director must not be credited.

254 Films have been “registered”—e.g., Julien Donkey-Boy (1999, Harmony Korine), Dogville (2003, Lars von Trier), The Celebration (1998, Thomas Vinterberg)

Page 15: Current Issues in Film COM 221. 1. What is film? Acquisition Editing Delivery Systems For all: Analog vs. Digital

2. “Ownership” of film

Who's the author?Copyright

How long? Post-1978—generally, life of the author + 70 years OR for work-for-hire, 95 years

Page 16: Current Issues in Film COM 221. 1. What is film? Acquisition Editing Delivery Systems For all: Analog vs. Digital

Piracy In-theater copying--Tarzan, Star Wars Episode I Online pirated distribution

Page 17: Current Issues in Film COM 221. 1. What is film? Acquisition Editing Delivery Systems For all: Analog vs. Digital

Who has the right to change, edit? Colorization

(derivative work; public domain)

Page 18: Current Issues in Film COM 221. 1. What is film? Acquisition Editing Delivery Systems For all: Analog vs. Digital

Who has the right to change, edit? Colorization

(derivative work; public domain) Pan & Scan vs. Letterboxing

e.g., Lord of the Rings: The Return of the King

Page 19: Current Issues in Film COM 221. 1. What is film? Acquisition Editing Delivery Systems For all: Analog vs. Digital

Let’s watch a Turner Classic Movies featurette on pan & scan vs. letterboxing!

http://www.youtube.com/watch?v=5m1-pP1-5K8

Page 20: Current Issues in Film COM 221. 1. What is film? Acquisition Editing Delivery Systems For all: Analog vs. Digital

Who has the right to change, edit? Colorization

(derivative work; public domain) Pan & Scan vs. Letterboxing “Clean Flicks” case

Page 21: Current Issues in Film COM 221. 1. What is film? Acquisition Editing Delivery Systems For all: Analog vs. Digital

Let’s watch a short video about “Clean Flicks”

Page 22: Current Issues in Film COM 221. 1. What is film? Acquisition Editing Delivery Systems For all: Analog vs. Digital

3. Originality—Is there anything really new?

Remakes and sequels and prequels and adaptations

“Synthespians” Read our class article (online)

Indies—their ultimate institutionalization

Page 23: Current Issues in Film COM 221. 1. What is film? Acquisition Editing Delivery Systems For all: Analog vs. Digital

4. Cultural Imperialism & Film

America entertains the world—does it also impose its values on other cultures?

European Union’s reactions to Hollywood

Page 24: Current Issues in Film COM 221. 1. What is film? Acquisition Editing Delivery Systems For all: Analog vs. Digital

5. Technology over Content?

The age of Avatar

Page 25: Current Issues in Film COM 221. 1. What is film? Acquisition Editing Delivery Systems For all: Analog vs. Digital

5. Technology over Content?

The age of Avatar

Page 26: Current Issues in Film COM 221. 1. What is film? Acquisition Editing Delivery Systems For all: Analog vs. Digital

5. Technology over Content?

The age of Avatar

Page 27: Current Issues in Film COM 221. 1. What is film? Acquisition Editing Delivery Systems For all: Analog vs. Digital

5. Technology over Content?

The age of Avatar

Page 28: Current Issues in Film COM 221. 1. What is film? Acquisition Editing Delivery Systems For all: Analog vs. Digital

5. Technology over Content?

The age of Avatar

Page 29: Current Issues in Film COM 221. 1. What is film? Acquisition Editing Delivery Systems For all: Analog vs. Digital

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